Production Encyclopedia 1952 (1952)

PRODUCTIONS 1949 531 ONCE MORE, MY DARLING Neptune-UI. Producer, Joan Harrison, Director, Robert Montgomery. Second unit director, Jack HiveIv. Screenplay, Robert Carson, based on his story "Come Be My Love." Additional dialog, Oscar Saul. Photography, Frank Planer. Special effects, David S. Horsley. Operating cameraman, Dave Ragin. Art direction, Bernard Herzbrun, Bert Clatworthy. Set decorations, Russell A. Gausman, Ruby R. Levitt. Music score, Elizabeth Firestone. Musical director, Frank Skinner. Edited by Ralph Dawson. Sound, Leslie I. Carey, Corson Jowett. Production manager. Lew Leary. Assistant director, John F. Sherwood. Script supervisor, Adele Cannon. Hair stylists, Joan St. Oegger, Lillian Burkhart. Makeup, Bud Westmore, John Holden. Grip, Roland Smith. Costumes designed by Orry Kelly. Gaffer, Warren Munroe. Still man, Bert Anderson. CAST — Robert Montgomery, Ann BIyth, Jane Cowl, Lillian Randolph, Steven Geray, John Ridgely, Roland Winters, Maurice Cass, Taylor Holmes. Charles McGraw, Don Beddoe, Louise Lorimer, Wilton Graff, Sally Corner, D. J. Thompson, George Carelton, Edna M. Holland, Ray Teal, Bert Hicks. Reviewed 7-25-49. ONE LAST FLING WB. Producer, Saul Elkins. Director, Peter Godfrey. Screenplay, Richard Flournoy, William Sackheim. Original, Herbert Clyde Lewis. Photography, Carl Guthrie. Operating cameraman, Lou Jennings, fl^rt direction, John Hughes. Set decorations, Howard Winterbottom. Orchestrations, Leonid Raab. Musical director-score, David Buttolph. Edited by Frederick Richards. Sound technician, Everett A. Brown. Production manager, Don Page. Assistant director, William Kissel. Script supervisor, Fred Applegate. Makeup, Perc Westmore. Grip, Herschel Brown. Costumes designed by Milo Anderson. Gaffer, Vic Johnson. Still man, Fred Morgan. CAST — Alexis Smith, Zachary Scott, Douglas Kennedy, Ann Doran, Ransom Sherman, Veda Ann Borg, Jim Backus, Helen Westcott, Barbara Bates, Jody Gilbert. Reviewed 6-30-49. OUTCASTS OF THE TRAIL REP. Associate producer, Melville Tucker. Director, Philip Ford. Original screenplay, Olive Cooper. Photography, Bud Thackery. Operating cameraman, Herb Kirkpatrick. Art direction, Frank Arrigo. Set decorations, John McCarthy, Jr., James Redd. Music score, Stanley Wilson. Musical director, Morton Scott. Edited by Tony Martinelli. Sound technician. Earl Grain, Sr. Assistant director, Dick Moder. Script supervisor, Larry Lund. Hair stylist, Louise Landmier. Makeup, Bob Mark, Steve Drumm. Grip, Ben Bishop. Gaffer, Hap Hodges. Still man, Ira Hoke. CAST — Monte Hale, Paul Hurst, Jeff Donnell, Roy Barcroft, John Gallaudet, Milton Parsons, Tommy Ivo, Minerva Urecal, Ted Mapes, George H. Lloyd, Steve Darrell. Reviewed 8-19-49. OUTPOST IN MOROCCO Moroccan Pictures, Inc-UA. Executive producer, Samuel Bischoff. Producer-original, Joseph N. Ermolieff. Director, Robert Florey. Screenplay, Charles Grayson, Paul de Sante Colombo. Photography, Lucien Andriot. Operating cameraman, Curtis Felters. Art direction, Arthur Lonergan. Set decorations, Robert Priestley. Music score, Michel Michelet. Edited by George Arthur. Sound technician, Fred Lau. Production manager, Ben Hersh. Assistant director, Joe Depew. Script supervisor, Bobbie Serkes. Hair stylist, Ann Locker. Makeup, Mel Berns. Crip, John D. Thompson. Gaffer, Vic V. Jones. Still man, Wm. E. Thomas. CAST — George Raft, Marie Windsor, Akim Tamiroff, John Litel, Erno Verebes, Eduard Franz, Crane Whitley, Damian O'Flynn. Reviewed 3-21-49. PAID IN FULL Hal Wallis-PARA. Producer, Hal B. Wallis. Director, William Dieterle. Screenplay, Robert Blees, Charles Schnee. Original story in Reader's Digest by Frederic M. Loomis. Photography, Leo Tover. Special effects, Gordon Jennings. Process, Farciot Edouart. Art direction, Hans Dreier, Earl Hedrick. Set decorations, Sam Comer, Bertram Granger. Musical