Production Encyclopedia 1952 (1952)

542 PRODUCTIONS 1949 STREETS OF LAREDO PARA. (Technicolor). Producer, Robert Fellows. Director, Leslie Fenton. Screenplay. Charles Stevens, Elizabeth Hill. Photography, Ray Rennahan. Technicolor direction, Natalie Kalmus, Monroe W. Burbank. Operating cameraman, Archie Dalzell. Art direction, Hans Dreier, Henry Bumstead. Set decorations, Sam Comer, Bertram Granger. Musical director-score, Victor Young. Songs, "Streets of Laredo," Jay Livingston, Ray Evans. Edited by Archie Marshek. Sound technicians, Harry Lindgren, Walter Oberst. Production managers, C. Kenneth De Land, Andy Durkus. Assistant director, Francisco Day. Script supervisors, Marvin Weldon, Claire Behnke. Hair stylist, LaVaughn Spear. Makeup, Wally Westmore, Carl Silvera, Roland Ray. Crip, Darrell Turnmire. Costumes designed by Mary Kay Dodson. Gaffer, Howard Kelly. Still man, Donald English. CAST— William Holden, William Bendix, Macdonald Carey, Mona Freeman, Stanley Ridges, Alfonso Bedoya, Ray Teal, Clem Bevans, James Bell, Dick Foote, Joe Dominguez, Grandon Rhodes, Perry Ivins. Reviewed 2-7-49. STREETS OF SAN FRANCISCO REP. Associate producer, Sidney Picker. Director, George Blair. Screenplay, John K. Butler. Original, Cordon Kahn, Adele Buffington. Photography, John MacBurnie. Special effects. Howard & Theodore Lydecker. Operating cameraman, Enzo Martinelli. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., Charles Thompson, Music score, Stanley Wilson. Edited by Harry Keller. Sound technician, Dick Tyler. Assistant director, Johnny Grubbs. Script supervisor, Larry Lund. Makeup, Howard Smit. Grip, C. B. Lawrence. Gaffer, Sid Swaney, Jr. Still man, Ira Hoke. CAST — Robert Armstrong, Mae Clark, Gary Gray, Wally Cassell, Richard Benedict, John Harmon, J. Farrell MacDonald, Ian MacDonald, Charles Meredith, Eve March, Denver Pyle, Charles Cane, Will'iam A. Henry. Claire DuBrev. Martin Carralaga. Reviewed 4-25-49. SUSANNA PASS REP. (Trucolor). Associate producer, Edward J. White. Director, William Witney. Original screenplay, Sloan Nibley, John K. Butler. Photography, Reggie Lanning. Special effects, Howard and Theodore Lydecker. Operating cameraman. Herb Kirkpatrick. Art direction, Frank Hotaling. Set decorations, John McCarthy, Jr., Charles Thompson. Orchestrations, Stanley Wilson. Musical director, Morton Scott. Songs, "Two-Gun Rita," "Susanna Pass" by Jack Elliott; "A Good, Good Mornin' " by Sid Robin, Foy Willing; "Brush Those Tears From Your Eyes," Oakley Haldeman, Clem Watts, Jimmy Lee. Sound technician, T. A. Carman. Assistant director. Jack Lacey. Script supervisor, Dorothy Yutzi. Hair stylist, Louise Landmier. Makeup, Bob Mark. Crip, Nelson Mathias. Gaffer, Sid Swaney. Still man, Mickey Marigold. CAST — Roy Rogers, Dale Evans, Estelita Rodriguez, Martin Carralaga, Robert Emmett Keane, Lucien Littlefield, Douglas Fowley, David Sharpe, Robert Bice, Foy Willing and the Riders of the Purple Sage. Trigger (horse). Reviewed 5-2-49. SWORD IN THE DESERT Ul. Producer-original screenplay, Robert Buckner. Director, George Sherman. Photography, Irving Glassberg. Special effects, Nick Carmona. Operating cameraman, Dick Towers. Art direction, Bernard Herzbrun, Alexander Golitzen. Set decorations, Al Fields. Music score, Frank Skinner. Edited by Otto Ludwig. Sound technician. Glen Anderson. Production manager, Edward Dodds. Assistant director, Frank Shaw. Script supervisor, Pat Betz. Hair stylist. Ruby Felker. Makeup, Emile LaVigne. Crip, Everett Brown. Gaffer, Norton Kurland. Still man, Sherman Clark. CAST — Dana Andrews, Marta Toren, Stephen McNally, Jeff Chandler, Philip Friend, Hugh French, Liam Redmond, Lowell Cilmore, Stanley Logan, Hayden Rorke, George Tyne, Peter Coe, Paul Marion, Marten Lamont, David Wolfe, Campbell Copelin, Art Foster, Gilchrist Stuart, Emil