Radio and television mirror (July-Dec 1942)

Record Details:

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J ke Jilcme/nt uiaj^Vlet . . . Ruth saw his lean strength and Jay Jostyn was sure her voice was low and gentle — and both knew there would never be anyone else for either of them W1 "E'VE all known the surge of joy. Different things occasion it in different people. A famous painting hanging on a museum wall may inspire it, or a tree blossoming in the springtime. It comes too when a great orchestra plays a Beethoven symphony and again with the laughter of a child. Jay Jostyn felt it, overpoweringly, at the sight of a girl. She was sitting on a stepladder on the bare stage of a Seattle theater studying the type script of a play. A glaring light used by the cleaning crew shone over her. Steam pipes clanked behind her. It wasn't OCTOBER. 1942 By Adele Whitely Fletcher a romantic setting but she was, nevertheless, romantic. Her rumpled hair was bright as dandelions. Her eyes had blue stars in them. And beneath her white silk shirt — she had thrown off her suit jacket — and her dark green skirt her body was young and warm. She felt Jay's presence and looked up. She marked the sureness with which his features were cut. She marked the lean strength of him. Her smile widened. "Hello," she said, "Looking for someone?" He had known her voice would be low and gentle like that. "I suspect I'm looking for you. You're Ruth Hill, aren't you?" Considering his tumult he spoke calmly enough. Several members of the Seattle Stock Company, coming on stage for the first rehearsal of the season, saw the new leading-man and the new leading-lady talking there together and thought nothing of it. Which goes to prove you can't tell by appearances. In the theater, starring in a different play every week, Ruth and Jay began making love to each other immediately. In the first play they did together they were arrested for speeding and he tapped "I adore you" in Morse code on the wall between their Continued on page 84 37