Production Encyclopedia 1952 (1952)

502 PRODUCTIONS 1949 director, Roy Wade. Script supervisor, Marie Messenger. Hair stylist, Lynne Burlce. Makeup, Bob Mark. Crip, Whitney Lawrence. Gaffer, Babe Stafford. Still man, Ira Hoke. CAST — Allan "Rocky" Lane, Black Jack (Horse), Eddy Waller, Helene Stanley, Jim Nolan, Harry Lauter, Robert Bice, John Hamilton, Lane Bradford, Ceorge H. Lloyd, Steve Clark, I. Stanford Jolley, Danni Nolan, Richard Emory. Reviewed 9-9-49. BARBARY PIRATE COL. Producer, Sam Katzman. Director, Lew Landers. Screenplay, Robert Libott, Frank Burt. Photography, Ira H. Morgan. Operating cameraman. Bill Whitley. Art direction, Paul Palmentola. Set decorations, Sidney Clifford. Musical director, M. Bakaleinikoff. Edited by James Sweeney. Sound technician. Josh Westmoreland. Production manager. Herb Leonard. Assistant director. Carter DeHaven. Script supervisor, Violet Newfield. Makeup, Roy Sebastian. Gaffer, Al Lader. Still man, Irving Lipman. CAST — Donald Woods, Judy Marshall, Leonora Aubert, Stefan Schnabel, Ross Ford, John Dehner, Matthew Boulton. Reviewed 7-29-49. THE BARKLEYS OF BROADWAY MCM (Technicolor). Producer, Arthur Freed. Associate producer, Roger Edens. Director, Charles Walters. Original screenplay, Betty Comden, Adolph Green. Photography, Harry Stradling. Technicolor directors, Natalie Kalmus, Henri Jaffa. Special effects, Warren Newcombe. "Shoes With Wings On" dancing shoes effects by Irving G. Ries. Art direction, Cedric Gibbons, Edward Carfagno. Set decorations, Edwin B. Willis, Arthur Krams. Songs, Harry Warren; lyrics, Ira Gershwin. Orchestrations, Conrad Salinger. Vocal arrangements, Robert Tucker. Musical director, Lennie Hayton. Edited by Albert Akst. Sound, Douglas Shearer, Charles E. Wallace. Production manager, Hugh Boswell. Assistant director, Wallace Worsley. Script supervisor, Eyila Jacobus. Hair stylist, Sydney Cuilaroff. Makeup, Jack Dawn. Musical numbers staged and directed by Robert Alton. Grip, Dick Borland. "Shoes With Wings On" directed by Hermes Pan. Miss Rogers' costumes by Irene. Men's costumes by Valles. Still man. Otto Dyar. CAST — -Fred Astaire, Ginger Rogers, Oscar Levant, Billie Burke, Gale Robbins, Jacques Francois. Ceorge Zucco, Clinton Sundberg, Inez Cooper, Carol Brewster, Wilson Wood. Days in production, 51. Reviewed 4-11-49. BATTLEGROUND MCM. Producer, Dore Schary. Associate produceroriginal-screenplay, Robert Pirosh. Director, William A. Wellman. Photography, Paul C. Vogel. Montage, Peter Ballbusch. Operating cameraman, James Harper. Art direction, Cedric Gibbons, Hans Peters. Set decorations, Edwin B. Willis, Alfred E. Spencer. Music score, Lennie Hayton. Edited by John Dunning. Sound, Douglas Shearer, Conrad Kahn. Production manager, William Kaplan. Assistant director, Sid Sidman. Script supervisor, John Banse. Makeup, Jack Dawn. Grip, Henry Forrester. Still man, Edwin Hubbell. CAST — Van Johnson, John Hodiak, Ricardo Montalban, George Murphy, Marshall Thompson, Jerome Courtland, Don Taylor, Bruce Cowling, James Whitmore, Douglas Fowley, Leon Ames, (iuy Anderson, Thomas E. Breen, Denise Darcel, Richard Jaeckel, Jim Arness, Scotty Beckett, Brett King, "Screaming Eagles" of the 101st Airborne Division, U.S.A. Reviewed 9-28-49. THE BEAUTIFUL BLONDE FROM BASHFUL BEND 20t'h-FOX (Technicolor). Producer-director-screenplay, Preston Sturges. Original, Earl Felton. Photography, Harry Jackson. Technicolor direction, Natalie Kalmus, Leonard Doss. Special effects, Fred Sersen. Operating cameraman, Irving Rosenberg. Art direction, Lyie Wheeler, (3eorge W. Davis. Set decorations, Thomas Little, Stuart Reiss. Music score, Cyril Mockridge. Orchestrations, Herbert Spencer. Vocal direction. Ken Darby. Musical director, Alfred Newman. Edited by Robert Fritch. Sound technicians, Eugene Grossman, Harry M. Leonard. Production manager, R. L. Hough. Assistant director, William Eckhardt. Script supervisor, Doris Drought. Hair stylists, Irene Brooks, Marie