Radio Mirror (Nov 1936-Apr 1937)

..„*■#. 4& w From coast to coast moviegoers are acclaiming a new thrill in entertainment.. .the vivid real -life screenplays adapted from True Story Magazine. Be sure to see.. .and enjoy.. .all the dramas of THE COURT of Humnn Reunions WHEN THEY ARE SHOWN AT YOUR LOCAL THEATRE Produced by Sen K. Slake for Colombia Pictures Corp. ami based on stories from TRUE STORY MAGAZINE "Truth h Stranger Than Fiction" RADIO MIRROR Broadcasting's Fountain of Youth (Continued from page 37) ready for the Pageant of Youth, they have mastered timing and can begin to develop an individual style of their own. None of her proteges is yet old enough to graduate from the Pageant, but Mrs. Clements hopes that by the time they are, her husband can find a client smart enough to pick up the talent that two other sponsors have trained in radio technique from babyhood. "When my youngsters graduate from that program, which 1 hope will be a big evening show, they will be the Jack Bennys and Grade Aliens of tomorrow," says the lady impresario. Sixteen-year-old Ginger Snap, from Brooklyn, who was on the Children's Hour from the start, is an example of the training by imitation. Although she can take off Penner. Garbo, Brice, Wynn, Sophie Tucker, Ethel Shutta, Mae West and Schlepperman to a fare-you-well, and do about 25 other characterizations, she also has her own style of delivery for novelty songs, and so much do Mr. and Mrs. Clements think of her ability that they are putting her through dramatic school and giving her their name, since her father isn't living. Sixteen-year-old Pinky Mitchell is another comedian you'll be hearing from in a few years, Mrs. Clements vows. He started in vaudeville when he was seven, and was master of ceremonies for 26 weeks on a WCAU program, impersonating the label on a beer bottle. ETHEL SHEPPARD, nineteen, doesn't owe all her success to radio, as she has been in vaudeville since she was three weeks old. She has more than one kind of talent, being such an accomplished singer and dancer that she had her own company of five on Loew's Circuit for three years. She got into radio without mentioning that she is the niece of Lazy Dan. Mrs. Clements is certain that Broadway will someday acclaim Ezra Stone as if he had just sprung from nowhere overnight. A mild-mannered lad of eighteen, he started studying dramatics when he was ten years old to overcome a speech defect. A year ago, he graduated from the American Academy of Dramatic Arts. He has been in radio six years, starting on the Philadelphia Children's Hour, has appeared on Broadway in "0 Evening Star," "Room Service," "Ah, Wilderness," and "Three Men on a Horse." For two summers he has managed his own stock company at Lake George, New York. Walter (Froggy) Froes works simultaneously on the Children's Hour and the Pageant of Youth. His age, eleven, disqualifies him from entertaining on the latter program, but he is allowed to appear in the commercials as Butch Brown, the neighborhood bully, an overgrown braggart who is always threatening and beating up the smaller children until they run in the house and eat some Tastyeast and then come out and practically slay him. It sounds great on the air, but in the studio, it's Froggy who slays the audience. He's a strikingly handsome French mite who has to stand on a box to reach the microphone, and the "little" boy he beats up verbally is really about twice his size. Froggy's ordinary voice is a natural childish treble, but a diminutive replica of Poley McClintock's famous duplex larynx HOW TO AVOID mT" ^LOOR Be colorful . . . but not painted. The Color Change Principle available in Tangee lipstick, powder and rouge intensifies your own natural coloring. 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