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'he large gate, Mr. Jackson Teagar[ hit town November 20th, sailing into Ik's and onto the stand. He's still makthe rounds at this writing. The night I November 28th, Jack brought his jmmer and pianist (his sister, Norma)
Pick's. They were joined by Freddy p, guitarist with Adrian Rollini's p. Nick beamed, happy about the lie thing. On the 30th, T. and Bobby |:kett (new at the Paramount) joined jigie Mannone's group at the Three kces for some fine jamming. Bobby T. played duets with the rest of the a backing with organ and riffs, kard the shank of the evening Jack oved the bell of his horn and using Hnking glass at the open end, played |e weird blues. Teagarden has a fine br man, Howard (Gish) Gilbertson, ais band and an equally gutty trumpet Claire Jones. They are bound for the k coast this month for a long stay, jlovember 15th, Eddie Barefield (Ben1 Moten, Count Basie) replaced Art lini on tenor on the Billy Butterfield w. Incidentally Billy Butterfield and Sterling Bose (as listed on the label) trumpet on those Shakespeare sides the Crosby Bobcats . . . For Bost )rds Sammy Price's Orchestra made pe sides, — Lost, Valetta, and a boogie es. Another side was waxed by a irtette taken from the band. Everett |-kesdale, guitarist, made the arrangefits. On trumpets were Dick Vance and ve Nelson ; trombone, Benny Morton ; ps, Lem Johnson, George James, Joe Iridge ; piano, Sam Benskin ; drums, I West; guitar, E. Barkesdale; bass, ly Taylor.
Jenny Morton Band out of Cafe SociDowntown November 26 . . . Phil
Moore Orch opened Nov. 28, with John Lettman, trumpet ; Gene Cedric, clari and tenor; Remo Palmieri, guitar; Doles Dickens, bass; Phil Moore, piano; Wally Bishop, drums. Cliff Jackson and Mary Lou Williams remain as solo pianists . . . Lester Boone Quartette opened at 44 Club with Lester Boone, clari and alto ; Everett Barkesdale, guitar ; Teddy Giles, bass ; Ralph Turner, piano. A sixweek engagement ... At the Spotlite Club, West 52nd St., a quartette with Benny Harris, trumpet; Bud Johnson, tenor; Oscar Pettiford, bass; Clyde Hart, piano; Dinney Dinofer (Earl Hines), drums. They opened November 17th, following Skeets Tolberts' Band.
Phil Moore recorded four sides for Victor November 24th with quintette comprising Remo Palmieri, guitar ; Eddie Gibbs, guitar ; Doles Dickens, bass ; Wally Bishop, drums ; Phil Moore, piano, making Gonna See My Baby, Together, Yip-Te-Hootie, Her Tears Flowed Like Wine . . . The Eddie Heywood Orchestra left the Deuces November 22, bringing back to 52nd St. the Rootin-Tootin Wingston of the New Orleans Mannones after a three years' absence. Wingie assembled the following men, Frank Orchard, valve trombone; Lou Donn, a fine pianist; Vic Angle, drums ; Max Myers, piano. Wingie left December 20th.
Jess Stacy decided to wait for a more propitious time before going ahead with his plans for a big band. Jess left town November 29th to join Tommy Dorsey in Chicago . . . Red Nichols while in Chicago made 16 sides for the S-D label using Vic Angle, drums; Jack Gardner, piano ... A band directed by Joe Mar