Production Encyclopedia 1952 (1952)

PRODUCTIONS 1949 547 THE WALKING HILLS COL. Producer, Harry Joe Brown. Associate producer, John Haggott. Director, John Sturges. Original screenplay, Alan LeMay. Additional dialog, Virginia Roddick. Photography, Charles Lawton. Operating cameraman, Vic Scheurich. Art direction, Robert Peterson. Set decorations, James Crowe. Music score, Arthur Morton. Musical director, M. W. Stoloff. Edited by William Lyon. Sound technician, Lodge Cunningham. Assistant director, Sam Nelson. Script supervisor, Dorothy Cumming. Hair stylist. Hazel Keates. Makeup, Dave Grayson. Crip, E. Blaisdell. Costumes designed by Jean Louis. Gaffer, OIlie Hilenan. Still men, Don Christie, Ted Allen. CAST — Raldolph Scott, Ella Raines, V/illiam Bish cp, Edgar Buchanan, Arthur Kennedy, John Ireland, Jerome Courtland, Josh Vi/hite, Russell Collins, Charles Stevens. Houseley Stevenson, Reed Howes. Reviewed 2-28-49. WE WERE STRANGERS Horizon-COL. Producer, S. P. Eagle. Associate producer, Jules Buck. Director, John Huston. Screenplay, Peter Viertel, John Huston. Original novel, episode, "Rough Sketch," Robert Sylvester. Photography, Russell Metty. Operating cameraman, William Coopersmith. Art direction, Gary Odell. Set decorations, Louis Diage. Music score, George Antheil. Musical director, M. W. Stoloff. Edited by Al Clark. Sound technician, Lambert Day. Assistant director, Carl Hiecke. Script supervisor. Rose Loewinger. Hair stylist, Larry Germain. Makeup, Robert Shifter. Grip, Al Becker. Costumes designed by Jean Louis. Gaffer, Max Nippel. Still man, William Walling. CAST — Jennifer Jones, John Garfield, Pedro Armendariz, Gilbert Roland, Ramon Novarro, Wally Cassell, David Bond, Jose Perez, Morris Ankrum, Tito Rinaldo, Paul Monte, Leonard Strong, Robert Tafur. Reviewed 4-22-49. WHIRLPOOL 20th-FOX. Producer-director, Otto Preminger. Screenplay, Ben Hecht, Andrew Solt. Original novel, Guy Endore. Photography, Arthur Miller. Special effects, Fred Sersen. Operating cameraman, Paul Lockwood. Art direction, Lyle Wheeler, Leiand Fuller. Set decorations, Thomas Little, Walter M. Scott. Music score, David Raksin. Orchestrations, Edward Powell. Musical director, Alfred Newman. Edited by Louis Loeffier. Sound technicians, Winston Leverett, Harry M. Leonard. Production manager, Sid Bowen. Assistant director, Eli Dunn. Script supervisor, Wesley Jones. Hair stylist, Marie Walters. Makeup, Ben Nye, Allen Snyder. Crip, Logan Brown. Gaffer, Jack Brown. Still man, Anthony Ugrin. CAST — Gene Tierney, Richard Conte, Jose Ferrer, Charles Bickford, Barbara O'Neil, Eduard Franz, Constance Collier, Fortunio Bonanova, Ruth Lee, Ian MacDonald, Bruce Hamilton, Alex Gerry, Larry Keating, Mauritz Hugo, John Trebach, Myrtle Anderson, Larry Dobkin, Jane van Duser, Nancy Valentine, Clancy Cooper, Eddie Dunn, Randy Stuart, Helen Westcott, Mack Williams, Howard Negley, Robert Faulk, Charles J. Flynn. Reviewed 1 1 -23-49. WHITE HEAT WB. Producer, Louis F. Edelman. Director, Raoul Walsh. Screenplay, Ivan Goff, Ben Roberts. Original, Virginia Kellogg. Photography, Sid Hickox. Special effects, Roy Davidson, H. F. Koenekamp. Operating cameraman, Mike Joyce. Art direction, Edward Carrere. Set decorations. Fred M. MacLean. Music score. Max Steiner. Orchestrations, Murray Cutter. Edited by Owen Marks. Sound technician, Leslie Hewitt. Assistant director, Russell Saunders. Script supervisor, Irva Mae Ross. Hair stylist, Gertrude Wheeler. Makeup, Perc Westmore, Eddie Allen. Grip, Rudy Mashmeyer. Costumes designed by Leah Rhodes. Gaffer, Paul Burnett. Still man, Frank Bjerring. CAST — James Cagney, Virginia Mayo, Edmond O'Brien, Margaret Wycherly, Steve Cochran, John Archer, Wally Cassell, Mickey Kno.'', Ian MacDonald Fred Clark, C. Pat Collins, Paul Guilfoyle, Fred Goby' Ford Rainey, Robert Osterloh. Reviewed 8-25-49. THE WINDOW RKO. Producer Frederic Ullman, Jr. Director, Ted Tetzlaff. Screenplay, Mel Dinelli. Original, Cornell Woolrich. Photography, William