TV Radio Mirror (1960)

Record Details:

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Financial loss? Salary lag in long-term contracts led to rumor that Byrnes made just as much money working as actual non-Kookie "car hop," after he left Roger Smith at the wheel in 77 Sunset Stripl Now that the full-scale actors' strike is settled, Hollywood shop talk turns back to another contract problem — one recognized by the public only when such stars as Clint "Cheyenne" Walker and Edd "Kookie" Byrnes stage their individual walk-outs. Once more, the favorite topic of lunchtime gossip in studio commissaries is the loaded question of Hollywood's traditional seven-year contracts. For those not familiar with the system, briefly the situation is this: A major film or television studio finds an unknown actor or actress it feels has "star potential." Seldom, despite all the misty eyed tales you may have read about Stella Stardust being discovered behind a lunch counter or running an elevator, is a discovery made in so "glamorous" a manner. Studios are so besieged by agents with young prospects in tow, their casting directors (there are few "talent scouts" left) hardly have the time to get to a non-studio lunch counter or elevator. But let's assume that a large studio becomes interested in a young unknown. Everyone in the film business agrees that the youngster cannot make the grade to stardom on talent alone. Before the youngster — let's call (Continued on page 72) 27