Brasselle, Lillian Hokum. Makeup, Ben Nye, George Lane, Allen Snyder. Grip, Bruce Hunsaker. Costumes designed by Rene Hubert. Gaffer, Larry Airhart. Still man, Anthony Ugrin. CAST — Betty Grable, Cesar Romero, Rudy Vallee, Olga San Juan, Sterling Holloway, Hugh Herbert, El Brendel, Porter Hall, Pati Behrs, Margaret Hamilton, Danny Jackson, Emory Parnell, Alan Bridge, ChrisPin Martin, J. Farrell MacDonald, Richard Hale, Georgia Cain, Esther Howard, Harry Hayden, Chester Conklin, Mary Monica MacDonald, Torben Meyer, Dewey Robinson, Richard Kean, Harry Tyler, Dudley Dickerson, Russell Simpson. Reviewed 5-25-49. BEYOND THE FOREST WB. Producer, Henry Blanke. Director, King Vidor. Screenplay, Lenore Coffee. Original novel, Stuart Engstrand. Photography, Robert Burks. Special effects, William McCann, Edwin DuPar. Operating cameraman. Bill Schurr. Art direction, Robert Haas. Set decorations, William Kuehl. Music score. Max Steiner. Orchestrations, Murray Cutter. Edited by Rudi Fehr. Sound technician, Charles Lang. Production manager, Eric Stacey. Assistant director, Al Alleborn. Script supervisor, Rita Michaels. Hair stylist, Ruby Felker. Makeup, Perc Westmore, Al Greenway. Grip, Harold Noyes. Costumes designed by Edith Head. Gaffer, Charles Bannon. Still man, Eugene Richee. CAST — Bette Davis, Joseph Gotten, David Brian, Ruth Roman, Minor Watson, Dona Drake, Regis Toomey, Sara Selby, Marv Servoss, Frances Charles. Reviewed 10-18-49. THE BIG CAT William Moss-EL (Technicolor). Producer, William Moss. Director, Phil Karlson. Director, second unit, Noel Smith. Screenplay, Morton Grant, Dorothy Yost. Original, Morton Grant. Photography, W. Howard Greene. Technicolor direction, Natalie Kalmus, Francis C. Cugat. Special effects, Roy W. Seawright. Art direction, Frank Durlauf. Set decorations, Ben 5. Bone, Armor Marlowe. Music score, Paul Sawtell. Musical director, Irving Friedman. Edited bv Harvey Manger. Sound technician, Victor Appel. Production manager, James T. Vaughn. Assistant directors, Ridgeway (lallow, William Nolte. Hair stylists, Joan St. Oegger, Gwen Van Upp. Makeup, Ern Westmore, Jack Pierce. CAST — Lon McCallister, Peggy Ann Garner, Preston Foster, Forrest Tucker, Skip Homeier, Sara Haden, Irving Bacon, Gene Reynolds. Reviewed 4-26-49. BIG )ACK MCM. Producer, Gottfried Reinhardt. Director, Richard Thorpe. Screenplay, Gene Fowler, Marvin Borowsky, Osso Van Eyss. Original, Robert Thoeren. Photography, Robert Surtees. Operating cameraman, A. Lindsley Lane. Art direction, Cedric Gibbons, Randall Duell. Set decorations, Edwin B. Willis, Hugh Hunt. Music score, Herbert Stothart. Musical director, Andre Previn. Edited by George Boemler. Sound, Douglas Shearer, John A. Williams. Production manager, Al Shenberg. Assistant director, Al Jennings. Script supervisor, John Banse. Hair stylist, Sydney Cuilaroff. Makeup, Jack Dawn. Grip, Albert Hunter. Costumes designed by Valles. Still man, S. C. Manatt. CAST — Wallace Beery, Richard Conte, Marjorie Main, Edward Arnold, Vanessa Brown, Clinton Sundberg, Charles Dingle, Clem Bevans, Jack Lambert, Will Wright, Wm. "Bill" Phillips, Syd Saylor. Reviewed 4-8-49. THE BIG SOMBRERO Gene Autry-COL. (Cinecolor). Producer, Armand Schaefer. Director, Frank McDonald, Original screenplay, Olive Cooper. Photography, William Bradford. Cinecolor supervision, Clifford Shank. Operating cameraman, Jim Goss. Art direction, Harold MacArthur. Set decorations, Ceorge Montgomery. Music supervision, Paul Mertz. Musical director, Mischa Bakaleinikoff. Edited by Henry Batista. Sound technician, Howard Fogetti. Assistant director. Earl Bellamy. Script supervisor, Frances McDowell. Makeup, Bob Keats, Paul Malcolm. Grip, Don Murphy. Gaffer, A. G. Williams. Still man. Homer Van Pelt. CAST— Gene Autry, Elena Verdugo, Stephen Dunne, George J. Lewis, Vera Marshe, William Edmunds, Martin Garallaga, Gene Stutenroth, Neyle Morrow, Bob Cason, Pierce Lyden, Rian Valente, Antonio Filauri, Champion (horse). Reviewed 1-27-49.