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BREATH TAKING ACCOUNT OF BROADCASTING IN A BLOODY LAND
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A SMALL, inner room — perhaps a closet — shut off from the rest of the house, airless. A loudspeaker, throttled down to a whisper, pouring its words into the straining ears of three or four men. The men, furtive, afraid to give all their attention to what the radio is bringing them lest they miss a warning knock from outside the door. . . .
Another scene. A crowded cafe, its patrons intent upon the voice which blares from another loudspeaker on a counter. "Our glorious armies are advancing upon their objective! Within another day they will take it. They will burn the city! They must be ruthless! They must drive out the menace with whips . . . hang . . . shoot . . . kill!"
That is radio in Spain under the revolution — a force unleashed by both sides in the struggle, a powerful weapon for both sides — and at the same time, a menace. Something to be used — something to be feared.
In the opinion of the Columbia Broadcasting Company's most experienced news commentator, a man who spent weeks on friendly terms with both factions in the Spanish
By JOHN EDWARDS
civil war, radio is daily adding fuel to fires of hatred in an unhappy country. It is being used to misrepresent facts, distort truth, inspire hysterical courage in the fighters and fear in non-combatants.
• And by doing all this, it is doing its bit toward prolonging a fratricidal war which otherwise might lose momentum and be brought to an end. Every day, the blame for some of the lives lost in Spain may be laid to radio — or rather, to be quite fair, to the use being made of radio.
It is radio in a totally new role, one it is hard for us to conceive of as we listen to our amusing commercial broadcasts, our Kate Smiths and Bing Crosbys. The picture is not a pleasant one, but it is one we must see and study,
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