TV Radio Mirror (Jul - Dec 1962)

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Then the usual restlessness set in and he took off for California with a friend. "I came West for the weather," he likes to say, but this is debatable. He had no trouble in 1946, with so many young actors still in service, landing a part as Loretta Young's brother in "The Farmer's Daughter." The film won an Oscar. But, by the time Jim's work in it was completed, the boys were pouring back into town and Jim could find no jobs. "For months," he recalls, "I was a beachcomber living in a ten-year-old Buick. Then I joined the Pasadena Playhouse." It was while at the Playhouse that Jim met a young actress, Virginia Chapman. They fell in love and she became his wife. The young couple were already crowded into a small flat with their two babies when Peter arrived in town, breathing theatrical hopes. "Jim was really fine, in spite of his own problems," says Pete. "I remember he met Jack Smight (who's now a New York TV director) and me at the train. 'What the devil are you doing here?' he asked. 'The town is full of out-ofwork actors.' But he helped us find a place to live, showed us how to find an agent and look for production listings in the trade papers." Peter got a break in "Rogue River" and, not long after, married Joan Endress, his college sweetheart. They are still happily married and live in Pacific Palisades. Jim, reticent as ever, declines to talk about his two-year separation from Virginia. "It is typical, his keeping his problems to himself," says STEVE ALLEN (Continued from page 35) against the narcotics traffic. He is a true example of "the Renaissance man" . . . a man whose interests take in a very broad spectrum indeed. Steve's mind has embraced everything from music, politics, literature, television and movies to a score of "good causes" ranging from civil liberties and the prevention of nuclear war to what has been described as "the running sore of dope addiction." According to his own account, Steve first became concerned at the "tragic plight" of the addict about five years ago. At that time, known users in New York City had to register with the Police Department and carry a card in order to hold jobs. Addicts were treated like criminals. When a number of personalities in show business joined a Citizens Committee to force an investigation into this situation, Steve volunteered his help and testified against the existing law. "Addiction is a medical ... a sociological problem," he declared at the time. "It is only incidentally a police matter. Laws do not stop people with a compulsion to escape their worries, insecurities or fears, from turning to dope. On the other hand. I don't believe laws Peter. "Jim's got the broadest shoulders in the world when it comes to helping other people with their burdens. But he is no busybody. He doesn't pry. And he feels the same about his own disappointments and setbacks." That the marshal of Dodge City is a wonderful father and devoted uncle may be gathered from the enthusiastic, even awed, affection of the six youngsters in the Arness and Graves homes. Peter's three girls love nothing so much as visiting Uncle Jim's ranch, where he is teaching them to be fine horsewomen. And, they chorus, "Big Uncle Jim shows us how to sail on his Sea Smoke II!" At Christmas, and other holidays when their acting commitments do not decree otherwise, both families get together at Jim's ranch. Then there is an attempt to make up for the lost time and for the distances that sometimes separate the brothers. They walk, swim, ride, and spend long hours before the fire, remembering the old days, and promising to make every effort to maintain closer contact in the future. "The important thing," says Peter, "is that we be true brothers in every sense, without making public displays of it." "The important thing," Jim sums up, "is that we are true brothers . . . period." Which definitely seems to prove that Hollywood's tallest feud is actually one of the tallest stories of all time! — Kathleen Post See Jim in "Gunsmoke," Sat., 10 to 11 p.m., and "Marshal Dillon," on Tues., at 7:30 p.m.— both edt, over CBS-TV. See Peter in "Fury," on NBC-TV, Sat., 11 a.m. edt — and "Whiplash" (check local papers for stations and times). against the smuggling or pushing of dope can be strong enough! The tougher the laws in this respect, the better. "It's sad but true that this narcotics racket is highly profitable. It enriches a lot of unscrupulous people — including certain 'respectable' businessmen whom nobody would suspect of wrenching money out of the suffering of their fellow human beings. Let's go after the real criminals who traffic in dope with the big stick. But let's not lose our compassion — and even more important — our understanding of those who have fallen into the trap ... the sick, unhappy, tortured victims of this destructive habit." As Steve now points out: "There is a sad misconception about those who go the narcotics route. Too often, the habit has been associated with musicians, artists and the like. Actually, there are more doctors who take dope than musicians. Why this should be, I don't know. Perhaps narcotics are more available to doctors. Possibly they get hooked by experimenting with the drugs. I will say that most medical men who become users lose no time going into 'withdrawal.' In this way, they avoid the horrible deterioration that's sure to result. "It's also believed — and this, I think, is true — that addicts are too high-strung and sensitive. Because they're easily