Production Encyclopedia 1952 (1952)

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PRODUCTIONS 1950 495 THE WHIPPED Hal E. Chester-UA. Producer. Hal E. Chester. Associate producer, Bernard W. Burton. Director-adaptation, Cyril Endfield. Screenplay, Henry Blankfort. Original, Craig Rice. Additional dialog, C. Joseph Dell. Photography, Stanley Cortez. Art direction. Cordon Wiles, Dave Milton. Set decorations, Ray Boltz. Music score, David Rose. Musical director, Irving Friedman. Edited by Richard Heermance. Sound technician, Tom Lambert. Production manager, Allen K. Wood. Assistant director, William Calihan. Script supervisor, Bobbie Sierkes. Hair stylist, Stephanie Garland. Makeup, Tom Tuttle. Technical advisor, Ben F. Melzer. CAST — Dan Duryea, Herbert Marshall, Gale Storm, Howard da Silva, Michael O'Shea, Mary Anderson, Gar Moore, Melville Cooper, Frieda Inescort, Art Baker, Harry Shannon, Alan Hale, Jr., Stephen Dunne, Roland Winters, Sue England, Lewis L. Russell, Frances Chaney. Reviewed 2-13-50. (Released as "The Underworld Story.") THE WHITE TOWER RKO (Technicolor). Producer, Sid Rogell. Director, Ted Tetzlaff. Screenplay, Paul Jarrico. Original novel, James Ramsey Ullman. Photography, Ray Rennahan. Technicolor consultant, Morgan Padelford. Special effects, Harold Wellman. Associate photographer, Tony Braun. Operating cameraman, Fred Bentley. Art direction, Albert S. D'Agostino, Ralph Berger. Set decorations, Darrell Silvera, Harley Miller. Music score, Roy Webb. Musical director, C. Bakaleinikoff. Edited by Samuel F. Beetley. Sound technicians, Richard van Hessen, Clem Portman. Production manager, Ruby Rosenberg. Assistant director, Robert Aldrich. Script supervisor, Richard Kinon. Hair stylist, Larry Germain. Makeup, Mel Berns. Crip, John Livesley. Gaffer, James Vaiana. Stillman, Rod Tolmie. CAST — Glenn Ford, Valli, Claude Rains, Oscar Homolka, Sir Cedric Hardwicke, Lloyd Bridges, June Clayworth, Lotte Stein, Fred Essler, Edit Angold. Reviewed 6-14-50. WINCHESTER '73 Ul. Producer, Aaron Rosenberg. Director, Anthony Mann. Screenplay, Robert L. Richards, Borden Chase. Original, Stuart Lake. Photography, William Daniels. Operating cameraman, William Dodds. Art direction, Bernard Herzbrun, Nathan Juran. Set decorations, Russell A. Gausman, A. Roland Fields. Musical director, Joseph Cershenson. Edited by Edward Curtiss. Sound, Leslie I. Carey, Richard De Weese. Production manager, Dewey Starkey. Assistant director, Jesse Hibbs. Script supervisor, Connie Clark. Hair stylists, Joan St. Oegger, Merl Reeves. Makeup, Bud Westmore, Jack Kevan. Crip, Ben Hawkins. Costumes designed by Yvonne Wood. Gaffer, Lloyd Hill. Stillman, Sherman Clark. CAST — James Stewart, Shelley Winters, Dan Duryea, Stephan McNally, Millard Mitchell, Charles Drake, John Mclntire, Will Geer, Jay C. Flippen, Rock Hudson, John Alexander, Steve Brodie, James Millican, Abner Biberman, Anthony Curtis, James Best. Reviewed 6-7-50. THE WOLF HUNTERS MONO. Producer, Lindsley Parsons. Associate producer, William F. Broidy. Director, Oscar Boetticher. Screenplay, W. Scott Darling. Original novel, James Oliver Curwood. Photography, William Sickner. Art direction, Dave Milton. Set decora'-ions, Raymond Boltz, Jr. Musical director, Edward J. Kay. Editde by Ace Herman. Sound technician. Virgil Smith. CAST — Kirby Grant, Jan Clayton, Edward Norris, Helen Parrish, Charles Land, Ted Hecht, Luther Crockett, Elizabeth Root, Chinook (dog). Reviewed 1-9-50. WOMAN ON THE RUN Fidelity-UI. Producer, Howard Welsch. Director, Norman Foster, Screenplay, Alan Campbell, Norman Foster. Original, American magazine story, Sylvia Tate. Photography, Hal Mohr. Process, Loyal Griggs, Robert Hansard. Art direction, Boris Leven. Set decorations, Jacque Mapes, Music score, Emil Newman Arthur Lange. Edited by Otto Ludwig. Sound technicians, Fred Lau, Mac Dagleish. Assis+ant director Maurie M. Suess. Hair stylist. Vera Peterson. Costumes designed by Travilla. CAST — Ann Sheridan, Dennis O'Keefe, Robert Keith, Ross Elliott, Frank Jenks, John Qualen, J Farrell McDonald. Thomas P. Dillon. Reviewed 10-4-50 WOMEN FROM HEADQUARTERS