TV Radio Mirror (Jan - Jun 1963)

Record Details:

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"CANDID CAMERA' —YES {Continued from page 17) car. A man was seated alongside a woman with a white babushka. The narrator characterized the couple as man and wife. The man was Richard Marshall, a postal employee, of 1317 St. Lawrence Avenue, The Bronx, New York. A stranger appeared suddenly in front of Marshall and the woman, and asked Marshall to move over and make room so he could sit between them. Marshall looked up surprised. He told the stranger to sit elsewhere, that there were plenty of empty seats in the car. But the man, who it later developed was a "Candid Camera" actor, insisted he wanted to sit in the narrow space between Marshall and the woman, saying he was going to read and he liked the lighting in that particular spot. Marshall replied that the lighting was just as good everywhere else in the car, where there was also plenty of room. As the stranger fumed, another man came along, injected himself into the argument by taking the intruder's side, and shouted there was lots of room for him to sit between Marshall and the woman. When viewers saw the show, they were given the impression Marshall was made to yield to the intruder, much to the embarrassment of the woman in the white babushka who appeared to be Marshall's wife. The impression the audience got of Marshall — or so he complains — was one of a helpless, confused, harassed, embarrassed and ungentlemanly individual, because he had failed to react to the intrusion by rising to defend his rights — and those of the woman in the babushka, the woman characterized as his wife. Actually, Marshall never was given much of a chance to strike back at either the man who tried to squeeze between him and his "wife" or the other intruder. Before Marshall could gather his wits, he was told by the first stranger, the actor, that the whole episode was staged for "Candid Camera." Marshall then broke into a smile of relief. The actor identified himself as "Mr. O'Malley," introduced the intruder as "Ben," and brought over the others in the car, including the photographer who had shot the scene, to meet Marshall. Asked if he would agree to allow the scene to be shown on "Candid Camera," Marshall consented. Then "Mr. O'Malley" thrust an authorization form in Marshall's hands and asked him to sign. Without reading it, Marshall signed. No copy of the form was given to him. On the night of April 9th, Marshall watched the show and saw himself in the subway scene. He says that what he saw was something that struck horror in him, as well as his wife, Pauline, and ultimately took them to attorney Nathan Amchan of Brooklyn. 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