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(\ The fun in this film is rough and ready
Heart to
HEART
Q Cardiac Confusion.
P
UT two and two together and you get a good picture — sometimes. This is one of the times. The two hearts of the title belong to Mary Astor and Lloyd Hughes
1 I
and as I think this is their last appearance, posi tively, on any screen together, you'd better take a good long look at their love scenes. Three is usually a crowd, but not in this case, because the third party is Louise Fazenda. Miss Fazenda very nearly runs away with the picture — in fact, I'll be big and come right out and say it — she does run away with it. She plays one of those anxious wives, and achieves a genuine characterisation. She's funny — and also convincing. Lucien Littlefleld gives a composite portrait of all henpecked husbands in his inimitable manner. The fun in this film is rough and ready — but it suits me. Heart to Heart pictures in lively fashion, the excitement that
({Louise Fazenda, the comedienne, and Mary Astor, the lovely lady in 'Heart to Heart."
ensues in a small town when a real, live princess descends upon it — if the princess is a human being and in love with the struggling inventor — and looks like Mary Astor.
C[ A movie version of the best-seller
({Kate Price and Alice White as Mrs. and Miss Dugan in 'Show Girl.'
I R L
(^Show's Your Old Girl.
J P. McEvoy's novel, Show Girl, is one of the bestsellers. The picture version should repeat the suecess of the book. It follows the original with 0 more than the usual fidelity — well, anyway, it does retain the original title; and it is all about Dixie Dugan, the Brooklyn baby who makes good on Broadway. Show Girl is a pint-size soubrette, with a plot to match. Dixie attains popularity as a night-club dancer, notoriety as the heroine of a stabbing scandal, publicity as a musical comedy star — and eventual bliss as the bride of a newspaper reporter. What more can any Show Girl ask of life? Alice White plays Dixie Dugan. As Dixie herself would say, she shakes a mean scantie in the show scenes of Show Girl.
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