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Florence Wightman, solo harpist at the Metropolitan Opera and ditto on several radio shows, ought to give up her harping and hire out as a "show barometer." She might as well start making money at it, because she serves in that capacity, willy-nilly, on the "Hour of Mystery" program.
Ken Webb, the director of the show, watches Miss Wightman's face all through rehearsals. He says that her facial expressions, which change in reaction to the script from moment to moment and action to action, are a perfect gauge of the way the audience will react. If she is amused during comedy scenes, the show is on the beam. If she becomes enraptured by dramatic scenes, Webb knows the script is foolproof. Webb means it, too. When Miss Wightman's reactions aren't what they should be, the script gets a thorough revise. * 4^ *
Lovely Patti Clayton and her producer-director husband are busy these days putting the finishing touches to Patti's dream house — a rambling stone place complete with water wheel and just fifty miles from New York. Patti has a flair for decorating and she's been doing the whole place herself, with husband Ace Ochs.
NEW RECORDS
Ken Alden's Favorites for the month:
DINAH SHORE: "You Keep Coming Back Like A Song" by Irvin Berlin is a number that might reach hit proportions and Dinah gives it insurance, pairing it with "It's Gonna Depend on the Way That The Wind Blows." (Columbia)
TEX BENEKE-GLENN MILLER ORCHESTRA: A dance-tingling grooving of "The Woodchuck Song" and the French importation "Passe." (Victor) LOUIS PRIMA: A new treatment of two oldies, "I Can't Give You Anything But Love" and "You Call It Madness." (Majestic) COUNT BASIE: Solid sending with "The King" and "Blue Skies." (Columbia) MEMORY WALTZ ALBUM: Exquisitely performed albimi (Capitol) of memorable waltzes, including "Three O'clock In The Morning," "Wonderful One" and "One Night of Love" with Frank De Vol's orchestra. CLAUDE THORNHILL: Distinctive dance tempos accentuating lovely melodies found in "Under the Willow Tree" and "Twilight Song." Good vocals by Buddy Hughes.
BOBBY SHERWOOD: Serious rug-cutting in "Sherwood Forest" and "Least That's My Opinion." (Capitol)
FRANK SINATRA: The Voice scores with "The Coffee Song" and "Things We Did Last Summer." (Columbia) BETTY HUTTON: Gets in the groove with "Walking Away With My Heart" and "What Did You Put In That Kiss?" (Victor) LOUANNE HOGAN: A new and capable canary sings a lovely song that should get belated attention. It's called "Autimin in New York." On the reverse is Kern's familiar "Look For The Silver Lining." (Musicraft)
**Mooii-white'* hands that do a baby's daily wash? Of course!
If you think that washing clothes must mean red, rough, flaky-dry hands... you 're just not in the know! Snowy, fragrant Pacquins Hand Cream helps make that "housework" look disappear from your hands . . . in its place there's a softer, smoother look.
Doctors and Nurses were
first users of Pacquins
Doctors and nurses scrub their hands 30 to 40 times a day. So, naturally, they need extra rich lubrication to help overcome the drying effects of soapy-water scrubbings. Pacquins was made just to answer that need. Super-rich ... it quickly helps overcome the drying effects of hard work and rough weather.
AT ANY DRUG, DEPARTMENT, OR TEN-CENT STOaB