Screenland (May-Jul 1926)

SCREENLAND 97 ty of the mind. As exemplified by Russell, t is clear that a voluntary power may be :xercised over the mental processes; that :hey may be controlled, directed and reguate'd at will. Had the young athlete been billing to accept the decision of surgeons hat he must be a cripple for life — as probibly most persons would have done — he sould have remained so, and he himself and :he world of motion pictures would have >een the losers. Love Ships With Volga Boatman (Continued from page 27) (Continued from page 31) Midshipman"! I think that is when I fell in love with him— when I saw him in that! For when I found I was to play opposite trim in Mr. DeMille's "The Volga Boatman" I confess I was thrilled. He didn t know that tho!" — She laughed with a sly, mischievous glance at the very uncomfortable Bill who desperately took this chance to broadly shake his head at her to stop. Her eyes grew big and the pantomime that passed between them was worth screening. He registered in desperate reproval "Dearest, PLEASE don't say any more about me!" She registered a hurt "Why, what's the matter? What have I said!" Then fell a heavy, uncomfortable silence. I took pity on them then and said, "Then you just met each other on this picture?" Eleanor just nodded a vigorous assent and William murmured a subdued — "yes". The interviewing party was spoiled I could see that! Eleanor Faire was a Wampus Baby Star in 1924. She played in "The Miracle Man", "Kismet" and "Thru the Bac\ Door" with Mary Pickford and is to play opposite Rod LaRoque in his next picture. So the bride and groom will at last be on the same lot. I asked them if they had been on a Honeymoon. William said, "No, we are on our Honeymoon now and expect to keep on our Honeymoon all the rest of our lives." Eleanor's answering smile w-as near to tears, and I could see that even Screen brides are sensitive and that Screen husbands wonder like ordinary ones — "Well, what is thunder have I said that hurt her? What a big brute I am anyway!" I could plainly see it was time for my Honeymoon interview to come to a tactful end so that a readjustment could take place and a Bride's injured feelings assuaged in the usual groomy way — with perhaps a little cursing of his brutal self on the side, etc. With hearty hand shakes and wishes for years and years of Honeymooning I left them. As I left the Studio I felt sorry for the next interviewer for I felt sure Eleanor would never be quite so delightfully frank and voluble again.. On Location with Richard Dix (Continued from page 25) in the most amazing winning streak the cowpunchers ever bucked! Sure, it was luck. 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