Screenland (May–Oct 1925)

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"Before? — Fll say so. f our place and she did her and she knew what it mean She's the greatest actress ii AND speaking of light which is going on ai the moving picture theat Here is a form of tall and is practical at that, this story of "The Stude theatre orchestra gave v The show has to do wi a regular student and the his sweetheart, Kathie, z Marvenga to appreciate 1 to be a pretty good kingd into such competition, the Al Jolson theatre these nights is because of in fact, we heard the male chorus over the r, we saw the show. Incid' were interested in one singer equipped with two he was what we thoughts We are an enthu=iasi for the film and h^fieve 1 Dunn in s Bells." Q Patty Hastings lendsher 'piquant beauty to the "Music Box Revue." ; the weeks and months stretch into years and Abie's Irish Rose continues to bloom on Forty-second Street, we are wondering about the film production of this epoch' making success. There have been so many millions of people who have laughed and cried at that, poor hap' py lowbrows that we are, that it would be very difficult to make a film without disappoint' ing all hands. In order to get in before the rush starts, we recommend Emil Jannings for Abie's papa and Larry Semon for Abie. What are your suggestions? Send us the names of the wellknown motion picture players you would select to play the four leading parts of Abie's Irish Rose. The best selections will receive as a reward two tickets to the New York performance. Mail suggestions before May 15, 1925. Photograph by ApeJa Q[ S/itrley Boot^ una Humphrey Bogart in "Hell's Bells." phere can be delivered by the silver sheet that cannot be created with paint and canvas, BUT DeMille, Fit2;maurice and Murnau together will be required to duplicate the royal flavor of the third act of The Student Prince. There are a lot of films in this world that need Charlie Murray. George Hassell is very like him, and although he can never be spared from The Student Prince, George Hassell has a screen fortune any time he cares 'to move in and start counting the money. QTom Walsh and Eddie Garvie, the "gold diggers" in "Hell's Bells." 60