Screenland (May-Jul 1926)

10 SCREENLAND xeckles Secretly and Quickly Removed! "\Z"OU can banish those annoying, ■■■ embarrassing freckles, quickly and surely, in the privacy of your own boudoir. Your friends will wonder how you did it. Stillman's Freckle Cream bleaches them out whileyou sleep. Leaves the skin soft and white, the complexion fresh, clear and transparent, the face rejuvenated with new beauty of natural coloring. The first jar proves its magic worth. Results guaranteed, or money refunded. At all druggists, 5Uc and $1. Stillman's freekl Cream Double {Action REMOVES FRECKLES WHITENS THE SKIN The Stillman Co., 8 Rosemary Lane, Aurora, III. ■ Send me your FREE make-up and skin treat » ment booklet, "Beauty Parlor Secrets." ■ Name _ B I Address B B City State ■ 17. • Something different for fobbed Hair There is a tremendous difference in bobs. Some are wonderfully attractive and becoming, while others, well — • which kind is vours ? I wish you could picture the becoming kind I have in mind *— the sort that makes men turn to admire. I can't tell you what the color is, but it's full of those tinydancing lights that somehow suggest auburn, yet which are really no more actual color than sunlight. It's only when the head is moved that you catch the auburn suggestion— the fleeting glint of gold. You have no idea how much your bob can be improved with the "tiny tint" Golden Glinc Shampoo will give it. If you want a bob like that I have in mind, buy a package and see for yourself. At all drug stores, or send 25^ direct to J.W.KobiCo., 662 Rainier Ave., Seattle, Wn. Golden Glint SHAMPOO C(5hings to TALK Jbout (( Lubitsch, Master of Subtleties — Director of J\[uances, ponders the problems of pantomime. IF you think the police dog is the only producers should take advantage of these type of canine gifted with movie tal' picturesque American settlements for back ent, see in "Hell Bent for Heaven", a grounds. No effort is too great that will ragged sheep dog who shows real com lift us out of "sets", edy possibilities. >:. $ .;. The war pictures continue and with reason the enthusiastic public charges the box office. Soon we will have a side line of circus pictures. We have already seen "The Devil's Circus", Chaplin's circus film is nearing completion, "The Big Show" is coming, and Paramount has "Variety" , a German film of great promise, and "Barnum.". IN New York there is a dismal deluge of the songs Methuselah sang. A zippy eve' ning at any large picture theatre may be had with "Old Blac?^ Joe" and if you feel like kicking when you get home there will be "The Old Oa\en Buc\et" on the radio. The song writers want to be paid and so rather than submit to such a crazy idea as paying for a man's work the patron pays for the privilege of sleeping through "Gin a Body Kiss a Body Comin Through the Rye." Speaking of music — there is a good idea which has been taken up by the studios of tying in a picture and a musical motive. William Haines and Eleanor Boardman in "Memory Lane" gained by the combination. "Mile. Modiste" is built around "Kiss Me Again", and of course "The Volga Boatman" is this great song lived before your eyes. Korad Bercovici tells in his "On New Shores" of the perfect bits of European villages which have been built here. The IN many a film we catch a "glimpse" of another show, a cabaret usually with dancers and how we do try to see that, instead of the story for which it is but a background. "The Wilderness 'Woman" takes Chester Conklin, one of our favorite smile makers, to a cabaret and one and all we yearned for more of that dance. Why not make a film which takes you to the cabaret and then the dancer becomes the leading figure. You go with her to another show and you see a dancer before the footlights from your dark corner off stage. The lights flash upon her and as you watch your interest grows and then she becomes your leading lady — Oh well, that's silly. The new German film "Variety" is supposed to be another "Last Laugh" for quality. Do you know why their film is so superior? It is not the stars nor the directors for their successes here do not have the German flavor. No, the eye-filling wonder of the "Last Laugh" was the PICTURE EFFECT if you can call it that. The lighting of the scenes and the photography were in the true meaning pictorial. There were lavatory scenes of sheer beauty. We have read the label "greatest scene ever pictured" describing Jannings run from the hotel at night. If that set had been flooded with light and a blue tint for moonlight used it would have become only a well acted scene. Lighting and photography are the hand maidens that bring ART to the screen.