Radio mirror (Nov 1936-Apr 1937)

Record Details:

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COROORTIOn COIFFURES i jsk te^». 10 Q • ■gg ™ : H 1 FAN AIGRETTE THREE thousand miles away, on the other side of the Atlantic Ocean, the greatest preparations for any public event in modern European history are taking place. The most publicized, and certainly the most dramatic coronation in the history of the British Empire will take place next May. And so — it's Coronation Year. In the cut of your dresses, in the colors of your accessories, even in your shoes and hats and cosmetics, this is the important question to be considered: "Is it Coronation?" But before you can be sure of your ensemble, no matter how many modish new dresses and coats and hats you are buying, you won't be fashion-right until you've done something about your hair. Stop and think. How manymonths, even years, has it been since you've done your hair a new way? And you've gotten away with it, 'too. so far, but you can't any longer. Not this season! Just look at the types of hairdress illustrated on this page. That ought to show you how much you're going to have to experiment before you can be satisfied. You won't be alone in your experimenting, either, for half the lovely stars of radio I've seen lately are in the same throes. That's why I went to Robert, the famous Parisian hairdresser and perfumer, who has a New Vork salon on upper Fifth Avenue, and persuaded him to give me these four examples of his own Coronation creations. If radio stars think it's worth their By JOYCE ANDERSON NEVER BEFORE HAS HAIR STYLE BEEN SO IMPORTANT. NOW IS THE TIME TO MAKE THAT CHANGE while to go to Robert for specially designed coiffures — and pay him well for it, too — it's certainly going to be worth your while to stud}' the sketches he gave me and then try them out for yourself. Robert has given each of his creations delightfully appropriate names and each one typifies an essential feature of the Coronation trend. "Coronation" itself, for instance, shows you the clusters of ringlets which are so important today; notice the symbolic crown effect achieved without artificial rigidity or coldness. "Aigrette," with its distinctive center part, illustrates the lifted hairline at the temples. "Flighte," with its extremely smart simplicity, is the personification of the off-the-face movement. In both "Flighte" and "Coronation." you see the (Continued on page 92) CORONATION FLIGHTE 51