Screenland (May-Jul 1926)

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SCREENLAND 9} very 1 tired but only the two men on the back seat fell asleep. Mary Louise and young Hubbard, driving, had too much to talk about. First hot, then cold, soaring to the heights and dropping back in the pit of despair, Walter Page told the girl about the picture he was making. No one had believed in it or him and so he was producing with his own money — and he had painfully little currency. Every foot of film counted and he had resorted to all kinds of subter' fuges in order to shoot his masterpiece, an example of which Mary Louise had just witnessed at the Tijuana track. Salaries were the most important item on the expense sheet; Hubbard simply couldn't pay them. The actor on the back seat, for instance, demanded a hundred dollars a day cash. Fortunately they wouldn't require him longer than two days, but Walter Page confessed that the very thought of engaging a heroine made his blood run cold. Fifthrate stars cTemanded daily settlements and raised their salaries sky-high when he approached them. Everybody in Hollywood seemed to know he was working on a shoestring and so far he had failed to find a single soul who was willing to take a chance and string along with him. A dozen times during his story Mary Louise opened her mouth to offer her services and each time the actual words failed her. She wasn't even a fifth-rate star. Yet the character he explained to her got under her skin; Mary Louise saw the Girl, understood her temptations and sympathized with her efforts to climb back. It was almost as if Hubbard's heroine were someone she knew. "Any Day", he called his picture; well, such things were happening every day, not only in Hollywood, but all over the world. '.'That's what makes it worth while," Mary Louise told him, letting her fingers rest momentarily on his hand. "I believe in you." "Do you?" asked Walter Page, with a curious little note in his voice. "How much, I wonder?" "Well, if I were even a — a fifth-rate star, I'd work for 'cakes'," Mary Louise said tremulously. "Just enough for bread and bed " Young Hubbard, in his excitement, took his hands form the wheel to embrace Mary Louise, and the flivver darted off the road with a suddenness which brought the actor and the camera-man unceremoniously out of the land of Nod. "What is your name?" he asked her eagerly. "Marise Sutherland." "I mean . . . your real name." "Mary Louise Walker." Young Hubbard shouted the good news across his shoulder to the two weary individuals on the back seat. "Miss Walker has agreed to play the Girl for us. Coleridge said this afternoon you were exactly the type we needed for the part, but none of us thought then we'd be so lucky You're sure you understand about the salary?" he questioned Mary Louise. "It won't be much, but I'll pay you all I can." She smiled happily. "I thought you was going to say you'd pay me all I'm worth. My landlady won't give me a little hallroom for that, I'm afraid." But she was flushed and gay when she said good-night and she could hardly wait to tell Mrs. Delaware of her good fortune. They finished the picture in exactly seven days, paying for what they had to, borrowing when they could, and using public property where they could do no better. Thus the beach at Venice became a European sea EASY NOW TO GET A PERFECT MARCEL While You Dress or Sleep! Marvelous New» Invention Gives Beautiful Professionai'Like Wave Without Mttss, Bother or Expense* *^TOW in a iew minutes' time any woman can A^ give herself a Perfect Marcel. All Milady has to do is place in her hair a Ready'Set ^larceller which immediately conforms the hair into a series of beautiful waves similar to those given by the most experienced of beauty specialists. It's no trick to put it in. The illustrations show how. neat it looks in the hair while in use and what a beautiful wave it gives to perfecdy straight hair. 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