Production Encyclopedia 1952 (1952)

540 PRODUCTIONS 1949 rations, Ted Offenbecker. Musical director-score, Walter Greene. Edited by Hugh Winn. Sound technician, Glen Glenn. Assistant director, Austen Jewell. Script supervisor, Moree Herring. Crip, Noble Craig. Gaffer, Frank Jenkins. Still man, James Doolittle. CAST — Lash La Rue, Fuzzy St. John, Noel Neil!, Michael Whalen, Zon Murray, Jack Ingram, Steve Raines, Chuck Carson, Don Harvey, Edna Holland, Bill Bailey, Francis McDonald, Frank Lackteen, Sandy Sanders, Doye O'Dell. Reviewed 5-13-49. SON OF BILLY THE KID Western Adv.-SCREEN GUILD. Producer, Ron Ormond. Associate producer, Ira Webb. Director, Ray Taylor. Original screenplay, Ron Ormond, Ira Webb. Photography, Ernest Miller. Operating cameraman, Archie Dalzell. Art direction, Fred Preble. Set decorations, Ted Offenbecker. Music score, Walter Greene. Edited by Hugh Winn. Sound technician. Glen Glenn. Assistant director, Austin Jewell. Script supervisor, Moree Herring. Crip, Noble Craig. Gaffer, Frank Jenkins. Still man, James Doolittle. CAST — Lash La Rue, Al "Fuzzy" St. John, Marion Colby, George Baxter, Terry Frost, June Carr, Johnny Jones, House Peters, Jr., Clark Stevens. Reviewed 8-12-49. SONG OF INDIA COL. Producer-director, Albert S. Rogell. Associate producer. Manning J. Post. Assistant to producer, Lee Frederic. Screenplay, Arthur Arthur, Kenneth Perkins. Original, Jerome Odium. Photography, Henry Freulich. Art direction, Sturges Came. Set decorations, Sidney Clifford. Music score, (based on N. Rimsky-Korsakoff's "Song of India"), Alexander Laszlo. Musical director, M. W. Stoloff. Edited by Charles Nelson. Sound technician, Jack Goodrich. Assistant director, Arthur Black. Script supervisor. Pearl Leiter. Hair stylists, Gertrude Reed, Maybelle Carey. Makeup, Paul Malcolm. Grip, Ray Rich. Gaffer. Paul Seckler CAST — Sabu, Gail Russell, Turban Bey, Anthony Caruso, Aminta Dyne, Fritz Leiber, Trevor Bardette, Robert H. Barrat, David Bond, Rodric Redwing, Ted Hecht. Reviewed 2-28-49. SONG OF SURRENDER PARA. Producer-screenplay, Richard Maibaum. Director, Mitchell Leisen. Original story, Ruth McKenney, Richard Branston. Photography, Daniel L. Fapp. Special effects, Gordon Jennings. Process, Farciot Edouart. Operating cameraman. Buzz Boggs. Art direction, Hans Dreier, Henry Bumstead. Set decorations, Sam Comer, Ray Moyer. Musical directorscore, Victor Young. Songs, "Song of Surrender," music, Victor Young: lyrics. Jay Livingston, Ray Evans. Edited by Alma Macrorie. Sound technicians, Don McKay, John Cope. Production manager, Roy Burns. Assistant director, John Coonan. Script supervisor, Irving Cooper. Hair stylist, Vera Tomei. Makeup, Wally Westmore, Charles Berner, Bill Wood. Crip, Irving Newmeyer. Costumes designed by Mary Kay Dodson. Gaffer, Earl Crowell. Still man, G. E. Richardson. CAST — Wanda Hendrix, Claude Rains, Macdonald Carey, Andrea King, Henry Hull, Elizabeth Patterson, Art Smith, John Beal, Eva Gabor, Dan Tobin, Nicholas Joy. Peter Miles, Ray Walker. Reviewed 9-12-49. SORROWFUL lONES PARA. Producer, Robert L. Welch. Director, Sidney Lanfield. Screenplay, Melville Shavelson, Edmund Hartmann, Jack Rose. Original story, "Little Miss Marker," Damon Runyon. Screenplay adaptation, William R. Lipman, Sam Hellman, Gladys Lehman. Photography, Daniel L. Fapp. Special effects, Gordon Jennings. Process, Farciot Edouart. Operating cameraman, Buzz Boggs. Art direction, Hans Dreier, Albert Nozaki. Set decorations, Sam Comer, Be; tram Granger. Music director-score, Robert Emmett Dolan. Songs, Jay Livingston, Ray Evans. Edited by Arthur Schmidt. Sound technicians, Harold Lewis, John Cope. Production manager, Curtis Mick. Assistant director, Oscar Rudolph. Script supervisor, Lupe Hall. Hair stylist, Nellie Manley. Makeup, Wally Westmore. Grip, Irving