San Francisco Cinematheque Program Notes (1995)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Program Notes 1995 WHO IS DORIS WISHMAN AND WHY ARE HER SEXPLOITATION FILMS SO ODD AND ORIGINAL? CURATED AND PRESENTED BY PEGGY AHWESH Friday, February 24, 1996—Roxie Cinema, 311716th St. Nude on the Moon (1 962) Double Agent (1914) Saturday, February 25, 1996—Artists Television Access, 992 Valencia Bad Girls Go To HeU (1 965) A Taste of Flesh (1967) "Doris Wishman made 25 films for the soft core porn circuit all of which are a rare blend of the prurient, the tacky, and the bizarre. Starting in 1960 with nudist camp pictures, Wishman proceeded with rough sex play an lots of lingerie, then in the 1970s used gimmicks such as killer breasts, penis transplants and transgender operations as vehicles for her films. The stories are wacky and weird with a seedy underlining of the true fear of and hostility towards women." —Peggy Ah wesh poSSt5SEt> VV»TH SEX.. V 19