Screenland (May–Oct 1927)

Page scan 000148 from Screenland

Record Details:

Title:
Screenland
Date:
May–Oct 1927
Publisher:
[New York, Affiliated Magazines, etc.]
Volume:
Screenland (May–Oct 1927)
Leaf #:
000148
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals","Television broadcasting -- Periodicals
Collection:
Hollywood Studio System and Fan Magazines
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Mid-range fan magazine. Ran from 1920 to 1952, at which point it changed its name to Screenland Plus TV-Land. Merged with Silver Screen in 1971 and ceased publication. -- Anne Helen Petersen, 2013. Secondary sources consulted: Inside the Hollywood Fan Magazine by Anthony Slide and MovieMags.com.
Date Added:
August 08, 2024
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belong. This intimate, confiding air is what makes "Cabaret" different from all the other white-way pictures. You're on speaking terms — first names, too — with gunmen and cafe owners, detectives and chorus cuties. You're even mixed up in a murder. Now, now, don't run. Detective Tom Moore knows who did it, and he's after 'em with his own little gun and a grin. Chester Conklin and his mustache and Charles Byer and his help things along — Mr. Byer, by the way, is a gentleman you'll enjoy hating, he's so good. Robert Vignola's direction, plus a cameraman who knows his shots — all kinds — make "Cabaret" a vivid, jazzy frame for the star. And now that we have dutifully discussed the highlights of the picture, let's get together for a good frank chat. What's that? Why, of course she dances. She does the Black Bottom, and the Charleston, and there's a close-up of the world-famous shimmy that will shake you out of your seat. Hey, hey! QAlso a closcup of the world famous shimmy that will sha\e you out of your seat. 46