Radio mirror (Nov 1936-Apr 1937)

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AKRON, OHIO LAMP AGENTS! Fast, steady moneymaker. Be first to have it in your territory. Write today. ,enables him to throw his vocal chords into low gear at will. He's been playing old men in school plays since he was five years old, and his booming bass voice was startling his elders out of a year's growth when he was three. It has started him on a career as a radio comedian, and opened other doors that would have stopped a professional gate-crasher. Once Columbia Pictures asked Mrs. Clements for some young singers to work in a movie short. She obliged. Someone at the studio phoned her later and said, "You know those singers you sent us? One of them can't sing." Mrs. Clements was sure there was some mistake. All four were very good singers. "Did you say four? There are five here!" the man said, "Say, who is this Froggy Froes?" Mrs. Clements admitted that she hadn't sent him. "Too late now," the executive laughed, "He's already in the picture!" Also on the Pageant of Youth you'll hear Billy Pape, a seventeen-year old hill billy born on Staten Island, who didn't know he could yodel or play a guitar until some people from Montana moved next door five years ago; Margaret MacLaren and Cy Bofird, probably the youngest romantic team on the air, Dotty Matthews, who is Pinky Mitchell's foil; and that rarity of radio — a mixed quartet. I learned about mike hogs from the children's director, Horace Feyhl. I knew about camera hogs, but had never heard of such a thing as hogging the microphone. The director hadn't either until engineers began getting violent headaches in the control room. The broadcasts were repeatedly running a minute and a half longer than rehearsal time and crowding the orchestra's last number off the air. They couldn't figure it out until someone in the control room accidentally opened up a live mike and heard, "They get away with it — why can't we?" THE individual numbers had been timed only in rehearsal, before. But the next Sunday, someone slyly clocked the acts on the air and discovered that every last one of the kids had been stretching his number at least fifteen seconds without any of the adults getting wise to their undercover rivalry and jealousies. Even the orchestra had unconsciously slowed down with them. Some pretty fireworks broke loose, and numbers were slashed mercilessly until the kids learned to behave. Now when they see that "overtime" glint in Feyhl's eyes, they start cackling guiltily: "Cut-cut-cut a chorus!" Children are easy to work with, Feyhl says. They strive hard to please, they get a kick out of being accepted in an adult world, winning approval from adult audiences. You hear them fretting over whether the grown-ups will "get" this or that bit of juvenile humor in their scripts. They can always be relied on to pick up their cues about 50 per cent better than adults. They don't blow up in their lines, and some of them are remarkable at ad Jibbing. Most of the Children's Hour stars are too young to read, and memorize all their lines and songs. It's harder to train the mothers than the children on this type of program, say those who know. A kid may think he's good, but his mother shouts it from the rooftops. One mother who was trying to run the whole works had to be disciplined by having her exceptionally clever child temporarily given the air without a microphone. But that mother is as good as gold now (silence is golden). She has never needed another "spanking." Do Ljoul Want a. _ WATCHotDIAMOND? Thousands have found It easy to own America's finest diamond rings, watches, silverware or jewelry by the Santa Fe Plan,. Bulova, Hamilton, or Elgin watches — ■brilliant blue-white diamonds — silverware from worldfamous companies, and the great Santa Fe Specials — offered to you at startling cash prices on confidential liberal credit terms. 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