Screenland (Nov 1925–Apr 1926)

80 HAS NEW HAIR KOTALKO DID IT 6Iary H. Little has luxuriant hair »ows Tet for years, her head, as she describes it, "was' as Dare and shiny as the back of my hand." When Mrs. Little's hair began to fall, she tried to !top it by using various shampoos, oils and lotions, but her hair continued to come out until she had lost all. She perseveringly continued trying to get new hair. She consulted a specialist but no hair came. Her only nope seemed to . be in having a wig. Luckily she learned about Kotalko, and used it. Watching in her mirror she saw hairs developing. Faithfully she applied Kotalko and the hair continued to grow. It became long, strong, and silklike. The likeness above is from her photograph. Men also who were bald-headed for years report new hair growth by KOTALKO. Many testimonials from men and women. 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YoungTypewriterCo.^.K,cRhai^00,.p,„: Arljnatable i every way Sizes for a types of noses. riniTft nOSE 4PJUSTER (Patented) Shapes while you sleep. Rapid painless and safe. The ANITA is a Genuine and most Comfortable Nose Supporter. Absolutely GUARANTEED. Highly recommended by Physicians. T~~f f^i The dniTb Co. Dept. 1169, Anita Building 529 Springfield Avenue Newark, N. J. BEFORE-* AFTER SCREENL AND Jetta Makes Her Plans (Continued from page 21) ing in that to take exception to. "And certainly I consider the . phrase 'Individual peculiarities' a compliment. Isn't that the essence of being 'different'?" It was not long ago that there was a big opening of a big film at one of the down-town Los Angeles theatres.^ To be exact, it was Gloria Swanson in "Madame Sans Gene." To wear Spanish shawls was the fad — and so many stars came with Spanish shawls that they all looked alike and you couldn't remember one from the other. And then came Jetta Goudal, sans shawl but with her head tightly bound by dull silver metal cloth. Striking? "I refuse to be bound by fashion," Jetta Goudal told me, "because fashion binds and constricts you in a single mold — and I never want to get to a position where I can play only one kind of a role. I wear what I choose and pick what fits the particular mood I am in. Certainly any one who wishes to live long in an interpretative art must keep themselves free from 'entangling alliances' in the way of habits of costume and custom. "I've played a little girl in 'Salome of the Tenements,' a tubercular slum wife in 'Timothy's Quest,' a Russian princess in 'The Coming of Amos,' a little Hindoo in "The Green Goddess' and a combination of 1925 modern wife and 1625 gypsy in 'The Road to Yesterday.' I am proud of that variety and I want to increase it. I have no desire to be 'just a leading woman.' But variety of interpretation only comes when your mind and actions are free. Let them call me temperamental, just so my ver' sion of what 'temperament' means continues to induce the critics to insert such words as these in their reviews of my appearances — 'She was different, striking!' " C[ Charles Ray has come bac\ as the whim' ■ sical boy "A Little Bit of Broadway." Jetta Goudal tells me she ran away from home when she was thirteen, her home in Versailles, France, when a lawyer father and a socially conservative mother refused to let her take acting lessons. And likewise she relates quite frankly that she "barnstormed" in France with the first company with whom she could gain an engagement. Her early acting history is interlarded with humorous incidents of troubles in small towns, dingy theatres, slow trains. "It was in my first few months in New York," she relates, "that I went to a big EARLE E. LIEDERMAN The Muscle Builder Author of "Muscle Building," "Science of Wrestling," "Secrets of Strength," "Here's Health," etc. Kill This Man There's a devil inside of you. He's trying to kill you. Look out for him I He tells you not to work so hard. What's the use — the boss only piles more work on you. He tells you not to bother with your body. Do you recognize him? Of course you do. He's in us all. Hes a murderer of ambition. He's a liar and a fool. Kill Him! If you don't, he will kill you. Saved Thank your lucky stars you have another man inside of you. He's the human dynamo. He fills you full of pep and ambition. He keeps you alive — on lire. He urges you on in your daily tasks. He makes you strive for bigger and better things to do. He makes you crave for life and strength. He teaches you that the weak fall by the wayside, but the strong succeed. He shows you that exercise builds live tissue — live tissue is muscle — muscle means strength — strength is power. Power brings success! That's what you want, and gosh darn your old hide, you're going to get it. Which Man Will It Be? It's up to you— Set your own future. You want to be the Human Dynamo ? Fine ! Well, let's get busy. That's where I come in. That's my job. Here s what I'll do for you. ' „ . . In just 30 days I'll increase your arm one full inch with real live, animated muscle. Yes, and I'll add two inches to your chest in the same time. Pretty good, eh? That's nothing. Now come the works. I'll build up your shoulders. I'll deepen your chest. I'll strengthen your whole body. I'll give you arms and legs like piDars. I'll literally pack muscle up your stomach and down your back. Meanwhile I'll work on those inner muscles surrounding your vital organs. You'll feel the thrill of life shooting up your old back bone and throughout your entire system. You'll feel so full of life, you will shout to the world, "I'm a man and I can prove it." , „ Sounds good, what? But listen! That isn't all. In) not just promising these things. I guarantee theml It's a sure bet. Oh boy! Let's ride. Send for My New Book Muscular Development 64 pages and— IT'S FREE What do you think of that? I don't ask one cent. And it's the peppiest piece of reading you ever laid eyes on. I swear you'll never blink an eyelash till you've turned the last cover. And there's 48 full page photos of myself and some of my prize-winning pupils. This is the finest art gallery of strong men ever assembled. And every last one of them is shouting my praises. Look them over. If you don't get a kick out of this book, you had better roll over— you're dead. Come on then. Take out the old pen or pencil and sign your name and address to the coupon. If you haven t a stamp, a postal will do. But snap into it. Do it now. Tomorrow you may forget. Eemember. it s something for nothing and no strings attached— no obligation. GRAB IT! EARLE E. LIEDERMAN Dept. 5811 305 Broadway New York City EARLE E. LIEDERMAN Dept. 5811, 305 Broadway, New York City Dear Sir:— Please send me, absolutely FREE and without any obligation on my part whatever, a copy of your latest book, "Muscular Development." (Please write or print plainly.) Name.. Street City State..