Motion picture production encyclopedia (1952)

PRODUCTIONS 1949 525 Tommy Cook, Ann Doran, Louis Jean Heydt, K. Elmo Lowe, Johnny Berardino, the Cleveland Indians. Reviewed 9-6-49. A KISS FOR CORLISS James Nasser-UA. Executive producer, James Nasser. Producer, Colin Miller. Associate producer, Marcus Loew, II. Director, Richard Wallace. Screenplay, Howard Dimsdale. Original characters created by F. Hugh Herbert. Photography, Robert de Crasse. Operating cameraman, Chas. Burke. Art direction, Rudolph Sternad. Set decorations, Edward C. Boyle. Music score, Werner R. Heyman. Musical director, Rudolph Polk. Edited by Frank Doyle. Sound technician, Frank Webster. Production manager, Lewis J. Rachmil. Assistant directors, Robert Aldrich, Frank Bauer. Script supervisor, Cana Jones. Hair stylist, Annabelle. Makeup, Karl Herlinger, Jr. Grip, Morris Rosen. Costumes designed by Eloise Jenssen. Gaffer, Frank Decker. Still man, Scotty Welborne. CAST — Shirley Temple, David Niven, Tom Tully, Virgina Welles, Darryl Hickman, Gloria Holden, Robert Ellis, Kathryn Card, Richard Gaines, Roy Roberts. Reviewed 10-17-49. A KISS IN THE DARK WB. Producer-screenplay, Harry Kurnitz. Directoi , Oelmer Daves. Original, Everett and Devery Freeman. Photography, Robert Burks. Operating cameraman, Wesley Anderson. Art direction, Stanley Fleischer. Set decorations, William Kuehl. Music score, Max Steiner. Orchestrations, Murray Cutter. Musical director, Ray Heindorf. Edited by David Weisbart. Sound technician, Charles Lang. Production manager, Eric Stacey. Assistant director, William Kissel. Script supervisor. Alma D. Young. Hair stylist. Fay Hanlon. Makeup, Ed Voigt. Crip, Harold Noyes. Costumes designed by Milo Anderson. Gaffer, Earl Ellwood. Still man, Fred Morgan. CAST — David Niven, Jane Wyman, Victor Moore, Wayne Morris, Broderick Crawford, Joseph Buloff, Maria Ouspenskaya, Curt Bois, Percival Vivian, Raymond Creenleaf. Reviewed 3-1-49. KNOCK ON ANY DOOR Santana-COL. Producer, Robert Lord. Associate producer, Henry S. Kesler. Director, Nicholas Ray. Screenplay, Daniel Taradash, John Monks, Jr. Original novel, Willard Motley. Photography, Burnett Guffey. Operating cameraman. Gene Anderson. Art direction, Robert Peterson. Set decorations, William Kiernan. Music score, George Antheil. Musical director, M. W. Stoloff. Edited by Viola Lawrence. Sound technician, Frank Goodwin. Assistant director, Arthur S. Black. Script supervisor, Frances McDowell. Hair stylist, Helen Hunt. Makeup, Clay Campbell. Grip, Walter Meins. Gaffer, Bill Johnson. Still man, Joe Walters. CAST — Humphrey Bogart, John Derek, George Macready, Allene Roberts, Susan Perry. Mickey Knox, Barry Kelley, Cara Williams, Jimmy Conlin, Sumner Williams, Sid Melton, Pepe Hern, Dewey Martin, Robert A. Davis, Houseley Stevenson, Vince Barnett, Thomas Sully, Florence Auer, Pierre Watkin, Gordon Nelson, Argentina Brunetti, Dick Sinatra, Carol Coombs, Joan Baxter. Reviewed 2-21-49. THE LADY GAMBLES Ul. Producer, Michel Kraike. Director, Michael Gordon. Screenplay, Roy Huggins. Original, Lewis Meltzer, Oscar Saul. Adaptation, Halsted Welles, Photography, Russell Metty. Operating cameraman, Wm. Coopersmith. Art direction, Alexander Golitzen. Set decorations, Russell A. Causman, Ruby R. Levitt. Music score, Frank Skinner. Edited by Milton Carruth. Sound, Leslie I. Carey, Corson Jowett. Production manager. Lew Leary. Assistant director, Frank Shaw. Script supervisor, Dorothy Hughes. Hair stylists, Joan St. Oegger, Lillian Burkhart. Makeup, Bud Westmore, Bob Ewing. Grip, Dean Paup. Costumes designed by Orry Kelly. Gaffer, Max Nippell. Still man, Wm. Walling. CAST — Barbara Stanwyck, Robert Preston, Stephen McNally, Edith Barrett, John Hoyt, Elliott Sullivan, John Harmon, Philip van Zandt, Leif Erickson, Curt Conway, Houseley Stevenson, Don Beddoe, Nan Bryant, Anthony Curtis, Peter