Radio and television mirror (July-Dec 1948)

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On Saturdays and Sundays he caught shows from 9:00 A.M. to as late as 11:00 P.M., polishing off his homework between shows. And when he quit school in the sixth term to go to work, due to straitened family finances, he continued to follow this routine. THE surprising part of it is that Bill's interest hasn't the slightest materialistic taint. He's no hero-worshipper or autograph-hunter, nor is he mercenarily inclined. As a matter of fact, he has a strong dislike for quiz shows, especially those which award prizes. With the true zeal of the simon-pure amateur, he abhors the "semi-pro" characters who haunt the studios. Bill knows just as definitely what he does like. His favorite forms of radio entertainment are, in the order named: Dramatic, Comedy, Semi-Classical Music and Popular Music. His first choice in dramatic shows is Studio One, with Theater Guild On The Air a close runner-up. Bill rates Fred Allen, Henry Morgan and Milton Berle the best comics on the air, in that order. In the field of semi-classical music, Bill is equally fond of Morton Gould, Andre Kostelanetz and Fred Waring. Though he is too modest to make any such pronouncement himself, Bill's tastes reflect an admiration for proven competence and, above all, obvious sincerity on the part of radio people. Bill even owes his present job to radio, if only indirectly. About a year ago, while temporarily unemployed, he was, as usual, wandering through the corridors of NBC, between shows. It was there that his present employer found, questioned and hired him. Bill now is an errand boy and apprentice photographer for Camera Associates, a commercial photography firm which does work for radio shows, advertising agencies and for Radio Mirror. You'd think after spending so much of his time in radio studios that Bill would be dying to get into radio. But it just isn't so. Bill's ambitions are centered in photography and his bosses say that he is naturally bright and shows a real aptitude for the camera. 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