Screenland (May–Oct 1925)

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C[ Fred TJiblo, the ma\er of "Ben Hur," gossips with Rudolph Valentino. They are the masters of their different fields: Big Productions vs. Personality Films. From Hollywood By Bert Kay EAR BOSS: I have discovered a great secret, to wit, i i. e., the meaning of the word "hot" as i employed in the movies. This simple 1] monosyllable now has as many different interpretati as one of Pola Negri's love looks, signifying anytr from "marvelous1' to something for which one" could arrested. The use of the word "hot," by members of the ce loid circus, has been baffling to many outside that charr circle. ■ For instance the other day I was watch naughty Nita Naldi doing some vamping on a wee basis for Mrs, Rudolph Valentino. After Nita was d another innocent bystander turned to me and said: "Oh Boy! She's hot!" I blinked and looked again at Nita. She seemed as )ol as a letter from one's tailor anent that suit which as bought but not paid for. And, what is more, her >stume seemed to ■ bear that assumption out. A day or so later, out at the Metro-Goldwyn-Mayer impound, a set orchestra played "Swanee Butterfly" for emotions with so much untold heights. When over to the musicians an obligato to Oh Boys! That's hot!" sText, in a projection room at the Lasky lot, I heard lie Sutherland exclaim, as he was viewing some of rushes from "The Big Parade," in which he is directRaymond Griffith: ([Margaret Morris and. several i won beauty contests. They of whom hav: Best People." €0