Production Encyclopedia 1952 (1952)

PRODUCTION S 1949 543 CAST — Gary Cooper, Jane Wyatt, Wayne Morris, Walter Brennan, Julie London, Bruce Bennett, Jack Holt, Stanley Ridges, John Ridgely, Richard Rober, Art Baker, Moroni Olsen, Ray Montgomery, Harlan Warde, James Holden, Rory Mallison, John Callaudet, Warren Douglas. Reviewed 8-30-49. TELL IT TO THE JUDGE COL. Producer, Buddy Adier. Director, Norman Foster. Screenplay, Nat Perin. Original, Devery Freeman. Additional dialog, Roland Kibbee. Photography, Joseph Walker. Operating cameraman, Irving Kline. Art direction, Carl Anderson. Set decorations, William Kiernan. Music score, Werner R. Heymann. Musical director, Morris Stoloff. Edited by Charles Nelson. Sound technician, George Cooper. Production manager. Jack Fier. Assistant director, Sam Nelson. Script supervisor, Dorothy Cummings. Hair stylist, Helen Hunt. Makeup, Fred Phillips. Grip, Pat Sutherland. Costumes designed by Jean Louis. Gaffer, George Hager. Still man, Irving Lippman. CAST — Rosalind Russell, Robert Cummings, Gig Young, Marie McDonald, Harry Davenport, Fay Baker, Katharine Warren, Douglass Dumbrille, Clem Bevans, Grandon Rhodes, Louise Beavers, Thurston Hall, Jay Novello. Reviewed 1 1-16-49. TENSION MCM. Producer, Robert Sisk. Director, John Berry. Screenplay, Allen Rivkin. Original, John Klorer. Photography, Harry Stradling. Operating cameraman, Samuel Leavitt. Art direction, Cedric Gibbons, Leonid Vasian. Set decorations, Edwin 6. Willis, Jack D. Moore. Music score, Andre Previn. Edited by Albert Akst. Sound, Douglas Shearer, A. Norwood Fenton. Production manager, Ruby Rosenberg. Assistant director, George Rhein. Script supervisor, William Hole. Hair stylist, Sydney Cuilarotf. Makeup, Jack Dawn. Grip, Dick Borland. Still man, Jerome Hester. CAST — Richard Basehart, Audrey Totter, Cyd Charisse, Barry Sullivan, Lloyd Gough, Tom D'Andrea, William Conrad, Tito Renaldo. Reviewed 1 1-17-49. THAT FORSYTE WOMAN MCM (Technicolor). Producer, Leon Gordon. Director, Compton Bennett. Screenplay, Jan Lustig, Ivan Tors, James B. Williams. Original novel, "A Man of Property" from "The Forsyte Saga," John Galsworthy. Additional dialog, Arthur Wimperis. Photography, Joseph Ruttenberg. Technicolor consultants, Henri Jaffa, James Gooch. Operating cameraman, Herbert Fischer. Art direction, Cedric Gibbons, Daniel B. Cathcart. Set decorations, Edwin B. Willis, Jack D. Moore. Music score, Bronislau Kaper. Edited by Frederick Y. Smith. Sound, Douglas Shearer, Ralph Pender. Production manager, Hugh Bosewell. Assistant director. Bob Barnes. Script supervisor, Eylla jacobus. Hair stylist, Sydney Guilaroff. Makeup, Jack Dawn. Grip, Leo Monlon. Costumes designed by Walter Plunkett, Valles. Still man, Virgil Apger. CAST — Errol Flynn, Greer Garson, Walter Pideeon, Rolsert Young, Janet Leigh, Harry Davenport. Aubrey Mather, Gerald Oliver Smith, Lumsden Hare, Stanley Logan, Halliwell Hobbes, Matt Moore, Florence Auer, Phyllis Morris, Marjorie Eaton, Evelyn Beresford. Reviewed 10-24-49. THAT MIDNIGHT KISS MCM (Technicolor). Producer, Joe Pasternak. Director, Norman Taurog. Original screenplay, Bruce Manning, Tamara Hovey. Photography, Robert Surtees. Technicolor consultants, Henri Jaffa, James Gooch. Operating cameraman, A. Lindlsey Lane. Art direction, Cedric Gibbons, Preston Ames. Set decorations, Edwin B. Willis, Arthur Krams. Orchestrations, Leo Arnaud, Conrad Salinger. Musical director, Charles Previn. Musical supervision, Jose Iturbi. Song, "I Know. I Know, 1 Know," Bronislau Kaper, Bob Russell. Edited by Gene Ruggiero. Sound, Douglas Shearer, Conrad Kahn. Production manager, Sergei Petschnikoff. Assistant director, Adolph Zimmer. Script supervisor, Les Martinson. Hair stylist, Sydney Guilaroff. Makeup, Jack Dawn. Grip, Albert Hunter. Costumes designed by Helen Rose, Valles. Still man, Durward Graybill. CAST — Kathryn Grayson, Jose Iturbi, Ethel