Radio and television mirror (July-Dec 1948)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

From composer eden ahbez himself, Frank Sinatra got coaching in his version of the record-breaking "Nature Boy." Eunice Podis, young American pianist, told Margaret Arlen (left) and Harry Marble about plans for her coming New York concert, in an interview on Miss Arlen's CBS program. (Mon.-Sat. 8:30 A. M.) Sam Spade's secretary at home: Lurene Tuttle (above, r.) is both mother and friend of teen-age Barbara. brother and a truly original composer and arranger. His new small group is playing the same type of unusual composition that made him so popular a few years back. Vaughn Monroe now is the possessor of a Lockheed Lodestar thirteen passenger plane. Vaughn will have both a pilot and co-pilot for use on one-nighters. The man flies his own personal plane, too! * * * New York's famed 52nd Street has really been jumping of late. In recent weeks the various night spots have been presenting to the public such fine talent as Errol Garner, Art Tatum, Harry The Hipster, J. C. Heard, Charlie Parker, George Shearing, Oscar Pettiford, Ella Fitzgerald ffld Lucky Thompson. * * * Practicing the forbidden cornet in the chicken coop in stead of playing his violin in the front parlor started Salvador Camarata on his career as composer, conductor and arranger. Parental objections were overcome, however, when a retired circus musician neighbor convinced the Camarata clan that Salvador, or "Tutti" as he was called, was a born cornetist. Tutti Camarata's jazz career started when he switched from cornet and made his name as the youthful first trumpet player in such bands as Frank Dailey's, Joe Mooney's, Charlie Barnet's and Jimmy Dorsey's. It was with the Dorsey aggregation that Tutti showed his capabilities as an arranger. He left the horn-tooting to others and devoted his efforts to scoring such hit discs for the band as "Green Eyes," "Amapola," "The Breeze and I," and "My Prayer." When the band was selected to play for Bing Crosby on the Music Hall, Tutti was given the job of writing two special (Continued on page 82) R M 11