Rameau. Reviewed 8-24-49. TAKE ME OUT TO THE BALL GAME MGM (Technicolor). Producer, Arthur Freed. Direcector, Busby Berkeley. Screenplay, Harry Tugend, George Wells. Original, Gene Kelly, Stanley Donen. Photography, George Folsey. Technicolor direction, Natalie Kalmus, James Gooch. Special effects, Warren Newcombe. Montage, Peter Ballbusch. Operating cameraman, Robert Bronner. Art direction, Cedric Gibbons, Daniel B. Cathcart. Set decorations, Edwin B. Willis, Henry W. Grace. Vocal arrangements, Robert Tucker. Musical director-score, Adolph Deutsch. Songs, "Yes, Indeedy;" "O'Brien to Ryan to Goldberg," "It's Fate, Baby, It's Fate;" "The Right Girl For Me," Betty Comden, Adolph Green, Roger Edens. Edited by Blanche Sewell. Sound, Douglas Shearer, James K. Brock. Production manager, Sergei Petschnikoff. Assistant director, Dolf Zimmer. Script supervisor, Les Martinson, Hair stylist, Sidney Guilaroff. Makeup, Jack Dawn. Dance directors. Gene Kelly, Stanley Donen. Grip, Howard Bradner. Costumes designed by Helen Rose, Valles. Still man, S. C. Manatt. CAST — Frank Sinatra, Esther Williams, Gene Kelly, Betty Garrett, Edward Arnold, Jules Munshin, Richard Lane, Tom Dugan. Reviewed 3-8-49. TAKE ONE FALSE STEP Ul. Producer-director, Chester Erskine. Associate producer. Jack Hively. Screenplay, Irwin Shaw, Chester Erskine. Original story, "Night Call," Irwin and David Shaw. Photography, Frank Planer. Operating cameraman, Dave Ragin. Art direction. Bernard Herzbrun, Emrich Nicholson. Set decorations Ruby Levitt. Music score, Walter Scharf. Edited by Russell Schoengarth. Sound, Leslie I. Carey, Richard De Weese. Production manager, Lew Leary. Assistant director, John Sherwood. Script supervisor, Connie Earle. Hair stylists, Joan St. Oegger, Emmy Eckhardt. Makeup, Bud Westmore, Emile LaVigne. Crip, Roland Smith. Costumes designed by Orry Kelly. Gaffer, Warren Munroe. Still man, Sherman Clark. CAST — William Powell, Shelley Winters, Marsha Hunt, Dorothy Hart, James Gleason, Felix Bressart, Art Baker, Sheldon Leonard, Howard Freeman, Houseley Stevenson, Paul Harvey, Francis Pierlot, Jess Barker, Mikel Conrad. Reviewed 6-1-49. TALE OF THE NAVAJOS MGM (Technicolor). Producer, John A. Haeseler. Production aides, Jane Haeseler, Curly Twiford. Original screenplay, Harry Chandlee, John A. Hoeseler. Music score, Lan Adomian. Musical director. Jack Shaindlin. CAST — (Narrator) Edwin Jerome. Reviewed 3-1-49. TARZAN'S MAGIC FOUNTAIN Lesser-RKO. Producer, Sol Lesser. Director, Lee Sholem. Screenplay, Curt Siodmak, Harry Chandlee. Original character by Edgar Rice Burroughs. Photography, Karl Struss. Operating cameraman, Wm. Margulies. Production design, Phil Paradise. Art direction, McClure Capps. Set decorations. Otto Siegel. Musical director-score, Alex Laszlo. Edited by Merrill White, John Sheets. Sound technician, Franklyn Hansen. Production manager, Barnett Briskin. Assistant director, Bert Berskin. Script supervisor, Shirley Baron. Makeup, Norbert Miles. Grip, Morris Rosen. Gaffer, John Lee. Still man, Madison Lacey. CAST — Lex Barker, Brenda Joyce, Albert Dekker, Evelyn Ankers, Charles Drake, Alan Napier, Ted Hecht, Henry Brandon, Cheeta (chimp). Reviewed 1-19-49. TASK FORCE WB (Technicolor). Producer, Jerry Wald. Directororiginal screenplay, Delmer Daves. Photography, Robert Burks, Wilfrid M. Cline. Technicolor direction, Natalie Kalmus, Wm. Fritzsche. Special effects, Roy Davidson, Edwin DuPar. Art direction, Leo K. Kuter. Set decorations, George James Hopkins. Music score, Franz Waxman. Orchestrations, Leonid Raab. Edited by Alan Crosland, Jr. Sound technician, Charles Lang. Production manager, Eric Stacey. Assistant director. Bill Kissell. Technical advisers. Captain S. G. Mitchell, U. S. N., Captain James Dyer, U. S. N., ret. Makeup, Perc Westmore. Costumes designed by Leah Rhodes.