Steiner. Operating cameraman, Fred Bentley. Art direction, Albert D'Agostino, William E. Keller, Sam Corso. Set decorations, Darrell Silvera. Music score, Roy Webb. Musical director, C. Bakaleinikoff. Edited by Frederic Knudtson. Sound technician. Earl Wolcott. Production manager, Walter Daniels. Assistant directors, Fred Fleck, Earl Harper. Script supervisor. Bill Shanks. Hair stylist. Ruby Falker. Makeup, Gene Romer. Grips, Mike Graves, Frank Williams. Gaffer, S. H. Barton. Still man, OIlie Sigurdson. CAST— Barbara Hale, Bobby Driscoll, Arthur Kennedy, Paul Stewart, Ruth Roman. Reviewed 5-10-49. WITHOUT HONOR Hakim-UA. Producers, Robert and Raymond Hakim. Director, Irving Pichel. Original screenplay, James Poe. Photography, Lionel Lindon. Operating cameraman, Lothrop Worth. Art direction. Perry Ferguson. Set decorations, Robert Priestley. Orchestrations, Murray Cutter. Musical director-score. Max Steiner. Edited by Gregg Tallas. Sound technician, William Lynch. Production manager, Lewis J. Rachmil. Assistant director, Harold Godsoe. Script supervisor, Mary Gibsone. Hair stylist, Josephine Sweeney. Makeup, Harry Ray. Grip, B. P. Jaques. Gaffer, Stan Williams. Still man, John Miehle. CAST — Laraine Day, Dane Clark, Franchot Tone, Agnes Moorehead, Bruce Bennett, Frank Marlowe, Margie Stapp, Harry Lauter, Lester Dorr, Peter Virgo, Patricia Ann Ewing, Joan Dupius, Harrison Hearne. Reviewed 1 1-27-49. WOMAN IN HIDING Ul. Producer, Michel Kraike. Director, Michael Gordon. Screenplay, Oscar Saul. Original Saturday Evening Post serial, "Fugitive from Terror," by James R. Webb. Adaptation, Roy Huggins. Photography, William Daniels. Special photography, David S. Horsley. Operating cameraman, William Dodds. Art direction, Bernard Herzbrun, Robert Clatworthy. Set decorations, Russell A. Gausman, Ruby R. Levitt. Music score, Frank Skinner. Musical director, Milton Schwarzwald. Edited by Milton Carruth. Sound, Leslie 1. Carey, Robert Pritchard. Production manager. Lew Leary. Assistant director, Frank Shaw. Script supervisor, Mildred Valle. Hair stylist, Joan St. Oegger, Helen Turpin. Makeup, Bud Westmore, Del Armstrong, John Holden. Crip, Ben Hawkins. Gaffer. Lloyd Hill. Still man. Bill Walling. CAST — Ida Lupino, Howard Duff, Stephen McNally, John Litel, Taylor Holmes, Irving Bacon, Don Beddoe. Joe Besser, Peggy Dow. Reviewed 12-14-49. A WOMAN'S SECRET RKO. Executive producer, Dore Schary. Producerscreenplay, Herman J. Mankiewicz. Director, Nicholas Ray. Novel, "Mortgage on Life," Vicki Baum. Photography, George Diskant, Special effects, Russell A. Cully. Operating cameraman, Charles Burke. Art direction, Albert S. D'Agostino, Carroll Clark. Set decorations, Darrell Silvera, Harley Miller. Music score, Frederick Hollander. Musical director, C. Bakaleinikoff. Edited by Sherman Todd. Sound technicians, Frank Sarver, Clem Portman. Production manager, Wm. Dorfman. Assistant director, Doran Cox. Script supervisor, Mercy Weireter. Hair stylists. Hazel Rogers, Fae Smith. Makeup, Gordon Bau, James Barker, Jack Barron. Crip, James Kurley. Costumes designed by Edward Stevenson. Gaffer, S. H. Barton. Still man, Alex Kahle. CAST — Maureen O'Hara, Melvyn Douglas, Gloria Grahame, Bill Williams, Victor Jory, Mary Philips, Jay C. Flippen, Robert Warwick, Curt Conway, Ann Shoemaker, Virginia Farmer, Ellen Corby, Emory Parnell. Reviewed 2-8-49. THE WOMAN ON PIER 13 RKO. Executive producer, Sid Rogell. Producer, Jack J. Gross. Director, Robert Stevenson. Screenplay, Charles Grayson, Robert Hardy Andrews. Original, George W. George, George F. Slavin. Photography, Nicholas Musuraca. Operating cameraman, Fred Bentley. Art direction, Albert S. D'Agostino, Walter E. Keller. Set decorations, Darrell Silvera, James Altwies. Music score, Leigh Harline. Musical director, C. Bakaleinikoff. Edited by Roland Gross. Sound technicians, Phil Brigandi, Clem Portman. Assistant director, William Dorfman. 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