Radio mirror (May-Oct 1934)

RADIO MIRROR HOlNsu until If ou learn about A A POSTAL LIFE'S !i;^T; POLICY Postal sells direct by mail and has no agents — you save on agent's commissions. That is why Postal's half -rate premium of only $1 a month for first five years buys $1221 of insurance at age 20 ; $1085 at age 25 ; $948 at age 30 : $813 at age 35 ; all ages, 18 to 50. Old Line. LEGAL RESERVE Modified Life insurance with full cash and loan values, paid up and extended insurance privileges ! Regrular premiums of $2 a month don't start until the 6th year and these may be reduced by dividends Postal pays you as earned.' Postal is a 29-year old safe company that has paid over $40,000,000 to fmlicy holders. Send coupon today for full details. No obligation. POSTAL LifE INSURANCE CO.— Dept. 287, 609 Fifth Ave., New York, N.Y. Mail me details of your $1.00 policy. Exact date and year of birth Oecaoation Nam '. F'ull address BUY DIRECT AND SAVE U.S. GOVERNMENT JOBS start $1260 to WW a year MEN— WOMEN 18 to 50. Common Education usually sufficient. Many early examinations expected. Write Immediately lor free 32-page book, with list of positions and full particulars telling how to get tbem. FRANKLIN INSTITUTE D pt. D-175 Rochester, N. Y. Liberty Goes On the Air Every Friday Evening 10 p. EasterE M. Time M. Time Presenting its editor-in-chief FULTON OURSLER Novelist, Dramatist, Commentator 15 sparkling minutes of glimpses bebind the scenes in politics, Hollywood, and other features of national interest. A thrilling impressive series of — "STORIES TH4T SHOULD BE TOLD" TVSK INI There's a station within easy reach of your set. See your local newspaper for time and station. NBC BLUE NETWORK radio. "For dance music you don't have to use this finger much," he told us. "But for real music," and here the fingers of his right hand, flashing over the keys of his piano, played something that must have been by Debussy, "for real music the fingers of the left hand must dance around on the violin strings like . . . like . . . well, like a Catalan peasant girl dancing a 'cachucha'. My parents spent thousands of dollars training these fingers so I could be a really great violinist, but now all I can play is dance music." Back in New York, he is playing to capacity nightly in the dignified Empire Room of the Waldorf Astoria, and sending his music over the two nationwide NBC networks. And every day for two hours he exercises his fingers, hoping that some day he will be able to play again the music he loves. The doctors say it will be at least two years. ... [UT Enric is impatient. He doesn't want to waste those two years. Selecting his two best musicians he put each at the head of an orchestra. One, Ernie Lee, he sent to Monte Carlo; the other, Sol Misheloflf, is at present at the Caveau Basque in New York. With personal conferences, long distance telephone calls, and interchange of recordings, and by listening in to each other on the radio, Lee and Misheloff, thousands of miles apart, are being schooled by Madriguera in the technique he is slowly developing. At the same time he is training four other members of his original orchestra for similar positions at the head of what will be known as Madriguera-orchestras. For Enric Madriguera, who has had Fate put the finger on him once already, is taking no chances. When he is ready for that two-year study period — that is, when his finger has been properly healed — he will take with him not an orchestra of musicians, but an orchestra of conductors, orchestrators, composers. While they are studying somewhere in the mountains of central Spain, there will be four or five Madriguera-orchestras in the United States and elsewhere, working not only to support themselves, but also to support the students and Madriguera himself. Thus this orchestra of conductors will be able to work out, togeth'er, the technique which . Madriguera feels, in the musicianly heart of him, is the future of radio dance music. When they have it worked out, they will return; not before. Returning to the United States, they will go. back to their individual orchestra and introduce to the radio the new Madriguera technique. Will the experiment be successful? Who can tell. We can only say that if it's merely a matter of perseverance, Madriguera will succeed, for he is a hard-working soul who isn't easily discouraged. 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