Radio mirror (Nov 1936-Apr 1937)

Page scan 000237 from Radio mirror

Record Details:

Title:
Radio mirror
Date:
Nov 1936-Apr 1937
Publisher:
New York : Macfadden Publications, Inc.
Volume:
Radio mirror (Nov 1936-Apr 1937)
Leaf #:
000237
Language:
English
Collection:
Broadcasting & Recorded Sound and Fan Magazines
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Recorded Sound Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Radio Mirror (later known as Radio and Television Mirror) was a fan magazine for radio listeners and later TV viewers that includes profiles of the stars, visits to radio and television studios, and program listings. The early years in the 1930s show the interaction of motion pictures, recordings, the stage, radio and even politics. The role of radio in World War II is well covered in the 1940s, and by the 1950s the focus shifts to television and a new generation of personalities. -- David Pierce, 2013
Date Added:
July 18, 2024
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LILY PONS AND ANDRE KOSTELANETZ WONT ADMIT THEY'RE IN LOVE. BUT A SLEUTH WITH PROOF SWEARS THAT THEY ARE ■fiy„'~~ Above, a prize shot of the Chesterfield maestro posing with Lily during work on her newest RKO picture. Andre directed all the music m the movie and had to fly 6,000 miles each week-end in order to do it. Yet they soy that it isn't love. WHAT is going on here? There isn't any use heating around the bush; we mean that romance which has kept Radio Row on its cocked ear for the past twelve months. That amusing, but exasperating tete-a-tete which has been going on between Lily Pons and Andre Kostelanetz! It is because of romances like this one that reporters have that worried look. There is not a radio or newspaper reporter in town that hasn't taken a fling at getting the real lowdown— and not one of them has succeeded! The gentlemen of the press on the West Coast are equally annoyed. No pictures, 'no interviews, no nothing. The diminutive romancers— and we all know they are romancing— just won't talk! That is. they won't talk about each other. Mr. Kostelanetz is very happy to talk about the psychology of rehearsing, about his affiliation with Greta Stueckgold. Nino Martini, Rosa Ponselle and a host of others, but just one word about Lily Pons and the famous little maestro hits •he temperamental ceiling. why? What is there about their known love that Lily Wd Andre shield so carefully from even their closest [™nds? 1 1 is the nearest thing to a real mystery in this lyw radio world. It has everybody guessing and nobody reall,v knowing. "I think their romance is so cute," a publicity girl at the m»'a Broadcasting studio remarked to me. -'Andre is "tied and sincere and serious, and Lily is so -mall and witty and aav Personally," she went on. "I believe By LOUIS UN DERWOO D they are both having a swell time keeping their Story from all these prying newspaper bms W Inch is all very well, bill there are some things that even two people as careful as I ily .u\A Andre cannot keep from you, readers. Some very remarkable things ih.u even a reporter, interview ing Mr. Kostelanetz on the psychology ol re hearsal, couldn't help but noti Let's approach this romance much as we would a mystery. Von. reader, are given a series ol i acts concerning the romance ol 1 iK .\nA Andre. We'll call them observations. I hese obsei vations build almost a complete picture. If you can read between lines, ii you are a clever detective, if you are onto the games thai people in love play, then, before llns story is ended, you should have .i very good idea as I have -of the Lily Pons-Andre Kostelanel mance! I ei's firsl ol all go back to the beginning, and see if we can discover the foundation upon which their romance was built. A little about their pasts, the reasons I ilv .ui<.\ Andre took to each other so naturally, and. of course, so quietl) Clue number one. Before Andre Kostelanetz ever met Lily Pons he knew all about her and knew further thai he was going to like her! It has always been Andre's working formula to lind OUl all he can about the tcinperaiuenl of the stars he works with before he meets them, This way he can build his programs around the stars to bring out the best in them. So, a little over a year ago, Andre Kostelanetz was find ing out all he amid about I ilv Pons. She was scheduled for his program and he had to know her reaction, her altitude toward popular music, her personal likes and dislikes. First of all, he found OUl thai she had very little ol what is known to the operati< world as "temperament." Ih.u pleased Andre She would be eas) to work with, Shi ., sense of humor. -Swell." undoubtedly thoughl ■■■ "1 believe I have, loo." He found OUl thai whenever she got in a tight spot her amazing presence of mind pulled her out. That would be wonderful— radio is full ol these "light spots." So far so good. But what was hei objective in enl radio? Whal did she wanl to do? she musl have a philosophy Everybody that Andre likes must ha OOhy She had one II W3S, to quote Andre "To |».pn larize operatic music for those who Hunk ll is too high brow and to Win over the musical intellectuals lo the merits Of so-called jaZZ tunes ." Solendid That, in so many words, or rather in words is exactly what Andre was striving for. Andre was certain he was going to like Lily Pons, ll was going to be fun working with her. lie knew he was going to like her better than anyone he had ever worked with before. love had started the game with the bases loaded and nobody oul because the ideas, [Continued on page 74)