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HANDBOOK OF PROJECTION FOR
Do exchanges, or some of them, deliberately attempt to force the projectionist to do their inspection and repair work free of cost? 287
Do film inspectors themselves often abuse film? 288
Does the "inspection" in many exchanges detect anything except the very worst faults ? 288
Is there any excuse for the utterly wretched condition in which some exchanges send out films?.. 288
Should projectionists demand overtime pay for inspecting and repairing films received in bad condition ? 288
Rewinding
Does improper rewinding of film cause great damage
thereto ? 270 and 332
Does the process known as "pulling down" cause
great damage? .' 271,333
Is rewinding film at high speed bad practice? 333
Should the motor driven rewinder be geared down
in speed ? 333
What should be the maximum rewinding speed?.... 333 Aside from decrease in damage to film induced by
slow rewinding, what other thing is in its favor?
333f 334 Is it highly essential that the rewinder elements be
in alignment with each other? 332
Should a good film splicer be a part of the rewinder
table equipment ? 227
Where Films Should Be Kept
In what location in the projection room should films be kept, and why ? 288
Moistening Dry Film
Describe the method of re-moistening dry films 289
How to Inspect Film
How would you proceed to inspect films? 290
Removing Emulsion
How may emulsion be removed from film? 290
Cleaning Film
Tell us what you know about cleaning film 290, 291
Measuring Film
How may film be measured as to its footage? 292
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