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COLLECTORS CORNER
By PAUL WESTON
(Wearing a Phi Beta Kappa key might prove a hindrance to a young musician who prefers his music on the swing side, but not so to Paul Weston. He won his key at Dartmouth not too long ago, but he won his musical spurs while arranging for Tommy Dorsey back in the Jack Leonard, Pied Pipers, then Sinatra days. Today he's the most recorded man in the nation and the youngest musical director on any major recording label.)
My favorite ten records will definitely give me away as an all-around music lover. I like swing, jazz and my semiclassical efforts for Capitol have met with success thus far. And when Rachmaninoff is around to lend atmosphere by way of recorded music, I'm certainly one to listen.
Since I don't believe in sticking to one type of music, my collection varies considerably. One of my top favorites is Tommy Dorsey's "Hawaiian War Chant." When I was with Tommy, this number was requested most frequently.
Benny Goodman's "Sing, Sing, Sing" is another bellringer. His wonderful clarinet makes this disc a "must." And I'll never be without a copy of Hoagy Carmichael's "Stardust," no matter who records it.
The way Jose Iturbi handles Chopin's "Polonaise" is something I can listen to over and over — and Erna Sack does wonders with "Voices of Spring," a recent addition to my list of good listening.
The Ella Fitzgerald version of "How High The Moon" has always left me limp. As for Jo Stafford, anything she sings is worth listening to. Her recent "Whispering Hope," a popular rendition of a hymn, is one of the top discs of the year; her vocalizing on "Timtayshun," with Red Ingle's band, will never leave my library.
Maybe the voices don't seem similar to you, but I've always enjoyed Sinatra and Mercer records, whether they're sweet or swing. Sinatra's "She's Funny That Way" and Mercer's "One For My Baby" round out the way I like my records spun.
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