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RADIO MI RROR
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Mothers, send for this colorful chart today. Keep a lasting record of your a t/jj )>t4%' -wl \
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with a doubtful gag depends upon (1) the personal prejudices of the member of the editing department who gets the script first (2) the importance of the comedian's sponsor and (3) the importance of the comedian himself. At least, that's the only logical explanation of some of the things that happen.
A famous mystery story which has been broadcast several times was banned only recently because it dealt with vampires. But it hadn't been banned before. Glaringly off-color lines have been left in scripts and mild, inoffensive ones deleted. I can't tell you any of those that were left in, because the U. S. Postal authorities draw the line when it comes to them, but I can tell you a few which were taken out. A speech calling a man a cad and a bounder was cut because "cad" and "bounder" are vulgar. And a line about "Chief Sitting Bull and his son Standing Invitation" was also out; for some reason which completely eludes me.
It's all very confusing, as more than one script writer has complained to me, but it's also irritating, not only to script writers but to people who have the good of radio at heart.
Let's be fair. It isn't entirely the fault of the networks. They aren't being picky just for the fun of it. Radio's a non-selective medium of entertainment. It's heard by every member of the family and every class of society, and when so many different kinds of people are listening it's pretty hard not to offend a few of them.
But the best of humor often isn't in "good taste" and it nearly always offends somebody, somewhere. Even Mark Twain offended many people with what he wrote before he was recognized as the great genius we know him to be today.
UOW can anybody deny that a hearty ri laugh at some injustice or stupidity is the best way of wiping out that injustice or stupidity? We need to laugh at ourselves, to laugh at the changing scene; and radio comedians, even better than writers for newspapers and magazines, can help us do it. Imagine the restrictions comedians like Fred Allen or Jack Benny must face, depending as they do upon its timeliness for so much of their humor — and imagine how much funnier they could be, and how good for us, if those restrictions were removed.
And besides, there's good evidence to prove that not as many feelings as the networks think would be hurt if some of the political and professional bans were lifted. On a few occasions when a comedian has written a sketch which his network didn't like and wanted to censor, the comedian or his sponsor has gone to bat for the sketch and agreed to take all the blame for any complaints it might call forth. Every time this has happened a few isolated kicks have drifted in — three or four out of an audience of millions — accompanied by dozens of letters approving the program.
Maybe the great American public is tougher than the networks think!
There's a
secret force in Milton
Berle's life that has kept
him be
fore the public since he
was six
years old.
Don't miss the
amazing
story
about him in
the
APRIL
RADIO MIRROR
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