Radio mirror (Nov 1936-Apr 1937)

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Mo. t MANY FOLKS NOW SAY THE NEW PE-RU-NA The Great New ColdFighter Often Wins Fight With a Cold jr By Helping to Build Vp j^-ffT € Cold-Fighting Resistance druggists ^ Ys j —SEND FOR FREE SAMPLE — , . -^ '6J/J.* For free sample bottle of The NEW ik^^ ■■■■l PERUNA, address PERUNA, 644 !■■■■ I S. Wells St., Chicago, III. Dept. 164 I ^m ^m HM mm — — me ^ ^m, ^m IIMIIjf /Vsw gppwvTd 'finiMuJcct REMOVES FRECKLES WHILE YOU SLEEP Whether you have a few freckles or many, fade them out quickly and gently while you sleep. Get a jar of Nadinola Freckle Cream today and apply at bedtime. Day by day skin becomes clearer, fresher. Usually freckles disappear in 5 to 10 days. So do other blemishes. Nadinola Freckle Cream is guaranteed by a famous laboratory with 36 years' experience in this type of skin treatment. Only 60c at drug and toilet counters ; 10c size at Ten Cent Stores. • Or send a dime for trial package to NADINOLA, Dept. 144, Paris, Tenn. NADINOLA TAtcMc&uam English is still a source of great concern to her. She didn't want to rehearse in front of the rest of the cast and the orchestra until she was sure of her diction. So she asked Frank Woodruff (who stages the plays) to bring Menjou to her home for the first couple of rehearsals. Her delight knew no bounds when she discovered Menjou spoke French. For about ten minutes, while his two stars jabbered at each other in her native tongue, Frank might as well have been in Timbuctoo for all the attention that was paid him. The extent to which Lux is breaking down the social barriers of Hollywood may be gauged by the fact that Jack Oakie and Cecil DeMille share a dressing room in the theater. DeMille is a master of ceremonies on the Lux program and Jack acts in the same capacity on the Camel Caravan Hour. At the studio Mr. DeMille occupies, not a dressing room or an office, but an entire bungalow. Yet here in the radio theater, he shares a small room, with Jack. Shares it and likes it! If you're in Hollywood and want to see the stars — see them at their best — try to get a ticket to the Lux broadcast. If you're not in Hollywood, tune in on your radio and listen. You'll not only hear the best plays put on in the best possible manner (and with casts that could never be assembled anywhere else) but you never know when you'll be listening in on the development of some new romance. Lux is literally making Hollywood one big happy family. PROGRAM DOTS AND DASHES: Lux Radio Theater. . . . Heard on CBS, Mondays at 9 p.m., EST, from Hollywood . . . Budget for time, usually talent exceeds $22,000 weekly . . . Despite rumors to contrary, ace director Cecil B. DeMille actually directs the programs. Play shortage and the 1936 trend in radio toward the California celluloid industry, pushed Lux to Hollywood on last June . . . The old Music Box theater on Hollywood Boulevard, formerly the home of the flesh-and-blood drama, was rented by CBS, called "Lux Radio Theater" on Monday nights . . . Other evenings, numerous ace CBS coast-to-coast coasters take over playho'se . . . Seating about 1000, replete with dressing rooms for the stars, front rows are usually roped off for the gilded celebrities. Rehearsals begin on Thursdays, run through to Monday night . . . Actors usually have no trouble appearing, as arrangements have been made with picture studios to give stars time off . . . After broadcast the actors are usually invited to dinner at star-of-night's residence . . . Since it's only 6 p.m. in Hollywood, actors are found acting in slacks, sweaters, sportswear . . . Lou Silvers, musical director of Lux, and former Al Jolson accompanist-arranger, is one of Hollywood's hardest workers. He is also musical director of 20th-century Fox . . . Actors like to appear in Lux theater, because it often gives them an opportunity to play their favorite roles. Spencer Tracy always wanted to do "Men in White." When studio assigned Clark Gable to the part on Camel Caravan, he was heart-broken. He finally appeared in the Kingsley drama on Lux . . . Two play-readers are kept busy in J. W. Thompson ad agency in New York, finding new, old plays for filmland's topnotchers ... In Hollywood, two talent men are constantly signing up bigger and better names, seldom dicker over price . . . Lux has had oniy one casualty. Occurred during rehearsal of Gary Cooper in "The Virginian." One scene called for sound man to shoot off a lot of blank cartridges . . . Suddenly a voice near Cooper shouted, "Good God I'm shot." The movie star glanced hur riedly at his script, found no such line. He turned around to find the sound effects man wounded, his hand bleeding . . . One of the cartridges had backfired . . . 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