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erest burlesque of Garbo, if you had never seen Garbo on the screen? Of course, you wouldn't since you'd have no standard of comparison. Then why not toss in some plain melody on a first chorus so that people will appreciate what you're doing later on?
Comes now the advice that is less easy to take. You're not very commercial right now, and in another few months you may not be commercial at all. The trend is away from swing. Hot music, as such, is going back underground until a new generation rediscovers it. Don't let the milling youngsters around the bandstand blind you; it's the millions of people around the radios in the living rooms, the families in the neighborhood theaters, the adult sophisticates in the night clubs whom you must please in the long run.
So how about catching this trend? Start by editing your swing style a bit, asking yourself, "Wouldn't this passage be more effective if I sang it straight?" Tone down gradually. I admit it's going to be hard to do, with swing in your blood, but you can do it — if you're smart.
How do you and the microphone get along together? Are you friends or enemies? If the latter, you have entirely the wrong idea, and you need Charles Henderson's introduction to the singer's best friend — none other than that same microphone. Read next month's chapter of "How to Sing for Money" for an intensely valuable explanation of microphone technique — something you must have before you can hope to be a successful entertainer.
My Most Dramatic Case
{Continued from page 16)
getting there, and in the work that awaited me, I was able to push the problem of Bob and Beatrice into the back of my mind; and when I returned to my office I had recovered at least a degree of poise.
It was after office-hours, but Bob was waiting for me in the hall.
"Beatrice told me about seeing you." he said.
I tried to be reasonable. I told him how much Beatrice loved him; I reiterated that I wouldn't marry him if he purchased his freedom with her happiness. But he was like a man possessed — and though I realized this, I could feel the old fascination taking hold of me once more. In spite of myself, I pictured our life together as it could be.
AND when at last he abandoned *» words and held me in his arms, I could argue no longer. Against all my judgment, against my knowledge of right and wrong, I returned his kisses. It had been so long — so terribly long — since anyone had reminded me that I was a woman.
The abrupt ringing of the telephone brought me back to reality. "Let it ring," Bob said; but if I was a woman, I was also a doctor.
"It might be important," I said, and picked it up.
As I listened to the deep voice of Dr. Pastor, my old friend and staff surgeon at the hospital, I knew that this was probably the most important telephone call in Bob Warner's life.
"Oh, no!" I remember whispering. "How horrible . . . I'll be right over."
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