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SCREENLAND
Jcanettt LoffPuche Suu
Sh-h-h !
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Franklin Pub. Co., 800 N. Clark St., Dept. B-702, Chicago
Confessions
of the C/^ans
<£ Here's the Fans,-For-,Em—or Forum, as you prefer! It is YOUR department, to which you are invited to contribute your opinions about motion pictures. Say what you think about the movies. Send your photograph with your letter so that the other readers may get a glimpse of you. The^ most entertaining letters will be printed. Address The Fans' Department, Screenland Magazine, 49 West 45th Street, New York City.
The Editor.
Well, Well!
Lewis, Robert Armstrong, Conrad Nagel, George Stone, Marian Nixon, Lewis Stone, Jean Hersholt and Ralph Forbes. But please let's not have any more war pictures. A great many of us are trying to forget. Sincerely yours, (Mrs.) Gertrude M. McDaniel,
621 Oak St., Quincy, Illinois.
Dear Editor:
Although this is my first letter to any screen magazine, I have been a constant reader of them all.
I often wonder why a certain actor is featured when another very plainly steals the picture. For instance, "The Patriot." With all due respect to Emil Jannings, that picture belongs to Lewis Stone. So far as I am concerned, there isn't a better actor on the screen today. And why all this whoopee for John Gilbert? Maybe I'm prejudiced but I'd rather see the old Keystone Cops. I am glad, though, that Conrad Nagel is at last getting the credit he deserves. And Ramon Novarro — I only hope that "The Flying Fleet" is better than some of the other stories they've inflicted on him. I still like his "Scaramouche" the best of all; in fact, I've seen it no less than six times. Now he will be in opera! Here's wishing him all the success in the world.
At one of the theatres the announcement is — "Clara Bow in 'Wings.' " Why? Anyone can see that the picture belongs first to Richard Arlen and then to Charles Rogers. There will be an avalanche of criticism on that statement.
I've just read that Greta Garbo has returned to her native land. Glory be! Maybe now we won't have to look at those clinging, slinky love scenes that make one want to crawl under the seats. As I said before, I may be prejudiced. Without a doubt this world could not exist without love — but give us the clean, wholesome love stories. Could anyone wish anything sweeter than Janet Gaynor? How-ever, taking everything into consideration, how many of us would-be critics could do as well as those we criticize?
In the year 1929, please give us more of Charles Farrell, Charles Rogers, Gary Cooper, Dick Barthelmess, Marion Davies, Janet Gaynor, Buster Collier, Jr., George
Attention, J. Clarence!
Kind Editor:
I say "kind" because 'tis truly an editor with a kindly spirit who will listen to the rabble of the General Public, read through hundreds of grumbling and complaining letters, then cheerfully publish the few that are readable! That's what I call a woman!
That man. J. Clarence, of Minneapolis: I agree with him — and I don't! Sounds paradoxical — but he said in the February issue of Screenland, along with the Confessions of other Fans: "Sometimes I think the new talking pictures are swell and sometimes I don't." I agree with him — inasmuch as I do like the new talkies very much; therefore I cannot agree with him during those periods when he doesn't think they are swell! I haven't been hit with the "Noswell-talkies" yet.
That man is way up in Minneapolis where I was born and I'm way down yonder in Georgia — but I'm sure agreeing with these Georgia Crackers on talkies. Why, w-hen Al Jolson smit the town with "The Singing Fool." everyone had a great time! It stayed over two weeks and each performance was jammed and crowded with men, women, children — all coming out with tears streaming, declaring they had just had the best time. Women do have a good time crying, but if it makes 'em happy, let's have some more pictures like that.
I wonder did J. Clarence see Bill Powell deliberately poison Evelyn Brent _ in "Interference?" Evelyn was kinda dirty