Screenland (Apr-Sep 1924)

102 SOREENLANID) BANISH GREY HAIR Wm. J.Brandt's Liquid EAU DE HENNA Hair Color Restorer a covers the grey, and restores the color to grey, faded, bleached, or streaky hair, leaving it Soft, Glossy and Natural. Works so well no one will know the color has been restored. Covers ALL the grey; covers ANY grey, no matter how stubborn or how caused. Does not interfere with permanent waving. Eau de Henna is two liquids, one application. It colors at once. No mess. No pack. Does not shade off reddish as with many powdered hennas Anyone Can Put It On No experience necessary. Will not rub off. Not affected by sea bathing, sun, shampooing, or permanent waving. Will withstand tropical climates. Wonderful For Touching Up You can put it on just where it is needed. Can be used where powdered henna dyes have been used. The shades blend in beautifully. Can be used over other hair dyes or restorers. Directions in English and Spanish. Eau de Henna comes in colors: Black, dark brown, medium brown, light brown, drab, blond, auburn. Price postpaid $2.50 or C. O. D. $2.60. Order through your Druggist, Department Store or Beauty Parlor, or direct from us. HAIR SPECIALTY CO. Dept.65 112 East 23rd St., New York Men as well as women can use Eau de Henna to advantage. ANNA Q. NILSSON'S story by Delight Evans in AugUSt SCREENLAND Q.Sing a Song of Sideburns — from page 57. New Hollywood Craze! Movie Fan's Locket Ring for displaying your favorite's photo where you can see it all day long Or put in sweetie's picture, a but terfly, or luclt of hair. Solid Sterl ing Silver, cut to $1.97 to introduce quickly. Send stamps or money order (loc extra if C. O. D.) PARK ROW CO., Park Row Building., N. Y., Dept. X-l expanse of shining pate he had draped tresses originating near the opposite temple. Until he got out of the range of the wind-machine he looked like an electric fan full of serpentines. Since I like film heroes cut to the bone, I cannot see why synthetic hairum-scarum is not allowed even in the making of those costume things. Realism has been the oft-missed aim in them and not missed by a hair, either. Surely Norman Kerry in The Hunchback of Notre Dame was a rare morsel of marcels, though he did not always carry them around on his own block when off the set. And Joseph Schildkraut, filmdom's Bronx edition of an Arabian knight, stuck on fuzzy, semi-lunar beauty patches to augment his own temporal decorations in that sheik thing he made last Fall, with as much eclat as Valentino used his own in becoming America's leading boudoir Bedouin. Milton Sills in A Lady of Quality must have received no mean support from the wig-maker, for it is inconceivable that he could sprout such a set of Pickfordian pretties from his own scalp. Ramon Novarro in Scaramouche and Antonio Moreno in The Spanish Dancer, relied on borrowed bangs, for I saw them both while those classics were being canned and neither one exhibited curlers off-stage. The fact that these celebrities successfully put their trust in hair of anonymous origin seems tn prove that sideburns and long hair are no more essential to the art of the slinger of lovelooks than a Windsor tie, smock and tam are to that of the slinger of pigments. But the addicts to the one are as numerous as the addicts to the other I call the hairy ones "docks," to distinguish them from the rear from the feminine "bobs", though since shingles have become something different from the ones I knew as a boy, differentiation is difficult and well-nigh impossible on the bathing beach. "To dock" means "to cut off roughly, crudely," and if that does not describe the Virginia creepers now adorning the domes of the darlings of the screen I hope to be fried in hair-goo. Much research has revealed that Theodore Kosloff and not Rodolph Valentino was the first Hollywooden to become careless about his hair-cuts. He has an over cover cost of me personally Broadway, De -je most interesting astrological interpretation regarding t»e mystic Zodiac Sign under which you were born. Are you Interested in love, marriage success, friends, enemies and otner vital Questions? Do you want to know the Truth ? What tne future may have in store for you/ Send me your name and KJdri . witli exact birllidate, in your OWN' HANDWRITING, and 1 w 111 prepare for you, your ■ 1 'logical Interpretation, and send it free, postpaid, in plain — sealed envelope. A great surprise awaits you. Enclose 12c to this notice and mailing. Address -I'll AM. Pharl Studio, 1658 k T, New York. hang of hair second only to Maxim Gorky's. • Then Douglas Fairbanks began to grow his costume for The Thief of Bagdad and barber bills began to decrease. All Hollywood took Doug's indifference to tonsorial artists seriously with a consequent rise in the price of shampoos. About this time Rod La Roque, Richard Dix, Charles de Roche and Eugene O'Brien tore up all their fan pictures and began to let nature take her course. La Rocque and O'Brien got the best results. Bus-boys the country over will become olive-drab with envy when they lamp the truffles the latter grew for Secrets. Jack Hoxie wears sideburns, too, but they sort of go with chaps. Alan Hale will probably explain his mossy banks by saying they go well with the dirty work at the crossroads which he is forever doing in the films. Heaven knows what excuse David Torrence, Joseph Swickard and Charles, or is it Claude Gillingwater, will advance for their tonsorial turpitude. They will probably blame it on their age. Of the throbbers whose stars are just beginning to glimmer, Robert Frazer, Culien Landis and Edward Burns sport the best developed pair of incipient Lord Dundrearies. But for general all 'round development Alan Forrest, Mary Pickford's brotherin-law, by reason of his being cast in Dorothy Vernon of Haddon Hall, has the snakiest locks since the Medusa. They are long and black and they shimmer. From behind his head looks like the east end of a Mallard duck going west. All of which brings us down to the consideration of the orthodox as to hair in Cameradia whose continuing popularity does not seem to be predicted on untamed tresses. Tommy Meighan, Herbert Rawlinson, Reginald Denny, Kenneth Harlan and Norman Kerry, which sans the period finishes the folks at the Universal joint are always foisting upon him, deserve citations for their devotion to the duty of being well-groomed. Bill Hart's cow-lick is also quite recherche. George Walsh sacrificed his mop to play Ben-Hur. Many are the lads with salve on their hair who are yelling for Georgie's head on a salver but they better be careful for "the barbers'll get 'em if they don't watch out." Raw, Raw, Raw — a story about movie vampires. Rather an intriguing subject to turn H. B. K. Willis loose on. The sparks are sure to fly when Willis and Kliz collaborate and vampires are the subject. Don't miss this one. In Screenland for August, ready July first.