Production Encyclopedia 1952 (1952)

506 PRODUCTIONS 1949 Set decorations, Frank Tuttle. Musical director, Misclna Bakaleinikoff. Edited by Edwin Bryant. Sound technician, Josh Westmoreland. Production manager, Herbert Leonard. Assistant director. Carter DeHaven, Jr. Script supervisor, V. Newfield. Hair stylist, Ida Fogetti. Makeup, Ray Sebastian. Crip, Don Murphy. Caffer, Walter Holt. Still man. Homer Van Pelt. CAST — Hurd Hatfield, Jean Willes, Tom Powers, Ray Walker, Charles Russell, Jacqueline DeWit, Maylia, Ross Elliott, Benson Fong, Barbara Jean Wong, Victor Sen Yen, Josephine Whitell. Reviewed 1 1-18-49. CINDERELLA Disney-RKO. (Technicolor). Producer, Walt Disney. Directors, Wilfred Jackson, Hamilton Luske, Clyde Geronimi. Special process, U. B. Iwerks. Character animators, Don Lusk, Hugh Eraser, Fred Moore, Judge Witaker, Marvin Woodward, George Nicholas, Phil Duncan, Hal King, Harvey Toombs, Cliff Nordberg, Hal Ambro, Ken O'Brien. Effects animators, George Rowley, Josh Meador, Jack Boyd. Orchestrations, Joseph Dubin. Musical directors, Oliver Wallace, Paul Smith. Songs, "Cinderella," "So This is Love," "A Dream is What You Make It," Mack David, Jerry Livingston, Al Hoffman. Edited by Donald Halliday. Sound technicians, Harold J. Steck, Robert O. Cook. Production manager, Ben Sharpsteen. CAST — (Voices) llene Woods, Eleanor Audley, Verna Felton, Claire DuBrey, Helene Stanley, Luis van Rooten, Don Barclay, Rhoda Williams, James MacDonald. Reviewed 12-13-49. CITY ACROSS THE RIVER Ul. Producer-director, Maxwell Shane. Associate producer, Ben Colman. Screenplay, Maxwell Shane, Dennis Cooper. Original novel, "The Amboy Dukes," Irving Shulman. Adaptation, Irving Shulman. Photography, Maury Gertsman. Special effects, David S. Horsley. Operating cameraman, Harry Davis. Art direction, Bernard Herzbrun, Emrich Nicholson. Set decorations, Russell A. Gausman, John Austin. Musical director-score, Walter Scharf. Edited by Ted J. Kent. Sound, Leslie Carey, Joe Lapis. Production manager, Gilbert Kurland. Assistant director, Fred Frank. Script supervisor, Connie Earl. Hair stylists. Carmen Dirigo, Lilley Dirigo. Makeup, Bud Westmore, Emile Le Vigne. Grip, Russ Frank. Gaffer, John Brooks. Still man, Maurice Goldberg. CAST — Stephen McNally, Thelma Ritter, Luis van Rooten, Jeff Corey, Sharon McManus, Sue England, Barbara Whiting, Richard Benedict, Anabel Shaw, Robert Osterloh, Sara Berner, Al Eben, Joseph Turkel, Peter Fernandez, Al Ramsen, Joshua Shelley, Anthony Curtis, Mickey Knox, Richard laeckel. Drew Pearson. Reviewed 2-23-49. THE CLAY PIGEON RKO. Producer, Herman Schlom. Director, Richard O. Fleischer. Original screenplay, Carl Foreman. Photography, Robert de Grasse. Special effects, Clifford Stine. Operating cameraman, Charles Burke. Art direction, Albert S. D'Agostino, Walter E. Keller. Set decorations, Darrell Silvera, Harley Miller. Music score, Paul Sawtell. Musical director, C. Bakaleinikoff. Edited by Samuel E. Beetley. Sound technicians, Phil Brigandi, Clem Portman. Production manager, Walter Daniels. Assistant directors, Jimmy Casey, Maxwell Henry. Script supervisor, Dick Kinon. Hair stylist, Hazel Rogers. Makeup, Bill Phillips. Grip, Jim Curley. Gaffer, Frank Uecker. Still man, Ernie Bachrach. CAST — Bill Williams, Barbara Hale, Richard Quine, Richard Loo, Frank Fenton, Frank Wilcox, Mary Marco, Robert Bray, Martha Hyer, Harold Landon, James Craven, Crandon Rhodes. Reviewed 2-9-49. C-MAN Laurel-FILM CLASSICS. Producer, Rex Carlton. Director, Joseph Lerner. Screenplay, Berne Ciler. Photography, Gerald Hirschfield. Music score, Gail Kubik. Edited by Geraldine Lerner. CAST — Dean J agger, John Carradine, Lottie Elwen, Harry Landers, Rene Paul, Walter Caughan, Adelaide Klein, Edith Atwater, Jean Ellyn, Walter Brooke. Reviewed 6-3-49. COLORADO TERRITORY WB. Producer, Anthony Veiller. Director, Raoul Walsh. Original screenplay, John