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SCREENLAND
Jtist Completed, and the Outstanding Success of the City
THE BELVEDERE HOTEL
48th Street, West of Broadway Times Square's Finest Hotel Within convenient walking distance to important business centers and theatres.
Ideal Transit Facilities 450 ROOMS 450 BATHS
Every Room an Outside Room — with Two Large Windows Large Single Rooms, size II ft. 6 in. by 20 ft., with Bath, $4.00 per day For Two. $5.00 — Twin Beds. $6.00 Large Double Rooms, Twin Beds, Bath, $6.00 per Day Special Weekly Rates Furnished or Unfurnished Suites with Serving Pantries, $95 to $150 per Month Moderately Priced Restaurant Featuring a Peerless Cuisine Illustrated Booklet Free on Request CURTIS A. HALE, Managing Director
"Breakers
ATLANTIC CITY .N.J.
Are you guarding the most precious of all possessions — your health?
Or are you jeopardizing that invaluable asset by overdoing?
Give yourself a tonic — one you can enjoy — a few days rest in Atlantic City.
Joel Hillman Julian A. Hillman President Vice President
When in Washington Visit Harvey's Restaurant, 11th and Penna. Aves.
Famous since 1S5S
"A rlington O perated"
HOTEL ANSONIA
Broadway, 73rd to 74th Streets
NEW YORK CITY 5 minutes to Theatres and Shopping Districts. 12 minutes from Pcnn. and Grand Central Stations.
1,260 ROOMS (All Outside)
New York's most complete hotel. Everything Eor comfort and convenience of our guests.
TWO RESTAURANTS
Open from 6:30 A. M. until midnight. Music, Dancing, 2 Radio Orchestras, . Ladies' Turkish Bath, Beauty Parlor, Drug Store, Barber Shop, Stock Broker's Office. All in the Ansonia Hotel.
TRANSIENT RATES
300 Rooms and Bath per day £4.00
Large Double Rooms, Twin Beds,
Batli £6.00 per day
Parlor, Bedroom and Bath (2
persons) £7.00 per day
Special Weekly and Monthly Rates A. rent ful hotel — away from all noise and "dirt" of the "Roaring Forties." No coal smoke; our steam plant equipped oil fuel. Coolest Hotel in Nevj York in Hummer
THE ANSONIA
In conjunction with the Hotels Marseilles, Anderson, Richmond and Cosmopolitan
"Arlington Operated"
Do you remember Iris Stuart, the 'cover girl,' who came to Paramount and Holly wood about a year ago and who was getting along so beautifully when her health gave way and she had to leave us for an eight months' perfect rest? She told us then that she'd be back as sure as sure could be. She certainly wasn't beaten, nothing could have made me happier than meeting her over at Paramount this month, much heavier, eyes brighter, cheeks filled out and eager to get to work again. Isn't that fine? and aren't we all wishing her luck and more luck in this 1928?
Shooting on John Barrymore's Tempest had gone along beautifully until one day last week. On this particular morning, everyone received an eight o'clock call and a lot of work was to be finished. Nine o'clock came and no director had arrived. Ten o'clock came, and all executives were running around trying to find the man. Eleven came, and all but John, who didn't say a word, were wildly telephoning try ing to locate one perfectly good director who was holding up a set that was costing United Artists at least five hundred dollars an hour. But at twelve — at twelve by the clock in walked Sam Taylor, loaded down with candy and cigars, and smiling with the smile that won't come off.
'Well, what is it, Sam?' asked Barrymore.
'Just exactly what we wanted — girl,' beamed Taylor, and pretty soon cigars were
One of the screen's greatest actors — ]ean Hersholt in 'Abie's Irish Rose.'
handed out, and those who didn't smoke cigars were munching all the candy they could eat. Sam calls the little lady his Christmas present, and I don't blame him in the least when he tells us that she's 'much different than most babies are!'
-4
The Stage Coach — Continued from page 6.5
a-lynching. How, in the name of religion murder may be committed; how, in the name of Christ, who forgave, men can avenge. And that vengeance, he shows, is the outburst of all the evil and ignorance that may lie in the heart of a man.
He draws well, in the main. He falls down when he attempts to interpret for you what he has shown. He does not realize how well he has drawn. So he has interpolated a Northerner, played by Crane Wilbur, to whom all these things are anathema. But when Wilbur moralizes, you squirm. He says what you feel, but the explanation sounds so silly. It underlines a point that you can't miss. The playwright stops his attempt at literature to see if you know your A, B, C's.
Still, Rope, with its fine moments, remains a drama to see. And maybe if the Cabinet could see it, the marines might be withdrawn from Nicaragua, and Sandino might be permitted to send Tennessee a couple of missionaries.
"Within the Law"
Sixteen years or so ago, our forefathers brought forth — pardon us, that's the wrong speech — Bayard Veiller wrote Within the Law. It ran for two years. Now Chamberlain Brown revises it, and it doesn't creak half as much as you expected.
It creaks — yes, because the Maxim silencer is no novelty. And the Maxim silencer in those days was like the new Ford of to-day. But in spite of its creaking,
like the old Ford, it goes. And it goes because Veiller, girls and boys, was even then one of our best technicians. When he started a show, he knew where he was going — and still does.
The principal interest for this observer was in seeing Charlie Ray on the speaking stage. Charlie, in his screen impersonations of the country lad, remains one of our dearest memories; Charlie on the speaking stage is terrible — so terrible you wish he would go right back and make some more of those comedies that Julian Josephson used to write for him.
There's another movie star in the show, however, who will repay you for seeing it. Ten years ago, when she was movieing for Famous, our notion of a beautiful woman was Violet Heming. To-day, older and wiser, our notion of a beautiful woman is Violet Heming. She plays the role that Jane Cowl made famous and does it well.
Even Robert Warwick seemed pretty good to our sentimental eyes. Warwick was a good film actor in his day, but on the stage he has always bothered us. He has seemed to be just a ham; in the role of Joe Carson, he delivers.
And if you'll pardon us, Miss Claudette Colbert is here too. Miss Colbert is as good-looking a brunette as Miss Heming is a blonde. And, in addition, she is the possessor of two of the best-looking legs in captivity.
And so you see, what with one thing and another, we had a fair time at Within the Law.
Camilla Horn's Pajamas
{Continued from page 37)
desired by the soldierly Mr. Ullrich Haupt, gets a chance for exercise) and with a stiff
who stepped forth from a sheltering copice Prussian bow halted the damsel. Restoring
(don't stop me if I'm wrong for 'copies' her rosary, dropped in her agitated flight,
is one of my favorite words and seldom he smiled a smile of pure menace and gave