TV Radio Mirror (1960)

Record Details:

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WHY DO THE STARS t* * THE STUDIOS? First, the build-up. Next, "overnight fame." Then — the nalkoiii. \\ hat's wrong nith a system which makes ei en an amiable Kookie rebel <a </ contract which should fulfill all his dreams? by SAM CAMPBELL f Financial loss? Salary lag in long-term contracts led to rumor that Byrnes mode j working as actual non-Kooltie "car hop." after he left Roger Smith • a Now that the full-scale actors' strike is settled, wood shop talk turns back to another :'>blem — one recognized by the public such stars as Clint "Cheyenne" Walker e" Byrnes stage their individual more, the favorite topic of lunchtudio commissaries is the loaded :> wood's traditional seven-year i.imiliar with the system, briefly •.his: A major film or television in known actor or actress it feels 11 " Seldom, despite all the misty eyed tales you may have read about Stella Stardust being discovered behind ■ running an elf. i "glamorous" a manner Studio* are so bni< agents with young prosily have the time to get to a non-«t'. .ator But let's assume that a large studio br< terested in a young ur>fllm business agrees that the youngster make the grade to stard<the youngster— let's call (CwiMnued on page T2)