Screenland (May–Oct 1927)

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ieween fbr^palsy O J (X, Q Patsy Ruth Miller hangs the walls of her dressing room with her favorite color and all the orchards of California are proudly smiling. By Dol Marion T the farthest and darkest corner of one of Warner Bros, immense stages — unfrequented, and hidden from view behind ropes, boards, and old scenery, is a DESERTED STAIRCASE. Like Field's "Little Toy Dog" it is "covered with dust but sturdy and staunch it stands!" It is as much as your life is worth to find it in the gloom. Cautiously you feel your way — over and under things ' — until finally you stumble against a step. Darkness folds about you like a mystic mase. There seems no way jad, nor yet behind. But the magic "charm" that leads u safely through is the hand of a "beautiful lady", for Patsy Ruth Miller kn .vs all its ups and downs. And she Every good screen player must have the soul of an artist, and Patsy Ruth Miller's love for color is her natural heritage. calls it her "secret stairway". Led by her, you creep up into the blackness. Then suddenly you round a corner . and find yourself on the threshold of a doorway. i Someone must have rubbed Alladm s lamp. For after the dusty cobwebby darkness, you step into a room filled with light — and mirrors — and the soft color of apple-green. Green swirls of silken curtains . . . :ushions. . . drapes. And all because Pat, one (Cont. on page 92) C[ Patsy Ruth Miller's next picture is "What Every Girl Should Know". 29