The record changer (Feb-Dec 1943)

2 3 4 5 6 (PAUL WHITEMAN, CONTINUED) WHEN(N.SHILKRET,REV.) VI 21338 N AUC .35 WILS ol' man river/Make believe Vi 2 i 2 1 8 N auc .50 wils Cixie dawn/Louisiana VI 21438 N auc I. 00 Wils PAUL WHITEMAN'S RHYTHM BOYS What price lyrics/From mon. vi 21302 N auc I. 00 Wils WHOOPEE MAKERS (ELLINGTON) Flaming youth/voom voom Do 4428 V auc Quai CLARENCE WILLIAMS Everybody L0VE6 my baby/Of. OK 8181 F sal 1.50 Herz CHICKEN WILSON t SKEETER HINTON D. C. rag/Myrtle Ave. stomp QRS 705 (SARLAND WILSON (solos) SAL Grit THE WAY I FEEL TODAY BRE 01784 N SAL 1.75 ZACH AUCTION OF EXTRAORDINARY RECORDS Wilson & Gullickson "WE BUY, SELL ANYTHING" OUR NEW ADDRESS: FAIRFAX, VIRGINIA. each record is new Closing date for bids: April 15, 1943 AMOS AND ANDY the Presidential election, Parts i i 2 vi GENE AL'TRY Gangster's warning/i wonder if he's singing Vi high steppin' mama blues/she wouldn't do it vl she's a low down mamma/don't do me that way vl EDO IE CANTOR MAK I N * WHOOPEE/HUNGRY WOMEN V I MAURICE CHEVALIER VI VI IT'S A HA8IT OF MINE/ON TOP OF THE WORLD (ENGLAND) njghti ngales/dawn in an old world garden (actually recorded in Beatrice Harrison's garden, oxted , england ) BOB FOWLER ( STEAM CIRCUS ORGAN 1 Danube waves/over the waves(waltzes) Vi BLIND LEMON JEFFERSON'S BIRTHDAY RECORD Low Down Mojo Blues/piney woods money mama para (lemon colored label, complete with picture of blind lemon jefferson j CHARLES A. LINDBERGH ACTUAL MOMENTS IN THE RECEPTION TO COLONEL CHARLES A. LINDBERGH AT WASH I NGTON,D .C . VI RINGLING BROTHERS AND BARNUM i BAILEY'S Entry of the gladi atorsC i rcus echoes Vi Colossus of Columbia/Pageantry Vi PAUL ROBESON ROCKIM' CHAIR/RIVER STAY 'WAY FROM MY DOOR VI CHARLES (CH IC) SALE THE SUBSTITUTE PARSON, PARTS I & 2 Vl CARL SANDBURG NEGRO SPIRITUALSTHE BOLL WEEVIL Vl ERNEST THOMPSON SETON The hunting wolves/The death of the old lion (Wild animal calls) Co SOUSA'S BAND 23725 23589 23617 21831 22007 20968 23524 2650 20747 BAND 22438 22474 HANDS ACROSS THE SEATME ROYAL WELSH FUSILIERS Vl DEL STAIGERS NAPOL l/CARNI VAL OF VENICE VI UNIVERSITY OF TEXAS LONG HORN BAND EYES OF TEXAS/TEXAS TAPS Vl PAUL WHITEMAN My heart stood sti ll/Together (|2 inch) VI 22889 22103 20135 3131 22940 22191 21455 35883 "Wants are not always satisfied, nor dispositions disposed of, through advertising in one Issue; collectors should refer back to preceding Issues and write to advertisers in those issues. I suggest that readers not be backward about writing letters regarding wants and dispositions of last month or the month before." James L. Walters. Reply to Eugene Williams ku William 0. Mr. Eugene Williams of Jazz Information .has written a piece about me that demands an immediate and positive answer. This will be, I hope, a satisfactory reply to his piece in the Feb. 15 Record Changer. I will get the most unpleasant part of this piece out of the way first. I am in the uncomfortable position of having to admit being guilty of poor judgement in reporting the identity of the trumpet player on Preston Jackson's Paramount 124-11. In the 7th issue of JAZZ, which is due out any day now as I write this, I admitted the possibility of that trumpet player being Shirley Clay but did not concede the point. After further consideration based on careful study of all the available records featuring Clay and Keppard, I now think the trumpet player on the Paramount 124-11 is Clay, assuming that it is Clay on the Okeh records by Richard M. Jones. I have no reason to doubt that Clay played on the Jones' Okehs. I regret that my enthusiasm for what appeared to be a discovery of immense importance caused me to print a hasty and insufficiently considered opinion about the record in question. At this point I think it well to point out that contrary to Mr. Williams supposition I had no intention of contradicting previously ^published information. At the time George Beall's article discussing the Preston Jackson records was published, I did not have either of his Paramount records in my possession. When I subsequently acquired Paramount 12411 I had forgotten about Beall's article. When I found the Challenge version of "Trombone Man", played it and discovered the master to be adjacent to Keppard's "Stock Yards Strut" I thought I had found a third side from the famous Keppard recording session. I had by this time forgotten that I already had a version of "Trombone Man" on another label. Subsequent comparisons of "Trombone Man" with "Stock Yards Strut" served to convince me that although personnels were slightly different and the trumpet styles were not absolutely identical, "Trombone Man" was an authentic Keppard item, the adjacency of the master numbers