The record changer (Feb-Dec 1948)

The Record Changer has a Limited Number of BACK ISSUES FOR SALE The Price for these Excellent Reference Volumes is 35? Ettc/l $3.00 for any 12 consecutive issues $10.00 for a set minus the following numbers: Aug. 1943, Sept. 1943, Dec. 1943. Jan. 1944. Feb. 1944 $15.00 for a complete set. There are only three such complete sets available. First come first served. Following is a complete ind Changer since its inception contains lists of records for record values. exing of the articles appearing in every issue of the Record in August 1942. Every issue in addition to the material listed sale and exchange which serve as an excellent guide to relative August, 1942: 8 Pages September, 1942: 8 Pages October, 1942: 12 Pages a) Column— Gordon Gullickson November, 1942: 12 Pages a) The Grading Problem — John M. Phillips December, 1942: 12 Pages a) The Roll in Washington January, 1943: 8 Pages a) Record Reviews — Nesuhi Ertegun February, 1943: 36 Pages a) The Real Jazz — Nesuhi Ertegun b) Conscientious Objection — Eugene Williams c) Record Grading — John Phillips d) New Orleans Recollections — R. J. Carew e) Jazz Research — Charles P. Rogers March: No issue this month April, 1943: 16 Pages a) A Style and A Memory — Nesuhi Ertegun b) Plattertudes — Eugene Williams c) New Orleans Recollections — R. J. Carew d) Reply to Eugene Williams — William C. Love e) Ellington in 1943 — Tom Williston May, 1943: 24 Pages a) Real and Fake — Nesuhi Ertegun b) New Orleans Recollections — R. J. Carew c) J. I. in Exile — Eugene Williams June, 1943—20 Pages a) New Orleans Recollections — R. J. Carew b) J. I. in Exile — Eugene Williams c) Reply No. 2 to Eugene Williams— W. C. Love a) New Orleans Recollections — R J. Carew July, 1943: 16 Pages b) J. I. in Exile — Eugene Williams c) Old Hutch— Tom Williston August. 1943: 24 Pages a) New Orleans Recollections — R. J. Carew b) New Orleans News Letter — William Russell c) Everybody Talks About Hot Record Values d) J. I. in Exile — Eugene Williams e) Blow Hot Blow Cold— Charles Edw. Smith f) Grandpa's Spells — Gullickson September, 1943: 24 Pages a) New Orleans Recollections — R. J. Carew b) J. I. in Exile — Eugene Williams c) Lemme Take This Chorus — Gullickson October. 1943: 24 Pages a) New Orleans Recollections — R. J. Carew b) "Weeping Willow" Rag Time Two Step — Scott Joplin c) The Record Value Project d) Lemme Take This Chorus — Gullickson November, 1943: 36 Pages a) New Orleans Recollections — R. J. Carew b) Got to Reach Tenths to Play This BluesDon Wilson c) "Cotton Bolls" — Chas. Hunter December, 1943: 32 Pages a) Jazz in Paris — Nesuhi Ertegun b) New Orleans Recollections — R J. Carew c) Lemme Take This Chorus — Gullickson January, 1944: 32 Pages a) New Orleans Recollections — R. J. Carew b) Records Don't Last Forever — E. S. Stewart February. 19J4: 40 Pages a) Esquire in Shreds — John Steimer b) The Blind Men and the Elephant— R. E. Stearns 22 c) Notes on Tom Turpin — William Russell d) A Rag-time Nightmare — Tom Turpin e) Lemme Take This Chorus — Gullickson March, 1944: 40 Pages a) State of Jazz in San Francisco — Leslie Smith b) Fragment of an Autobiography — Jelly Roll Morton c) The Esquire Farce — Jazzbo Brown d) Lemme Take This Chorus — Gullickson April, 1944: 56 Pages a) The Anthropologist Looks at Jazz — Ernest Borneman b) Concerning the Elephant — Eugene Williams c) Records and Horse Trading — Ralph J. Sturges d) Lemme Take This Chorus — Gullickson May, 1944: 44 Pages a) Anthropologist Looks at Jazz II — Ernest Borneman b) Jelly Roll Morton Discography — Albert J. McCarthy c) Notes on Tom Delaney — Thurman and Mary Grove d) Lemme Take This Chorus — Gullickson June, 1944: 48 Pages a) Jazz and the Anthropologist — Ernest Borneman b) In Defense of Esquire's Defense of Jazz — Paul Eduard Miller c) Lemme Take This Chorus — Gullickson July, 1944: 44 Pages a) Jazz and the Anthropologist IV — Ernest Borneman b) London Blues — Ralph Gleason c) Quantitative Analysis (Records) d) Questions and Answers — Ernest Borneman e) Lemme Take This Chorus — Gullickson August, 1944: 52 Pages a) Chicago Documentary; Portrait of a Jazz Era — Frederic Ramsey, Jr. b) The Roots of American Negro Music — Ernest Borneman c) Questions and Answers — Ernest Borneman d) Quantitative Analysis (Records) e) Paradoxical New Orleans — John McLinn Ross f) Brunies at the Trombone — Charles Wilford g) Lemme Take This Chorus — Gullickson September, 1944: 60 Pages a) New Orleans — Aug., 1944 — William Russell b) Chicago Documentary; Portrait of a Jazz Era — Frederic Ramsey, Jr. c) Afro-American Music — Ernest Borneman d) Scott Joplin — Roy Carew and Don E. Fowler e) Questions and Answers — Ernest Borneman f) Featherbed Ball— Ralph J. Gleason g) King Oliver and His Dixie Syncopaters — Eugene Williams h) Manhattan Melange — Herman Rosenberg i) Quantitative Analysis (Records) j) Lemme Take This Chorus — Gullickson October, 1944: 80 Pages a) The Zulu's Ball— Eugene Williams b) AfroAmerican Music. Chap. VII Anthropologist— Ernest Borneman c) Ma Rainey — Sterling Brown d) Scott Joplin — Roy Carew and Don E. Fowler e) Chicago Documentary; Portrait of Jazz Era — Frederic Ramsey. Jr. f) Questions and Answers — Ernest Borneman g) Jazz Critic Looks at Anthropologist — Roger Pryor Dodge h) That New Orleans Tenor — Jeff Adam i) Nick's Last Stand — Graham Mclnnes j) Jazz Misrepresented on Wax — Bill Riddle k) Manhattan Melange — Herman Rosenberg 1) Lemme Take This Chorus — Gullickson November, 1944: 52 Pages "We regret that the printing of the reading material scheduled for this issue of The Record Changer must be referred to the December issue." — Gordon Gullickson. December, 1944: 52 Pages a) The State of Jazz in France— R. H. Pflug Felder, Jr. b) Spirituals and Ring Shouts. Chap. VIII Anthropologist — Ernest Borneman c) Farewell to Basin Street — Sterling A Brown d) Scott Joplin — Roy Carew and Don E Fowler e) Manhattan Melange — Herman Rosenberg f) Jazz in Los Angeles — George Montgomery g) Lemme Take This Chorus — Gullickson January, 1945: 64 Pages a) From Minstrelry to Jazz. Chap. IX Anthropologist— Ernest Borneman b) Jelly Roll Was Right— Jazzbo Brown c) New Records — Bill Riddle d) Jazz in Washington e) Manhattan Melange — Herman Rosenberg f) Jazz in Los Angeles — Geo. Montgomery February, 1945: 52' Pages a) Esquire, 1945 — Nesuhi Ertegun b) From Jazz to Swing. Conclusion Anthropologist— Ernest Borneman c) Questions and Answers — Ernest Bornemar d) Philippine Philippic — George Avakian e) Original Dixieland Not 1st Hot Records— W. C. Love f) Jazz in Los Angeles — Geo. Montgomery g) Manhattan Melange — Herman Rosenberg h) Lemme Take This Chorus — Gullickson March, 1945: 32 Pages a) Excerpt from Congressional Record — George Avakian b) The Dance — Basis of Jazz — Roger Pryoi Dodge c) Crawl Out of Bed Winter is Over — Rud Blesh d) Manhattan Melange — Herman Rosenberg, e) Jazz in Los Angeles — Geo. Montgomery f) Lemme Take This Chorus — Gullickson C April. 1945: 36 Pages a) Open Letter to Down Beat MagazineErnest Borneman b) Bunk Johnson — American — Eugene Wil liams c) London News Letter — Albert J. McCarthy d) The Dance — Basis of Jazz — Roger Pryo: Dodge e) Bunk Storms 52nd Street — Jean Gleason f) Why Jazz is Dying — Jim Moynahan g) Questions and Answers — Ernest Bornemai h) Manhattan Melange — Herman Rosenberg i) Lemme Take This Chorus — Gullickson is! Lei ten [jlil Sin N« Ec is! I Lei THE RECORD CHANGE, Lsj * ill SI