Newmeyer. Costumes designed by Mary Kay Dodson. Gaffer, Earl Crowell. Still man, G. E. Richardson. CAST — Bob Hope, Lucille Ball, William Demarest, Bruce Cabot, Thomas Gomez, Tom Pedi, Paul Lees, Houseley Stevenson, Ben Welden, Emmett Vogan, Mary Jane Saunders. Reviewed 4-12-49. SOUTH OF DEATH VALLEY COL. Producer, Colbert Clark. Director, Ray Nazarro. Screenplay, Earle Snell.. Original story, James Gruen. Photography, Fayte Browne. Operating cameraman, James Coss. Art direction, Charles Clague. Set decorations, George Montgomery. Edited by Paul Borofsky. Sound technician, Lambert Day. Production manager. Jack Fier. Assistant director, Gilbert Kay. Script supervisor. Pearl Leiter. Hair stylist, Ida Fogette. Makeup, Bob Schiffer. Grip, Al Becker. Gaffer, Al Later. Still man, Don Christie. CAST — Charles Starrett, Smiley Burnette, Gail Davis, Fred Sears, Lee Roberts, Richard Emory, Clayton Moore, Jason Robards, Tommy Duncan and his Western All Stprs Reviewed 9-16-49. SOUTH OF RIO REP. Associate producer, Melville Tucker. Director, Philip Ford. Original screenplay, Norman S. Hall. Photography, John MacBurnie. Special effects, Howard and Theodore Lydecker. Operating cameraman, Enzo Martinelli. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., James Redd. Music score, Stanley Wilson. Edited by Harold Minter. Sound technician. Earl Grain, Sr. Assistant director, John Grubbs. Script supervisor, Marvin Weldon. Hair stylist, Louise Burke. Makeup, Bob Mark, Howard Smit. Grip, C. B. Lawrence. Gaffer, S. Swaney. Still man. Ira Hoke. CAST — Monte Hale, Kay Christopher, Paul Hurst, Roy Barcroft, Douglas Kennedy, Don Haggerty, Rory Mallinson, Lane Bradford, Emmett Vogan, Myron Healey, Tom London. Reviewed 8-3-49. SOUTH OF ST. LOUIS United States-WB. (Technicolor). Producer Milton Sperling. Director, Ray Enright. Original screenplay, Zachary Gold, James R. Webb. Photography, Karl Freund. Technicolor direction, Natalie Kalmus, Morgan Padelford. Operating cameraman, Ray Ramsey. Art direction, Leo K. Kuter. Set decorations, Howard Winterbottom. Music score. Max Steiner. Orchestrations, Murry Cutter. Songs, "Too Much Love," Ray Heindorf, Ralph Blane. Edited by Clarence Kolster. Sound technician, Charles Lang. Production manager, Frank Mattison. Assistant director, Les Guthrie. Script supervisor, Wandra Sybald. Hair stylists, MyrI Stoltz, Sally Berkeley. Makeup, Perc Westmore, Ward Hamilton, Burris Grimwood. Grip, Warren Yaple. Costumes designed by Milo Anderson. Gaffer, Lee Wilson. Still man, Edwin H. Clarke. CAST — Joel McCrea, Alexis Smith, Zachary Scott, Dorothy Malone, Douglas Kennedy, Alan Hale, Victor Jory, Bob Steele, Art Smith, Monte Blue, Nacho Galindo. Reviewed 2-15-49. SPECIAL AGENT Pine-Thomas-PARA. Producers, William H. Pine, William C. Thomas. Director, William C. Thomas. Screenplay, Lewis R. Foster, Whitman Chambers. Original material, Milton Raison. Photography, Ellis Carter. Operating cameraman. Kit Carson. Art direction, Lewis H. Creber. Set decorations, Alfred Kegerris. Music score, Lucien Cailliet. Edited by Howard Smith. Sound technician, Tom Lambert. Production manager. Doc Merman. Assistant director, Howard Pine. Script supervisor, Sam Freedle. Hair stylist, Eunice Proudlove. Makeup, Paul Stanhope. Crip, Buzz Gibson. Gaffer, W. J. McLellan. Still man, Bill Thomas. CAST — William Eythe, George Reeves, Laura Elliot, Paul Valentine, Carole Mathews, Tom Powers, Raymond Bond, Frank Puglia, Walter Baldwin, Truman Bradley (narrator). Reviewed 4-26-49. SQUARE DANCE JUBILEE LIPPERT. Executive producer, Robert L. Lippert. Associate executive, Murray Lerner. Producer, Ron Ormond. Associate producers, Ira Webb, June Carr. Director, Paul Landres. Screenplay, Ron Ormond, Daniel B. Ullman. Original, William Nolte. Photography, Ernest W. Miller. Operating cameraman,