REP. Associate producer, Stephen Auer. Director, George Blair. Original screenplay, Gene Lewis. Photography, John MacBurnie. Operating cameraman, Enzo Martinelli. Art direction, James Sullivan. Set decorations, John McCarthy, Jr., George Milo. Music score, R. Dale Butts. Edited by Harold Minter. Sound technician, T. A. Carman. Assistant director, Lee Lukather. Script supervisor, Joan Eremin. Hair stylist, Lynne Burke. Makeup, Bob Mark, Steve Drumm. Crip, VC'hitey Lawrence. Gaffer, Sid Swaney. Stillman, Ira Hoke. CAST — Virginia Huston, Robert Rockwell, Barbra Fuller, Norman Budd, Francis Charles, K. Elmo Lowe, Otto Waldis, Crandon Rhodes, Jack Kruschen, Bert Conway, Mario Dwyer, Sid Marion, John DeSimone, Gil Herman, Leonard Penn. Reviewed 5-5-50. WYOMING MAIL Ul (Technicolor). Producer, Aubrey Schenck. Director, Reginald LeBorg. Screenplay, Harry Essex, Leonard Lee. Original, Robert Hardy Andrews. Photography, Russell Metty. Technicolor consultant, William Fritzsche. Operating cameraman, Phil Lathrop. Art direction, Bernard Herzbrun, Hilyard Brown. Set decorations, Russell A. Gausman, John Austin. Musical director-score, Joseph Cershenson. Edited by Edward Curtiss. Sound, Leslie I. Carey, Corson Jowett. Production manager. Jack Gertzman. Assistant director, Ron Rondell. Script supervisor, Dorothy Hughes. Hair stylist, Helen Turpin. Makeup, Gene Hibbs. Grip, Dean Paup. Gaffer, Max Nippel. CAST — Stephen McNally, Alexis Smith, Howard da Silva, Ed Begley, Don Riss, Roy Roberts, Whit Bissell, James Arness, Armando Silvestre, Richard Jaeckel, Frankie Darro, Felipe Turich, Richard Egan, Gene Evans, Frank Fenton, Emerson Treacy. Reviewed 10-2-50. THE YELLOW CAB MAN MCM. Producer. Richard Goldstone. Director, Jack Donohue. Screenplay, Devery Freeman, Albert Beich. Original, Devery Freeman. Photography, Harry Stradling. Special effects, A. Arnold Gillespie, Warren Newcombe. Distortion effect, Weegee. Operating cameraman. Dale Deverman. Art direction, Cedric Gibbons, Eddie Imazu. Set decorations, Edwin B. Willis, Keogh Gleason. Music score, Scott Bradley, Adolph Deutsch. Edited by Albert Akst. Sound, Douglas Shearer, Frank B. McKenzie. Production manager, Lee Katz. Assistant director. Jack Greenwood. Script supervisor, Polly Craus. Hair stylist, Sydney Cuilaroff. Makeup, Jack Dawn. Grip, Hap Constable. Stillman, Robert Quirk. CAST— Red Skelton, Gloria De Haven, Walter Slezak, Edward Arnold, James Gleason, Jay C. Flippen, Paul Harvey, Guy Anderson, John Butler, John Indrisano. Polly Moran. Reviewed 2-1 6-50. YOUNG DANIEL BOONE MONO. Producer, James S. Burkett. Director, Reginald LeBorg. Screenplay, Clint Johnston, Reginald LeBorg. Original novel, Clint Johnston. Photography, G. U/arrenton. Cinecolor consultants, Wihon R. Holm, Clifford D. Shank. Musical director, Edward J. Kay. Edited by Charles Craft. Supervising, Otho Lovering. Sound technician, J. Kean. Production manager, Allen K. Wood. Assistant director, William Calihan. Script supervisor, Mary Chaffee. Makeup, T. Larsen. Technical advisor, Nipo T. Strongheart. CAST — David Bruce, Kristine Miller, Damian O'Flynn, Don Beddoe, Mary Treen, John Mylong, William Roy, Stanley Logan. Herbert Naish, Nipo T. Strongheart, Richard Foote, Stephen S. Harrison. Reviewed 2-24-50. YOUNG MAN WITH A HORN WB. Producer, Jerry Wald. Director, Michael Curtiz. Screenplay, Carl Foreman, Edmund H. North. Original novel, Dorothy Baker. Dialog director, Norman Stuart. Photography, Ted McCord. Operating cameraman, Ellsworth Fredricks. Art direction, Edward carrer. Set decorations, William Wallace. Musical director, Ray Heindorf. Musical advisor, Harry James. Edited by Alan Crosland, Jr. Sound technician, Everett A. Brown. Assistant director. Sherry Shourds. Script supervisor, Irva Mae Ross. Hair stylist, Betty Lou Delmont. Makeup, Perc Westmore, John Wallace. Grip, Bill Chassen. Costumes designed by Milo Anderson. Gaffer, Paul Burnett. Stillman, Mac Julian. CAST — Kirk Douglas, Lauren Bacall, Doris Day, Hoagy Carmichael, Juano Hernandez, Jerome Cowan, Mary Beth Hughes, Nestor Paiva, Orfley Lindgren, Walter Reed, Alex Gerry. Reviewed 2-8-50.