direc tor-score, Victor Young. Song, "You're Wonderful," Victor Young, Jay Livingston, Ray Evans. Edited by Warren Low. Sound technicians. Gene Merritt, Walter Oberst. Production manager, Richard A. Blaydon. Assistant director, Richard McWhorter. Script supervisor, Irving Cooper. Hair stylist, Caria Hadley, Merle Reeves. Makeup, Wally Westmore. Grip, Charles Sickler. Gaffer, Roy Roberts. Still man, Malcolm Bullock. CAST — Robert Cummings, Lizabeth Scott, Diana Lynn, Eve Arden, Ray Collins, Frank McHugh, Stanley Ridges, Louis Jean Heydt, John Bromfield, Kristine Miller, Laura Elliott, Ida Moore, James Nolan, Rolland Morris, Geraldine Wall, Lora Lee Michel, Margaret Field, Jane Novak. Reviewed 12-20-49. PINKY 20th-FOX. Producer, Darryl F. Zanuck. Director, Ella Kazan. Screenplay, Philip Dunne, Dudley Nichols. Original novel, Cid Ricketts Sumner. Photography, joe MacDonald. Special effects, Fred Sersen. Operating cameraman. Til Gabbani. Art direction, Lyle Wheeler, J. Russell Spencer. Set decorations, Thomas Little, Walter M. Scott. Orchestrations, Edward Powell. Musical director-score, Alfred Newman. Edited by Harmon Jones. Sound technician, Eugene Grossman, Roger Heman. Production manager, Joe Behm. Assistant director, Wingate Smith. Script supervisor. Rose Steinberg. Hair stylists, Lillian Hokom, Addle Baker. Makeup, Ben Nye, Frank Prehoda. Grip, Frank Corey. Costumes designed by Charles LeMaire. Gaffer, Les Everson. Still man, Anthony Ugrin. CAST — Jeanne Grain, Ethel Barrymore, Ethel Waters, William Lundigan, Basil Ruysdael, Kenny Washington, Nina Mae McKinney, Griff Barnett. Frederick O'Neal, Evelyn Varden, Raymond Greenleaf, Dan Riss, William Hansen, Arthur Hunnicutt. Reviewed 9-30-49. PORT OF NEW YORK EL. Producer, Aubrey Schenck. Associate producer, James T. Vaughn. Director, Laslo Benedek. Screenplay, Eugene Ling. Original, Arthur A. Ross, Bert Murray. Additional dialog, Leo Townsend. Photography, George E. Diskant. Montage, John I. Hoffman. Special effects, Roy E. Seawright. Art direction, Edward llou. Set decorations. Armor Marlowe. Music score, Sol Kaplan. Musical director, Irving Friedman. Edited by Norman Colbert. Sound, Leon S. Becker, Hugh McDowell. Assistant director, Ridgeway Callow. Hair stylist, Edith Westmore. Makeup, Ern Westmore. CAST — Scott Brady, Richard Rober, K. T. Stevens, Yul Brynner, Arthur Blake, Lynne Carter, John Kellogg, William Challee. Reviewed 1 1 -23-49. POST OFFICE INVESTIGATOR REP. Associate producer, Sidney Picker. Director, George Blair. Original screenplay. John K. Butler. Photography, John MacBurnie. Operating cameraman, Enzo Martinelli. Art direction, Frank Arrigo. Set decorations, John McCarthy, Jr., James Redd. Music score, Stanley Wilson. Edited by Harold Minter. Sound technician, Frank T. Dyke. Assistant director. Art Vitarelli. Script supervisor, Larry Lund. Hair stylist, Lynne Burke. Makeup, Bob Mark. Grip, Whitey Lawrence. Gaffer, Babe Stafford. Still man, Ira Hoke. CAST — Audrey Long, Warren Douglas, Jeff Donnell, Marcel Journet, Tony Cannon, Richard Benedict, Jimmie Dodd, Thomas Brown Henry, Cliff Clark, Vera Marshe, Patricia Knox, Peter Brocco, Holmes Herbert, Jason Robards, Emmett Vogan. Reviewed 8-19-49. PREJUDICE New World Film-M. P. SALES CORP. Executive producer, Edmund L. Dorfman. Producer, Paul F. Heard. Director, Edward L. Cahn. Screenplay, Jarvis Couillard, Ivan Goff, Ben Roberts. Original, jarvis Couillard. Photography, Jackson Rose. Process, Mario Castegnaro. Art direction, Lewis H. Creber. Set decorations, Harry Reif. Music score, Irving Gertz. Edited by Phil Cahn. Sound technician, Garry Harris. Production manager, Elbert Spurlin. Assistant director, Bert Glazer. CAST — David Bruce, Mary Marshall, Tommy Ivo, Bruce Edwards, Barbara Billingsley, James Seay, Joe Crehan, Billy Kimbley, Jimmy Conlin, Sharon McManus, Ann Nagle, Frank Cady, Mira McKinney,