Radio and television mirror (Jan-June 1950)

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Receive an initial assortment of hot iron transfers— over 70 motits— plus a monthlyneedlework direction service giving knitting, tatting and crocheting directions and ideas for doilies, edgings, bedspreads, tablecloths, hats, bags and baby togs, etc. Wonderful discounts save you money, Regularly $1.50 a year but new readers get all for only $1.00 for 12 big monthly issues. It's so easy to order — just send one dollar with your name and address to AUNT ELLEN, 4104 Handcraft Building, Kansas City 16, Missouri. If not delighted with your first issue of The WORKBASKET materials, Aunt Ellen will refund your dollar and you may keep the hot iron transfers with her best wishes. "Dear Hearts and Gentle People — " {Continued from page 56) yourself, Frances. You're a good girl. I'm not worried. But take care of yourself . . ." he kept saying as I got on the train. Yes ... I wished my Dad could be there. I knew he would be touched by the way the home town was welcoming the Shores back home. I was so happy my sister, Bessie — she's Mrs. Maurice Seligman — agreed to go along and officiate as my "secretary" and make it a double family feature. Although what with the hectic minutes of meetings and getting lost the instant she landed, Bessie was always kiddingly handing in her "resignation" — and I was always handing it back. Bessie and I were given the bridal suite in the Andrew Jackson hotel. We were "sirened" all over the state of Tennessee (a fact that really makes me a VIP with my young nephew in Hollywood) with special police escorts, including the two regular patrolmen assigned us. And talk about billing! Billboards at the baseball park and banners spanning the main street of Winchester. Ours was a welcome, king-size! They were jam-packed, those three days. Much too short to see all the people I wanted to see. "Sing your song, 'Dinah'," the folks requested most everywhere we went. And when I'd begin, "But you see my name isn't really Dinah . . ." they'd yell back, "We know what your name is — Fanny Rose." Home is the only place I can sing that song without explaining that. . . . Funny how visiting the old home town haunts and driving by Hume Fogg High and Vanderbilt University, with its wonderful old red brick buildings, its familiar winding paths and old trees, my mind kept going back to that gal . . . Frances Rose. A kid whose joint ambition was to date the star football player and to some day be a great actress, neither of which ever paid off. I was going to make Eleanora Duse shrink in shame. Only I think it was Greta Garbo I was going to make go back to Sweden then. . . . It was wonderful seeing Beasley ("That Lucky Old Sun") Smith again. It was Beasley who, as musical director of WSM, got me my first radio job on a show called Rhythm and Romance and another college program on which I was billed as the "Little Cheer Leader of Song." Beasley always believed in me, insisting I had an unusual style of phrasing. Actually I didn't even know what phrasing was then. I just went along singing whatever came naturally. Nothing had changed much back home in Winchester. Saturday was still as big a day as ever. Farmers were still selling from wagons around the square. Everybody had come to town, I was glad to find. Even our old home (except that we used to call it "the little brown house," and it had been painted white) was just the same. And the old cherry tree where we used to have a rope swing was gone from the backyard. Otherwise it was so real . . . walking around that old parlor where I used to always entertain Bessie's boy friends singing "My Canary Has Circles Under Its Eyes," with an enthusiastic ukulele accompaniment at the age of ten. So real ... I halfexpected to hear my mother's lovely throaty laugh. And to look up and see