Barrymore, Mario Lanza, Keenan Wynn, J. Carrol Naish, Jules Munshin, Thomas Gomez, Marjorie Reynolds, Arthur Treacher, Mimi Aguglia, Ampara Iturbi, Bridget Carr, Ampara Ballester, Ann Codee, Edward Earle, George Meader, Shelia Stein. Reviewed 8-24-49. THELMA JORDON Hal Wallis-PARA. Producer, Hal Wallis. Director, Robert Siodmak. Screenplay, Ketti Frings. Original, Marty Holland. Photography, George Barnes. Operating cameraman, J. Warren, Art direction, Hans Dreier, Earl Hedrick. Set decorations, Sam Comer, Bertram Granger. Musical director-score, Victor Young. Edited by Warren Low. Sound technicians, Harry Lindgren, Walter Oberst. Production manager, C. Mick. Assistant director, Chico Day. Script supervisor, Irving Cooper. Hair stylist, Dorothy Cole. Makeup, Wally Westmore, R. Ewing, J. Stinton. Grip, Doug Turnmire. Gaffer, H. Kelly. Still man, M. Bullock. CAST — Barbara Stanwyck, Wendell Corey, Paul Kelly, Joan Tetzel, Stanley Ridges, Richard Rober, Minor Watson, Barry Kelley, Laura Elliot, Basil Ruysdael, Jane Novak, Gertrude W. Hoffman, Harry Antrim, Kate Lawson, Theresa Harris, Byron Barr, Geraldine Wall, Jonathan Corey, Robin Corey. Reviewed 10-31-49. THERE'S A GIRL IN MY HEART Sandre-ALLIED ARTISTS. Producer-director, Arthur Dreifuss. Assistant producer, Leonard J. Shapiro. Original screenplay, Arthur Hoerl, John Eugene Hasty. Additional dialog, McElbert Moore. Photography, Philip Tannura. Art direction, Danny Hall. Set decorations, Neil McGuire. Musical director, Herschel Burke Gilbert. Songs, "There's a Girl In My Heart," Arthur Dreifuss and Robert Bilder; "The Roller Skating Song," "Be Careful of the Tidal Wave," "We Are the Main Attraction," "Any Old Street," Robert Bilder. Edited by Richard Currier. Sound technicians, Vic Appel, A. C. Overton. Production manager, Lincoln Widder. Assistant director, Mack Wright. Script supervisor, Mary Chaffee. Hair stylist, Josephine Sweeney. Makeup, Kiva Hoffman. Dance director, Louis Da Pron. Costumes designed by Barbara Brier. CAST — Lee Bowman, Elyse Knox, Gloria Jean, Peggy Ryan, Lon Chaney, Ludwig Donath, Ray McDonald, Joel Marston, Richard Lane, Irene Ryan, Lanny Simpson, Paul Guilfoyle, Iris Adrian, Kay Anne Nelson, Martin Garralaga, Lee Tong Foo, Robert E. Keane. Reviewed 1 1-18-49. THIEVES' HIGHWAY 201'h-FOX. Producer, Robert Bassler. Director, Jules Dassin. Screenplay, A. I. Bezzerides, based on his novel, "Thieves' Market." Photography, Norbert Brodine. Art direction, Lyle Wheeler, Chester Gore. Set decorations, Thomas Little, Fred Rode. Music score, Alfred Newman. Orchestrations, Earle Hagen. Musical director, Lionel Newman. Edited by Nick De Maggio. Sound technician, Al Bruzlin. Production manager. Gene Bryant. Assistant director, Henry Weinberger. Script supervisor, Stanley Scheuer. Hair stylist, Esperanza Corona. Makeup, Pat McNally. Grip, Leo McCreary. Costumes designed by Kay Nelson. Gaffer, Ray Jones. Still man, Ray Nolan. CAST — Richard Conte, Valentina Cortesa, Lee J. Cobb. Barbara Lawrence, jack Oakie, Millard Mitchell, Joseph Pevney, Morris Carnovsky, Tamara Shayne, Kasia Orzazewski, Norbert Schiller, Hope Emerson, George Tyne, Edwin Max, David Clarke, Walter Baldwin, David Opatoshu, Ann Morrison, Percy Helton, Maurice Samuels, Saul Martell, Howland Chamberlin, Irene Tedrow, Al Eben, Joe Haworth, Dick Wessel, Frank Kreig, Marto Siletti. Reviewed 9-2-49. THE THREAT RKO. Producer-original, Hugh King. Director, Felix E. Feist. Screenplay, Hugh King, Dick Irving Hyland. Photography, Harry J. Wild. Operating cameraman, Charles Staumer. Art direction, Albert S. D'Agostino, Charles E. Pyke. Set decorations, Darrell Silvera, William Stevens. Music score, Paul Sawtell. Musical director, C. Bakaleinikoff. Edited by Samuel E. Beetley. Sound technicians. Earl Wolcott, Clem Portman. Assistant director, Lloyd Richards. Script supervisor, Dick Kinon. Hair stylist. Hazel Rogers. Makeup,