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little activity in the way of small combos and trios; once in a while a good colored band may be heard.
Art Tatum's Trio is at Chin's Restaurant, 106th and Euclid, Slam Stewart on bass and Tiny Grimes on guitar. New York reviews have indicated that Tatum's Trio is the only outfit playing jazz today. Tatum is sensational, but give me Hines, Stacy, Sullivan, and a dozen others any day. Tatum is billed as "America's No. 1 Jazz Pianist". OI. * * *
Barry Kenwood Jake Trussell John Niemann Ned Polsky Bob Martin
Extra thanks are due Barry Kenwood, Jack Chamberlain, and Peter Tamony, who sent in typed sheets giving information on the numbers listed in the January Record Changer, and especially to Clement Penrose, who searched his files to send in information on more than 200 numbers.
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Bill Love, who is working with the Record Changer on a long range project concerning hot record values, has whittled down his list of unknown records to the following: Recording artist, names of tunes and master numbers are requested on these Columbia, Victor, Brunswick and Q. R. S. Records. If you have any of these records, or if you have catalogs showing for these records:
Recording group Names of tunes Master numbers Send this information to William C. Love, 930 Broadway, Nashville, Tenn.
Q.R.S. COLUMBIA BRUNSWICK
7010 14530 7011
7016 14633 70 12
TO 14654 7013
7023 14656 7014
7035 14679 7015
7042 V ICTOR 70 1 6
7057 23281 7192
7059 23417 7201
(ABOVE 38022 72 19
7092) 38033 7224
Bill Love wishes to thank the following collectors for their contributions during the past month: H. W. Cronenberg Alan Matley Charles P. Rogers Wallace L. Bricker V. S. Thomas Art Feher Marvin Brown b. T. Doane Clement Penrose Joseph Gorycki Jack Chamberlain Ralph Auf Der Heide John T. Burns Kay Buckmaster Cnn Blackstone Peter Tamony
The Record Changer is always in the mail before the first of the month. Nobody receives his copy by air mail or special delivery. Your copy is mailed on the same day as all others sent to your locality. There is nothing we can do to improve the delivery of your copy. Wait until the 20th of the month before advising us that you have not received your copy for that month. If you have not received your copy by the 20th of the month, we will extend your subscription one month.
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We do not bill. All advertising must be accompanied by the appropriate remittance.
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Send special delivery letters to the Record Changer at 1220 North Capitol Street, Washington, D# C.
No back issues of the Record Changer are available.
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Anthropologist
Continued from page 9 thematic material and as contrapuntal patterns to be set against the lead line of new tunes. The African survival of significant tone as part of the blues structure in glissando, portamento, rubato and timbre effects becomes part of the intonation and phrasing of all jazz players. The blues singer's inflections are thus transformed into the "hot" or "dirty" tone of the jazz instrumentalists, and the blues singer's blue notes are expanded into ever more complex patterns of blue chords from the blue ninths of the boogie players to the chromatic and polytonal harmonies of Ellington.
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