Leeds, Frank Moran, Esther Howard, John Indrisano. Reviewed 5-1 1-49. THE LADY TAKES A SAILOR WB. Producer, Harry Kurnitz. Director, Michael Curtiz. Screenplay, Everett Freeman. Original, Jerry Gruskin. Photography, Ted McCord. Special effects, Roy Davidson, H. F. Koenekamp. Operating cameraman, Ellsworth Fredericks. Art direction, Edward Carrere. Set decorations, George James Hopkins. Music score. Max Steiner. Orchestrations, Murray Cutter. Edited by David Weisbart. Sound technician, Everett A. Brown. Production manager, Eric Stacey. Assistant director. Sherry Shourds. Script supervisor, Irva Ross. Hair stylist, Betty Lou Fredericks. Makeup, Perc Westmore, Al Creenway. Grip, Bill Clapem. Costumes designed by Milo Anderson. Gaffer, Charles O'Bannon. Still man, Bert Six. CAST — Jane Wyman, Dennis Morgan, Eve Arden, Robert Douglas, Allyn Joslyn, Tom Tully, Lina Romay, Fred Clark, William Frawley, Charles Meredith, Craig Stevens, Stanley Prager, Kenneth Britton. Reviewed 1 1 -29-49. LARAMIE COL. Producer, Colbert Clark. Director, Ray Nazarro. Original screenplay, Barry Shipman. Photography, Rex Wimpy. Operating cameraman, F. Browne. Art direction, Charles Clague. Set decorations, James Crowe. Edited by Paul Borofsky. Sound technician, Lodse Cunningham. Production manager. Jack Fier. Assistant director. Earl Bellamy. Script supervisor. Pearl Leiter. Makeup, Gordon Hubbard. Grip, Hal Hanks. Gaffer, Walter Holt. Still man, Joe Walters. CAST — Charles Starrett, Smiley Burnette, Fred Sears, Tommy Ivo, Elton Britt, Bob Wilke, George Llovd. Myron Healy, Shooting Star, Jay Silverheels. Reviewed 6-10-49. THE LAST BANDIT REP. (Trucolor). Associate producer -director, Joseph Kane. Assistant to producer, Rudy Hruba. Screenplay, Thames Williamson. Original, Luci Ward, lack Natteford. Photography, lack Marta. Trucolor consultant, Sam Cohn. Special effects, Howard and Theodore Lydecker. Operating cameraman, Joe Novak. Art direction, Frank Arrigo. Set decorations, John McCarthy, Jr., George Milo. Music score. Dale Butts. Orchestrations, Stanley Wilson. Edited by Arthur Roberts. Sound technicians, Dick Tyler, Fred Stahl. Production manager, Kenneth Holmes. Assistant director, Lee Lukather. Script supervisor, Don McDougal. Hair stylists, Peggy Gray, Jane Gorton. Makeup. Bob Mark, L. Phillippi. Grip, Garry Lambrecht. Gaffer, Babe Stafford. Still man, Don Keyes. CAST — William Elliott, Adrian Booth, Forrest Tucker, Andy Devine, Jack Holt, Minna Gombell, Grant Withers, Virginia Brissac, Louis R. Faust, Stanley Andrews, Martin Garralaga, Joseph Crehan, Charles Middleton. Reviewed 2-10-49. LAW OF THE BARBARY COAST COL. Producer, Wallace MacDonald. Director, Lew Landers. Original screenplay, Robert Libott, Frank Burt. Photography, Henry Freulich. Art direction, Harold MacArthur. Set decorations, Frank Kramer. Musical director, Mischa Bakaleinikoff. Edited by Henry Batista. Sound technician, Lambert Day. Production manager. Jack Fier. Assistant director. Carter DeHaven. Script supervisor, Dorothy Wilson. Hair stylist, Mabel Corey. Makeup, Bob Mieding. Grip, Pat Sutherland, Gaffer, Paul Seckler. Still man, Ted Allen. CAST — Gloria Henry, Stephen Dunne, Adele Jergens, Robert Shayne, Stefan Schnabel, Edwin Max, Ross Ford, J. Farrell MacDonald. Reviewed 3-14-49. LAW OF THE GOLDEN WEST REP. Associate producer, Melville Tucker. Director, Philip Ford. Original screenplay, Norman S. Hall. Photography, Ernest Miller. Operating cameraman. Herb Kirkpatrick. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., Charles Thompson. Music score, Stanley Wilson. Musical director, Morton Scott. Edited by Richard L. Van Enger. Sound technician, Earl Grain, Sr. Assistant director, Richard Moder. Script supervisor, Marie Messinger. Hair stylist, Louise Landmeir. Makeup, Steve Drumm. Grip, Ben Bishop. Gaffer, Wilbur Kinnett. Still man, Mickey Marigold.