Twist, Edmund H. North, Photography, Sid Hickox. Special effects, H. F. Koenekamp. Operating cameraman, George Nogle. Art direction, Ted Smith. Music score, David Buttolph. Orchestrations, Maurice de Packh. Edited by Owen Marks. Sound technician, Leslie G. Hewitt. Production manager. Chuck Hansen. Assistant director, Russell Saunders. Script supervisor, Irva Mae Ross. Dialogue director, Eugene Busch. Hair stylists, Ruby Felker, Alma Armstrong. Makeup, Perc Westmore, Larry Butterworth. Grip, Dudy Marshmeyer. Gaffer, Paul Burnett. Still man, Mac Julian. CAST — Joel McCrea, Virginia Mayo, Dorothy Malone, Henry Hull, John Archer, James Mitchell, Morris Ankrum, Basil Ruysdael, Frank Puglia, Ian Wolfe, Harry Woods, Houseley Stevenson, Victor Kilian, Oliver Blake. Reviewed 5-17-49. COME TO THE STABLE ZOth-FOX. Producer, Samuel G. Engel. Director, Henry Koster. Screenplay, Oscar Millard, Sally Benson. Original story, Clare Booth Luce. Photography, Joseph La Shelle. Special effects, Fred Sersen. Operating cameraman, Don Anderson. Art direction, Lyie Wheeler, Joseph C. Wright. Set decorations, Thomas Little, Paul S. Fox. Music score, Cyril Mockridge. Orchestrations, Edward Powell, Maurice de Packh. Musical director, Lionel Newman. Song, "Through a Long and Sleepless Night"; music, Alfred Newman; lyrics, Mack (bordon. Edited by William Reynolds. Sound technicians, Bernard Freericks, Roger Heman. Production manager, Sam Wurtzel. Assistant director, Tom Dudley. Script supervisor. Rose Steinberg. Hair stylists, Irene Brooks, Peggy Higgins, Linda Cross. Makeup, Ben Nye, Ernie Parks. Grip, Harry Jones. Costumes designed by Kay Nelson. Caffer, Robert Petzoldt. Still man. Cliff Maupin. CAST — Loretta Young, Celeste Holm, Hugh Marlowe, Elsa Lanchester, Thomas Gomez. Dorothy Patrick, Basil Ruysdael, Dooley Wilson, Regis Toomey, Mike Mazurki, Henri Letondal, Walter Baldwin, Tim Huntley, Virginia Keiley, Louis Jean Heydt, Rati Behrs, Nan Boardman, Louise Colombet, Georgette Duane, Yvette Reynard, Louette Sablon, Ian MacDonald, Jean Prescott, (Gordon Gebert, Gary Pagett, Nolan Leary, Wallace Brown, Danny Jackson, Edwin Max, Russ Clark. Robert Faulk, Marion Martin. Reviewed 6-22-49. A CONNECTICUT YANKEE IN KING ARTHUR'S COURT PARA. (Technicolor). Producer, Robert Fellows. Director, Tay Garnett. Screenplay, Edmund Beloin. Original novel, Mark Twain. Photography, Ray Rennahan. Technicolor direction, Natalie Kalmus, Monroe Burbank. Special effects, Gordon Jennings, Jan Domela, Irmin Roberts. Process, Farciot Edouart. Operating cameraman, Archie Dalzell. Art direction, Hans Dreier, Roland Anderson. Set decorations, Sam Comer, Bertram Granger. Special orchestration. Van Cleave. Vocal arrangements, Joseph J. Lilley; associate, Troy Sanders. Musical director-score, Victor Young. Songs, Johnny Burke, James Van Heusen. Edited by Archie Marshek. Sound technicians, Harold Lewis, John Cope. Production manager, Curtis Mick. Assistant director, Oscar Rudolph. Script supervisor, Lupe Hall. Hair stylist, Nellie Manley. Makeup, Wally Westmore. Dance director, Josephine Earl. Grip, Darrell Turnmire. Costumes designed by Mary Kay Dodson; (Men's) Gile Steele. Caffer, Howard Kelly. Still man, G. E. Richardson. CAST — Bing Crosby, Rhonda Fleming, William Bendix, Sir Cedric Hardwicke, Murvyn Vye, Virginia Field, Henry Wilcoxon, Joseph Vitale, Richard Webb, Alan Napier, Julia Faye, Mary Field, Ann Carter. Reviewed 2-21-49. COVER-UP Nasser-UA. Producer, Ted Nasser. Director, Alfred E. Green. Original screenplay, Jerome Odium, Jonathin Rix. Additional dialog, Francis Swann, Lawrence Kimble. Photography, Ernest Laszlo. Operating cameraman, George Clements. Art direction, Jerome Pycha, Jr. Set decorations, Robert Priestley. Music score, Hans J. Saltar. Orchestrations, Harold Byrns. Edited by Fred W. Berger. Sound technician, William Lynch. Production manager, Lewis J. Rach