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law, Jetta. There he sits on the front porch of the ranch house, rocking and hating, hating and rocking. And all the time the pitiless drought gnaws at the heart of the whole countryside. The sheep, — the white-gold, thirst, sicken and die. And in the ranch house, the hot, passionate love which the
Mexican Jetta pours out on her husband thirsts, sickens and almost dies.
Without and within hatred closes down on you like a smouldering blanket of fire.
"White Gold" I tell you once again is a masterpiece. It took great courage both to produce and to direct a picture of this sort. It is life plastered on the screen. The Director didn't see fit to paint fairy tales about love, he gave it to you as it is — as unvarnished as a dose of castor oil.
Go to see "White Gold" — everybody — for many a day and month will pass away before you will have an opportunity to see any film approaching its equal.
THE MAGIC GARDEN
Film Booking Office has taken a simple little story of Gene Stratton Porter's and woven it into a picture of idealistic beauty. It takes you back to your childhood, to the only perfect joy most people have ever known. It brings back to you memories that your heart tells you had better remain unremembered.
C[In "Mother" Belle Bennett is gentle and sincere.
Two children learn about love in a magic garden. The little boy, Phillipe Delacy, takes up his violin and plays to Amaryllis, Joyce Coad, who stands entranced with happiness, has never been happy before nor has ever had anybody to play with her.
That's the story. What happens afterwards doesn't matter. Just love and music in a magic garden; love and music so strongly intrenched in two little hearts that neither time
She she
' Rin-Tin-Tin at his best, and Tom Santschi choc\ full of "It" as ever.
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