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RADIO DIGES' T— Illustrated
Use
Reesonator fnr
Trade Mark
Sharp Tuning
Distance Power
Over 30,000 Satisfied Users
1.75 Complete
Bring your set up to date I For all sets using an untuned floating or antenna tube, such as Atwater Kent Models 30-32-35-37-38-49, Victor Silver Knight, Temple, Crosley Bandbox, Radiola Models 16-17-18-51-33-333, Victor, Temple, Silver-Marshall and Knight, Dayfan, Apex '28 Models, and many others. Attaches across aerial and ground leads without tools in less than a minute.
It will enable you to tune sharper and plays with dance volume, stations which are barely audible or sometimes entirely inaudible without it._ Requires tuning only when additional selectivity or power is required. Attractively constructed from hard rubber and bakelite in a highly polished rich mahogany color. Guaranteed against defects in material and workmanship for a period of six months. Get a Reesonator from your dealer today, or order direct, giving dealer's name.
Dealers! Over sixty leading jobbers carry this item. We guarantee satisfaction. Try one for three days at our risk. If not thoroughly satisfied your money will be cheerfully refunded.
Ref.. Fargo Naf 1 Bank, Dun's or Bradstreef s.
'"■■■■■■■"■SEND COUPON NOW"""""""'
F. & H. RADIO LABORATORIES Dept. 107 Fargo, North Dakota
□ I enclose check or money order "for $4.75 for
which send me a Reesonator postpaid. n Send Reesonator C. O. D.
□ Send Dealers' Proposition.
□ Please send Literature.
Name
Address State.
Since Early Childhood*
Infantile Paralysis
After 4 months at McLain Sanitarium, William Peacock, 18, walked flat on his sole for the first time in years. See photos and letter:
As long as I can remember I walked on
the toes of my left foot. I had always
dreamed of the time when I would walk
flat on my sole and McLain Sanitarium
made that dream a reality. I will always
speak a good word for McLain's. WILLIAM D. PEACOCK R. R. No. 2, Ashbum, Georgia
McLain Sanitarium (established 1898)
is a private institution devoted to the treatment of ' crippled, deformed and paralyzed conditions generally. Wo surgical operation requiring chloroform or general anaesthetics. Plaster Paris not used. Patients received without delay. Parents retain full charge of children if desired.
Write For Free Books
"Deformities and Paralysis," and "References," which show and tellof McLain Sanitarium's facilities for treating Club Feet, Infantile Paralysis, Spinal
Diseases and Deformities, Hip and Knee Disease, Wry Neck, etc. Also illustrated magazine, "Sanitarium News," mailed free every 60 days.
McLAIN ORTHOPEDIC SANITARIUM
867 AabertAv.,St.Loui»,Mii.ouri. U.S.A.
HQETJH
Subscribe to RADIO DIGEST. Fill Out the Coupon on Page 6.
That's all he was thinking of, — his breakfast. Marilyn shot a scornful glance at him. But only one. She couldn't waste her eyes. Afar down the street, blocks away, was a tiny speck which was moving along at a bounding speed. Nearer and nearer it came. Finally she could hear the trolley wires hum overhead. It was a big heavy-trucked car, and it seemed irresistible in its progress, like a liner plowing the ocean. But as it drew nearer one could see what a sad wreck it was. Scarcely a pane of glass was left in the windows, especially in the front part of the car, and the fender was crumpled up into a mass of twisted iron where it had struck some obstruction on the track. With a grinding of brakes the car came to a stop and the motor man detached his brass handle from the controller and dismounted stiffly from, the platform. He seemed looking for someone. But one eye was completely closed. His face was blackened and bloody, and his clothes had been used for a door mat by somebody.
"Here I am," said Marilyn, reaching cut. She touched this battered wreck.
"And here I am," responded the aforesaid wreck.
"Then it is you," said Marilyn. "I wasn't quite certain."
Phil laughed. "I didn't know it was that bad. There were one or two passengers who had horrid habits. Wait a minute, you aren't going to kiss me like this?"
But it was too late to stop her. Besides he didn't want to.
Amos and Andy
(Continued from page 15.)
Brown. An' das how I come to find yo'."
"An' I makes an actor out of you, I does "
"Either that or you ruins me, 'caise I musta knowed sompin' about it or de man would not have hired me before eveah I heered of yo'."
And through the long wrangle that followed I learned that these two found the next six years of their lives moving in parallel lines. They went from town to town staging shows sometimes together and sometimes separately. Their headquarters were in Chicago, where they had an apartment together. Andy would play the piano and Amos the ukulele. Their voices harmonized perfectly.
"Then you took up Radio?" I asked.
"Yaas suh," said Andy. "Dat was in de spring, let me think a minute — dat was de spring of 1925."
"Boys," I said at last, rather sternly, "you have an advantage over me. You are hiding behind the telephone. I can only hear your voices and judge the color of your skin according. I want to know the real color of your skins, and I want to know your honest-to-goodness names, the names your parents gave you. Amos, you first, are you black or white — and what's your real name? Quick, now, for I'm getting connection traced through and I'll have you cornered in no time "
"Awa-awa-awa — !" The receiver clicked. They were gone.
But in the next issue of Radio Digest the real low down on Amos 'n' Andy, their homes, their private lives will be exposed to the merciless curiosity of the listening millions.
* * *
Arthur Snyder, formerly of WCCO, Minneapolis, has joined the ranks at the NBC as a production director. He wrote continuities, directed dramatic sketches for the Minneapolis station in addition to being heard frequently on the air.
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