Screenland (Apr-Sep 1924)

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SCREEN3LAND She led the way into her boudoir. We sat on a plebeian brass bed, gay with crimson silken cover, with "Thweetheart" romping, as if his dear little heart would break, between us. She told of her European conquests; of her continental title, "The Swedish Mary Pickford"; of her life in New York, in the Follies or something; of meeting prominent men intimate with movie magnates. It was an automatic interview. Questions were unnecessary even if they could have been inserted in Sigrid's purling monologue. With a keen edge to her lisping syllables she flayed her fellow-players under the Paramount banner, telling how all the women were jealous of her because of her beauty; how all the men hated her because she laughed off their advances. "Nathty beatht," Sigrid declared. "Would you like to thee my gownth?" Without regard for my blushes or waiting for an answer, she threw open a closet door. The recess, a deep one, was crowded with confections capable of turning any woman glassy-eyed with envy. There were gowns trimmed with ermine, garments of every hue and texture, alluringly intimate apparel in a myriad of shades — coats, wraps, cloaks, capes and all the what-nots dear to the heart of woman but beyond the ken of man. "These represent a fortune," I ventured. "They did not cotht me anything," Sigrid replied carelessly but with a trace of pride, withal. "Nithe men like to give me thingth." "My Gawd! I have an appointment!" she exclaimed in the next breath. "You'll have to take me — but don't forget you thould write thomething about me." She pushed me out of the room into the company of "Thweetheart." The interview was at an end. There was naught left for me but the way out. 0[ Wanda and Viola — . from page 45. old gray matter isn't functioning. And Viola is by no means a nit-wit. She looks as a normal woman of twenty-five ought to look, only better-looking than most. And as her mind has developed right along with her body, she wants parts that are worthy of her steel. She wants to act, and in the future she expects to. Wanda Rebels Too TD> UT Viola is not the only Hollywood cutie who aspires to dramatic honors. She has a blonde rival. Wanda Hawlej* 5s back on the screen, with all her blonds c.'.rls slicked straight back, trying her best is look intense. KNOWN and UNKNOWN EVEN the writer who has arrived will find in "The New Road to Authorship" information of intense interest and inestimable value. To the unknown writer — to any earnest person who has felt the urge to seek expression through the short story, the novel, the photoplay — this book opens a new vision — new avenues to success. Valuable for Advertising Writers, Playwrights, Journalists This book discloses for the first time the causes which have brought into being a new and revolutionary type of literature. It makes clear the reason why magazine publishers and motion picture producers are face to face with the greatest scarcity of acceptable story material in the history of the nation. It reveals why _ publishers and producers are encouraging new writers to come forward by offering enormous cash inducements. It explains how and why scores of writers hitherto unknown have found the path leading straight to 'success. Amazing Revelations Amazing revelations contained in this book are placed at the command of writers, known and unknown, because Palmer Institute of Authorship is the foremost institution in the world devoted to discovering new writers and to training writers both new and old along paths leading to higher achievement. These revelations are the fruit of long years of study of magazine and photoplay fields. Knowledge of them will enable the writer already established to climb new heights — will smooth the path of the unknown writer to success. 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