Radio mirror (May-Oct 1937)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

^ NEWS^THEME SONGS— PERSONALITY SKETCHES— ALL THE THINGS YOU WANT TO KNOW ABOUT THE MEN WHO BRING YOU THE SWINGY RHYTHMS OF MODERN DANCE MELODIES GIRL vocalists! To be or not to be, that is the question the country's leading radio bandsmen are asking. Just recently Alabaman Hal Kemp decided to do without the services of lovely Maxine Gray. Yet Red Nichols, who never in his career hired a feminine warbler, saw the handwriting on the wall this year and hurriedly hired a girl vocalist. The Nichols' singer, Arlene Owens, got the job when she auditioned by long-distance telephone from B 10 K N her home in St. Louis. Red listened to her in Cincinnati Two of the nation's top dance bands, Guy Lombardo and Wayne King, never employ gal singers. Shep Fields, Freddie Martin, Ted Weems, Emil Coleman, Eddie Duchin, and Don Bestor second the motion. But Horace Heidt, who uses no less than five women in his setup, and Ben Pollack, George Olsen, Nat Brandwynne, George Hall and Enoch Light consider them invaluable. (Continued on page 97) N